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The Missouri Outlaws
The Missouri Outlaws
NOTICE
GUSTAVE AIMARD was the adopted son of one of the most powerful Indian tribes, with whom he lived for more than fifteen years in the heart of the prairies, sharing their dangers and their combats, and accompanying them everywhere, rifle in one hand and tomahawk in the other. In turn squatter, hunter, trapper, warrior, and miner, GUSTAVE AIMARD has traversed America from the highest peaks of the Cordilleras to the ocean shores, living from hand to mouth, happy for the day, careless of the morrow. Hence it is that GUSTAVE AIMARD only describes his own life. The Indians of whom he speaks he has known – the manners he depicts are his own.
PREFACE
Very few of the soul-stirring narratives written by GUSTAVE AIMARD are equal in freshness and vigour to "The Missouri Outlaws," hitherto unpublished in this country. The characters of the Squatter, the real, restless, unconquerable American, who is always going ahead, and of his wife and daughter, are admirably depicted, while his eccentric brother is a perfect gem of description. The great interest, however, of the narrative is centred in Tom Mitchell, the mysterious outlaw, whose fortunes excite the readers' imagination to the utmost. There can be no doubt he is one of the most original characters depicted by the versatile pen of the great French novelist. In addition to being a story of adventure, "The Missouri Outlaws" is also a love tale, and abounds in tender pathos, the interest of which is well sustained in "The Prairie Flower" and in its sequel, "The Indian Scout."
PERCY B. ST. JOHN.
London: February, 1877.
CHAPTER I.
THE GOOD SHIP PATRIOT
On the 4th of August, 1801, a little after eight o'clock at night, just as the last rays of the setting sun disappeared behind the heights of Dorchester, gilding as they did so the summits of certain islands scattered at the entrance to Boston Bay, some idlers of both sexes, collected on Beacon Hill, at the foot of the lighthouse, saw a large vessel making for the harbour.
At first it seemed as if the ship would be compelled to desist from her design, as the wind was slightly contrary; but, by a series of skilful manoeuvres, it at last passed by the danger which threatened, the sails were one by one taken in and furled, and finally the anchor was cast beside one of the many vessels in port.
A few minutes later nothing was to be seen on deck save one man walking up and down doing duty as watch for the time being.
The vessel had, under cover of a dense fog, escaped from Brest, slipped past the English cruisers, and finally, after many dangers, reached its destination.
Descending into the cabin, we find two men seated at a table upon which were glasses, bottles, pipes, and tobacco, conversing and smoking.
These were Captain Pierre Durand, a young man, with regular but rather effeminate features, and yet a look of frank honesty, to which his sparkling eyes, his broad forehead, his long waving hair, gave an appearance of singular energy. Though every inch a sailor, there was a refinement about him not generally found in his class.
His companion was a handsome and haughty young man, of about two-and-twenty, of moderate height, but with very broad shoulders; he was evidently of powerful make, with nerves of steel. His complexion was olive; his hair long wavy black; his eyes were large and bold; the expression of his countenance sombre and thoughtful, while at this early age many a wrinkle caused by thought or suffering was to be observed.
There had evidently been a warm discussion, for the captain was walking up and down, a frown upon his brow. Suddenly, however, he reseated himself and held out his hand across the table.
"I was wrong. Do not be vexed," he said.
"I am not angry, my good Pierre," he answered.