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The Revolt of the Angels

Anatole France
The Revolt of the Angels

CHAPTER I

CONTAINING IN A FEW LINES THE HISTORY OF A FRENCH FAMILY FROM 1789 TO THE PRESENT DAY

BENEATH the shadow of St. Sulpice the ancient mansion of the d'Esparvieu family rears its austere three stories between a moss-grown fore-court and a garden hemmed in, as the years have elapsed, by ever loftier and more intrusive buildings, wherein, nevertheless, two tall chestnut trees still lift their withered heads.

Here from 1825 to 1857 dwelt the great man of the family, Alexandre Bussart d'Esparvieu, Vice-President of the Council of State under the Government of July, Member of the Academy of Moral and Political Sciences, and author of an Essay on the Civil and Religious Institutions of Nations, in three octavo volumes, a work unfortunately left incomplete.

This eminent theorist of a Liberal monarchy left as heir to his name his fortune and his fame, Fulgence-Adolphe Bussart d'Esparvieu, senator under the Second Empire, who added largely to his patrimony by buying land over which the Avenue de l'Impératice was destined ultimately to pass, and who made a remarkable speech in favour of the temporal power of the popes.

Fulgence had three sons. The eldest, Marc-Alexandre, entering the army, made a splendid career for himself: he was a good speaker. The second, Gaétan, showing no particular aptitude for anything, lived mostly in the country, where he hunted, bred horses, and devoted himself to music and painting. The third son, René, destined from his childhood for the law, resigned his deputyship to avoid complicity in the Ferry decrees against the religious orders; and later, perceiving the revival under the presidency of Monsieur Fallières of the days of Decius and Diocletian, put his knowledge and zeal at the service of the persecuted Church.

From the Concordat of 1801 down to the closing years of the Second Empire all the d'Esparvieus attended mass for the sake of example. Though sceptics in their inmost hearts, they looked upon religion as an instrument of government.

Mark and René were the first of their race to show any sign of sincere devotion. The General, when still a colonel, had dedicated his regiment to the Sacred Heart, and he practised his faith with a fervour remarkable even in a soldier, though we all know that piety, daughter of Heaven, has marked out the hearts of the generals of the Third Republic as her chosen dwelling-place on earth.

Faith has its vicissitudes. Under the old order the masses were believers, not so the aristocracy or the educated middle class. Under the First Empire the army from top to bottom was entirely irreligious. To-day the masses believe nothing. The middle classes wish to believe, and succeed at times, as did Marc and René d'Esparvieu. Their brother Gaétan, on the contrary, the country gentleman, failed to attain to faith. He was an agnostic, a term commonly employed by the modish to avoid the odious one of freethinker. And he openly declared himself an agnostic, contrary to the admirable custom which deems it better to withhold the avowal.

In the century in which we live there are so many modes of belief and of unbelief that future historians will have difficulty in finding their way about. But are we any more successful in disentangling the condition of religious beliefs in the time of Symmachus or of Ambrose?

A fervent Christian, René d'Esparvieu was deeply attached to the liberal ideas his ancestors had transmitted to him as a sacred heritage. Compelled to oppose a Jacobin and atheistical Republic, he still called himself Republican. And it was in the name of liberty that he demanded the independence and sovereignty of the Church.

During the long debates on the Separation and the quarrels over the Inventories, the synods of the bishops and the assemblies of the faithful were held in his house. While the most authoritatively accredited leaders of the Catholic party: prelates, generals, senators, deputies, journalists, were met together in the big green drawing-room, and every soul present turned towards Rome with a tender submission or enforced obedience; while Monsieur d'Esparvieu, his elbow on the marble chimney-piece, opposed civil law to canon law, and protested eloquently against the spoliation of the Church of France, two faces of other days, immobile and speechless, looked down on the modern crowd; on the right of the fire-place, painted by David, was Romain Bussart, a working-farmer at Esparvieu in shirt-sleeves and drill trousers, with a rough-and-ready air not untouched with cunning. He had good reason to smile: the worthy man laid the foundation of the family fortunes when he bought Church lands. On the left, painted by Gérard in full-dress bedizened with orders, was the peasant's son, Baron Emile Bussart d'Esparvieu, prefect under the Empire, Keeper of the Great Seal under Charles X, who died in 1837, churchwarden of his parish, with couplets from La Pucelle on his lips.

René d'Esparvieu married in 1888 Marie-Antoinette Coupelle, daughter of Baron Coupelle, ironmaster at Blainville (Haute Loire). Madame René d'Esparvieu had been president since 1903 of the Society of Christian Mothers. These perfect spouses, having married off their eldest daughter in 1908, had three children still at home – a girl and two boys.

Léon, the younger, aged seven, had a room next to his mother and his sister Berthe. Maurice, the elder, lived in a little pavilion comprising two rooms at the bottom of the garden. The young man thus gained a freedom which enabled him to endure family life. He was rather good-looking, smart without too much pretence, and the faint smile which merely raised one corner of his mouth did not lack charm.

At twenty-five Maurice possessed the wisdom of Ecclesiastes. Doubting whether a man hath any profit of all his labour which he taketh under the sun he never put himself out about anything. From his earliest childhood this young hopeful's sole concern with work had been considering how he might best avoid it, and it was through his remaining ignorant of the teaching of the École de Droit that he became a doctor of law and a barrister at the Court of Appeal.

He neither pleaded nor practised. He had no knowledge and no desire to acquire any; wherein he conformed to his genius whose engaging fragility he forbore to overload; his instinct fortunately telling him that it was better to understand little than to misunderstand a lot.

As Monsieur l'Abbé Patouille expressed it, Maurice had received from Heaven the benefits of a Christian education. From his childhood piety was shown to him in the example of his home, and when on leaving college he was entered at the École de Droit, he found the lore of the doctors, the virtues of the confessors, and the constancy of the nursing mothers of the Church assembled around the paternal hearth. Admitted to social and political life at the time of the great persecution of the Church of France, Maurice did not fail to attend every manifestation of youthful Catholicism; he lent a hand with his parish barricades at the time of the Inventories, and with his companions he unharnessed the archbishop's horses when he was driven out from his palace. He showed on all these occasions a modified zeal; one never saw him in the front ranks of the heroic band exciting soldiers to a glorious disobedience or flinging mud and curses at the agents of the law.

He did his duty, nothing more; and if he distinguished himself on the occasion of the great pilgrimage of 1911 among the stretcher-bearers at Lourdes, we have reason to fear it was but to please Madame de la Verdelière, who admired men of muscle. Abbé Patouille, a friend of the family and deeply versed in the knowledge of souls, knew that Maurice had only moderate aspirations to martyrdom. He reproached him with his lukewarmness, and pulled his ear, calling him a bad lot. Anyway, Maurice remained a believer.

Amid the distractions of youth his faith remained intact, since he left it severely alone. He had never examined a single tenet. Nor had he enquired a whit more closely into the ideas of morality current in the grade of society to which he belonged. He took them just as they came. Thus in every situation that arose he cut an eminently respectable figure which he would have assuredly failed to do, had he been given to meditating on the foundations of morality. He was irritable and hot-tempered and possessed of a sense of honour which he was at great pains to cultivate. He was neither vain nor ambitious. Like the majority of Frenchmen, he disliked parting with his money. Women would never have obtained anything from him had they not known the way to make him give. He believed he despised them; the truth was he adored them. He indulged his appetites so naturally that he never suspected that he had any. What people did not know, himself least of all, – though the gleam that occasionally shone in his fine, light-brown eyes might have furnished the hint – was that he had a warm heart and was capable of friendship. For the rest, he was, in the ordinary intercourse of life, no very brilliant specimen.

CHAPTER II

WHEREIN USEFUL INFORMATION WILL BE FOUND CONCERNING A LIBRARY WHERE STRANGE THINGS WILL SHORTLY COME TO PASS

DESIROUS of embracing the whole circle of human knowledge, and anxious to bequeath to the world a concrete symbol of his encyclopædic genius and a display in keeping with his pecuniary resources, Baron Alexandre d'Esparvieu had formed a library of three hundred and sixty thousand volumes, both printed and in manuscript, whereof the greater part emanated from the Benedictines of Ligugé.

By a special clause in his will he enjoined his heirs to add to his library, after his death, whatever they might deem worthy of note in natural, moral, political, philosophical, and religious science.

He had indicated the sums which might be drawn from his estate for the fulfilment of this object, and charged his eldest son, Fulgence-Adolphe, to proceed with these additions. Fulgence-Adolphe accomplished with filial respect the wishes expressed by his illustrious father.

After him, this huge library, which represented more than one child's share of the estate, remained undivided between the Senator's three sons and two daughters; and René d'Esparvieu, on whom devolved the house in the Rue Garancière, became the guardian of the valuable collection. His two sisters, Madame Paulet de Saint-Fain and Madame Cuissart, repeatedly demanded that such a large but unremunerative piece of property should be turned into money. But René and Gaétan bought in the shares of their two co-legatees, and the library was saved. René d'Esparvieu even busied himself in adding to it, thus fulfilling the intentions of its founder. But from year to year he lessened the number and importance of the acquisitions, opining that the intellectual output in Europe was on the wane.

Nevertheless, Gaétan enriched it, out of his funds, with works published both in France and abroad which he thought good, and he was not lacking in judgment, though his brothers would never allow that he had a particle. Thanks to this man of leisurely and inquiring mind, Baron Alexandre's collection was kept practically up to date. Even at the present day the d'Esparvieu library, in the departments of theology, jurisprudence, and history is one of the finest private libraries in all Europe. Here you may study physical science, or to put it better, physical sciences in all their branches, and for that matter metaphysic or metaphysics, that is to say, all that is connected with physics and has no other name, so impossible is it to designate by a substantive that which has no substance, and is but a dream and an illusion. Here you may contemplate with admiration philosophers addressing themselves to the solution, dissolution, and resolution of the Absolute, to the determination of the Indeterminate and to the definition of the Infinite.

Amid this pile of books and booklets, both sacred and profane, you may find everything down to the latest and most fashionable pragmatism.

Other libraries there are, more richly abounding in bindings of venerable antiquity and illustrious origin, whose smooth and soft-hued texture render them delicious to the touch; bindings which the gilder's art has enriched with gossamer, lace-work, foliage, flowers, emblematic devices, and coats of arms; bindings that charm the studious eye with their tender radiance. Other libraries perhaps harbour a greater array of manuscripts illuminated with delicate and brilliant miniatures by artists of Venice, Flanders, or Touraine. But in handsome, sound editions of ancient and modern writers, both sacred and profane, the d'Esparvieu library is second to none. Here one finds all that has come down to us from antiquity; all the Fathers of the Church, the Apologists and the Decretalists, all the Humanists of the Renaissance, all the Encylopædists, the whole world of philosophy and science. Therefore it was that Cardinal Merlin, when he deigned to visit it, remarked:

"There is no man whose brain is equal to containing all the knowledge which is piled upon these shelves. Happily it doesn't matter."

Monseigneur Cachepot, who worked there often when a curate in Paris, was in the habit of saying:

"I see here the stuff to make many a Thomas Aquinas and many an Arius, if only the modern mind had not lost its ancient ardour for good and evil."

There was no gainsaying that the manuscripts formed the more valuable portion of this immense collection. Noteworthy indeed was the unpublished correspondence of Gassendi, of Father Mersenne, and of Pascal, which threw a new light on the spirit of the seventeenth century. Nor must we forget the Hebrew Bibles, the Talmuds, the Rabbinical treatises, printed and in manuscript, the Aramaic and Samaritan texts, on sheepskin and on tablets of sycamore; in fine, all these antique and valuable copies collected in Egypt and in Syria by the celebrated Moïse de Dina, and acquired at a small cost by Alexandre d'Esparvieu in 1836, when the learned Hebraist died of old age and poverty in Paris.

The Esparvienne library occupied the whole of the second floor of the old house. The works thought to be of but mediocre interest, such as books of Protestant exegesis of the nineteenth and twentieth centuries, the gift of Monsieur Gaétan, were relegated unbound to the limbo of the upper regions. The catalogue, with its various supplements, ran into no less than eighteen folio volumes. It was quite up to date, and the library was in perfect order. Monsieur Julien Sariette, archivist and palæographer, who, being poor and retiring, used to make his living by teaching, became, in 1895, tutor to young Maurice on the recommendation of the Bishop of Agra, and with scarcely an interval found himself curator of the Bibliothèque Esparvienne. Endowed with business-like energy and dogged patience, Monsieur Sariette himself classified all the members of this vast body. The system he invented and put into practice was so complicated, the labels he put on the books were made up of so many capital letters and small letters, both Latin and Greek, so many Arabic and Roman numerals, asterisks, double asterisks, triple asterisks, and those signs which in arithmetic express powers and roots, that the mere study of it would have involved more time and labour than would have been required for the complete mastery of algebra, and as no one could be found who would give the hours, that might be more profitably employed in discovering the law of numbers, to the solving of these cryptic symbols, Monsieur Sariette remained the only one capable of finding his way among the intricacies of his system, and without his help it had become an utter impossibility to discover, among the three hundred and sixty thousand volumes confided to his care, the particular volume one happened to require. Such was the result of his labours. Far from complaining about it, he experienced on the contrary a lively satisfaction.

Monsieur Sariette loved his library. He loved it with a jealous love. He was there every day at seven o'clock in the morning busy cataloguing at a huge mahogany desk. The slips in his handwriting filled an enormous case standing by his side surmounted by a plaster bust of Alexandre d'Esparvieu. Alexandre wore his hair brushed straight back, and had a sublime look on his face. Like Chateaubriand, he affected little feathery side whiskers. His lips were pursed, his bosom bare. Punctually at midday Monsieur Sariette used to sally forth to lunch at a crèmerie in the narrow gloomy Rue des Canettes. It was known as the Crèmerie des Quatre Évêques, and had once been the haunt of Baudelaire, Theodore de Banville, Charles Asselineau, and a certain grandee of Spain who had translated the "Mysteries of Paris" into the language of the conquistadores. And the ducks that paddled so nicely on the old stone sign which gave its name to the street used to recognize Monsieur Sariette. At a quarter to one, to the very minute, he went back to his library, where he remained until seven o'clock. He then again betook himself to the Quatre Évêques, and sat down to his frugal dinner, with its crowning glory of stewed prunes. Every evening, after dinner, his crony, Monsieur Guinardon, universally known as Père Guinardon, a scene-painter and picture-restorer, who used to do work for churches, would come from his garret in the Rue Princesse to have his coffee and liqueur at the Quatre Évêques, and the two friends would play their game of dominoes.

Old Guinardon, who was like some rugged old tree still full of sap, was older than he could bring himself to believe. He had known Chenavard. His chastity was positively ferocious, and he was for ever denouncing the impurities of neo-paganism in language of alarming obscenity. He loved talking. Monsieur Sariette was a ready listener. Old Guinardon's favourite subject was the Chapelle des Anges in St. Sulpice, in which the paintings were peeling off the walls, and which he was one day to restore; when, that is, it should please God, for, since the Separation, the churches belonged solely to God, and no one would undertake the responsibility of even the most urgent repairs. But old Guinardon demanded no salary.

"Michael is my patron saint," he said. "And I have a special devotion for the Holy Angels."

After they had had their game of dominoes, Monsieur Sariette, very thin and small, and old Guinardon, sturdy as an oak, hirsute as a lion, and tall as a Saint Christopher, went off chatting away side by side across the Place Saint Sulpice, heedless of whether the night were fine or stormy. Monsieur Sariette always went straight home, much to the regret of the painter, who was a gossip and a nightbird.

The following day, as the clock struck seven, Monsieur Sariette would take up his place in the library, and resume his cataloguing. As he sat at his desk, however, he would dart a Medusa-like look at anyone who entered, fearing lest he should prove to be a book-borrower. It was not merely the magistrates, politicians, and prelates whom he would have liked to turn to stone when they came to ask for the loan of a book with an air of authority bred of their familiarity with the master of the house. He would have done as much to Monsieur Gaétan, the library's benefactor, when he wanted some gay or scandalous old volume wherewith to beguile a wet day in the country. He would have meted out similar treatment to Madame René d'Esparvieu, when she came to look for a book to read to her sick poor in hospital, and even to Monsieur René d'Esparvieu himself, who generally contented himself with the Civil Code and a volume of Dalloz. The borrowing of the smallest book seemed like dragging his heart out. To refuse a volume even to such as had the most incontestable right to it, Monsieur Sariette would invent countless far-fetched or clumsy fibs, and did not even shrink from slandering himself as curator or from casting doubts on his own vigilance by saying that such and such a book was mislaid or lost, when a moment ago he had been gloating over that very volume or pressing it to his bosom. And when ultimately forced to part with a volume he would take it back a score of times from the borrower before he finally relinquished it.

He was always in agony lest one of the objects confided to his care should escape him. As the guardian of three hundred and sixty thousand volumes, he had three hundred and sixty thousand reasons for alarm. Sometimes he woke at night bathed in sweat, and uttering a cry of fear, because he had dreamed he had seen a gap on one of the shelves of his bookcases. It seemed to him a monstrous, unheard-of, and most grievous thing that a volume should leave its habitat. This noble rapacity exasperated Monsieur René d'Esparvieu, who, failing to understand the good qualities of his paragon of a librarian, called him an old maniac. Monsieur Sariette knew nought of this injustice, but he would have braved the cruellest misfortune and endured opprobrium and insult to safeguard the integrity of his trust. Thanks to his assiduity, his vigilance and zeal, or, in a word, to his love, the Esparvienne library had not lost so much as a single leaflet under his supervision during the sixteen years which had now rolled by, this ninth of September, 1912.

CHAPTER III

WHEREIN THE MYSTERY BEGINS

AT seven o'clock on the evening of that day, having as usual replaced all the books which had been taken from their shelves, and having assured himself that he was leaving everything in good order, he quitted the library, double-locking the door after him. According to his usual habit, he dined at the Crèmerie des Quatre Évêques, read his newspaper, La Croix, and at ten o'clock went home to his little house in the Rue du Regard. The good man had no trouble and no presentiment of evil; his sleep was peaceful. The next morning at seven o'clock to the minute, he entered the little room leading to the library, and, according to his daily habit, doffed his grand frock-coat, and taking down an old one which hung in a cupboard over his washstand, put it on. Then he went in to his workroom, where for sixteen years he had been cataloguing six days out of the seven, under the lofty gaze of Alexandre d'Esparvieu. Preparing to make a round of the various rooms, he entered the first and largest, which contained works on theology and religion in huge cupboards whose cornices were adorned with bronze-coloured busts of poets and orators of ancient days.

Two enormous globes representing the earth and the heavens filled the window-embrasures. But at his first step Monsieur Sariette stopped dead, stupefied, powerless alike to doubt or to credit what his eyes beheld. On the blue cloth cover of the writing-table books lay scattered about pell-mell, some lying flat, some standing upright. A number of quartos were heaped up in a tottering pile. Two Greek lexicons, one inside the other, formed a single being more monstrous in shape than the human couples of the divine Plato. A gilt-edged folio was all a-gape, showing three of its leaves disgracefully dog's-eared.

Having, after an interval of some moments, recovered from his profound amazement, the librarian went up to the table and recognised in the confused mass his most valuable Hebrew, French, and Latin Bibles, a unique Talmud, Rabbinical treatises printed and in manuscript, Aramaic and Samaritan texts and scrolls from the synagogues – in fine, the most precious relics of Israel all lying in a disordered heap, gaping and crumpled.

Monsieur Sariette found himself confronted with an inexplicable phenomenon; nevertheless he sought to account for it. How eagerly he would have welcomed the idea that Monsieur Gaétan, who, being a thoroughly unprincipled man, presumed on the right gained him by his fatal liberality towards the library to rummage there unhindered during his sojourns in Paris, had been the author of this terrible disorder. But Monsieur Gaétan was away travelling in Italy. After pondering for some minutes Monsieur Sariette's next supposition was that Monsieur René d'Esparvieu had entered the library late in the evening with the keys of his manservant Hippolyte, who, for the past twenty-five years, had looked after the second floor and the attics. Monsieur René d'Esparvieu, however, never worked at night, and did not read Hebrew. Perhaps, thought Monsieur Sariette, perhaps he had brought or allowed to be brought to this room some priest, or Jerusalem monk, on his way through Paris; some Oriental savant given to scriptural exegesis. Monsieur Sariette next wondered whether the Abbé Patouille, who had an enquiring mind, and also a habit of dog's-earing his books, had, peradventure, flung himself on these talmudic and biblical texts, fired with sudden zeal to lay bare the soul of Shem. He even asked himself for a moment whether Hippolyte, the old manservant, who had swept and dusted the library for a quarter of a century, and had been slowly poisoned by the dust of accumulated knowledge, had allowed his curiosity to get the better of him, and had been there during the night, ruining his eyesight and his reason, and losing his soul poring by moonlight over these undecipherable symbols. Monsieur Sariette even went so far as to imagine that young Maurice, on leaving his club or some nationalist meeting, might have torn these Jewish volumes from their shelves, out of hatred for old Jacob and his modern posterity; for this young man of family was a declared anti-semite, and only consorted with those Jews who were as anti-semitic as himself. It was giving a very free rein to his imagination, but Monsieur Sariette's brain could not rest, and went wandering about among speculations of the wildest extravagance.

Impatient to know the truth, the zealous guardian of the library called the manservant.

Hippolyte knew nothing. The porter at the lodge could not furnish any clue. None of the domestics had heard a sound. Monsieur Sariette went down to the study of Monsieur René d'Esparvieu, who received him in nightcap and dressing-gown, listened to his story with the air of a serious man bored with idle chatter, and dismissed him with words which conveyed a cruel implication of pity.

"Do not worry, my good Monsieur Sariette; be sure that the books were lying where you left them last night."

Monsieur Sariette reiterated his enquiries a score of times, discovered nothing, and suffered such anxiety that sleep entirely forsook him. When, on the following day at seven o'clock he entered the room with the busts and globes, and saw that all was in order, he heaved a sigh of relief. Then suddenly his heart beat fit to burst. He had just seen lying flat on the mantelpiece a paper-bound volume, a modern work, the boxwood paper-knife which had served to cut its pages still thrust between the leaves. It was a dissertation on the two parallel versions of Genesis, a work which Monsieur Sariette had relegated to the attic, and which had never left it up to now, no one in Monsieur d'Esparvieu's circle having had the curiosity to differentiate between the parts for which the polytheistic and monotheistic contributors were respectively responsible in the formation of the first of the sacred books. This book bore the label R > 3214VIII/2. And this painful truth was suddenly borne in upon the mind of Monsieur Sariette: to wit, that the most scientific system of numbering will not help to find a book if the book is no longer in its place. Every day of the ensuing month found the table littered with books. Greek and Latin lay cheek by jowl with Hebrew. Monsieur Sariette asked himself whether these nocturnal flittings were the work of evil-doers who entered by the skylights to steal valuable and precious volumes. But he found no traces of burglary, and, notwithstanding the most minute search, failed to discover that anything had disappeared. Terrible anxiety took possession of his mind, and he fell to wondering whether it was possible that some monkey in the neighbourhood came down the chimney and acted the part of a person engaged in study. Deriving his knowledge of the habits of these animals in the main from the paintings of Watteau and Chardin, he took it that, in the art of imitating gestures or assuming characters they resembled Harlequin, Scaramouch, Zerlin, and the Doctors of the Italian comedy; he imagined them handling a palette and brushes, pounding drugs in a mortar, or turning over the leaves of an old treatise on alchemy beside an athanor. And so it was that, when, on one unhappy morning, he saw a huge blot of ink on one of the leaves of the third volume of the polyglot Bible bound in blue morocco and adorned with the arms of the Comte de Mirabeau, he had no doubt that a monkey was the author of the evil deed. The monkey had been pretending to take notes and had upset the inkpot. It must be a monkey belonging to a learned professor.

Imbued with this idea, Monsieur Sariette carefully studied the topography of the district, so as to draw a cordon round the group of houses amid which the d'Esparvieu house stood. Then he visited the four surrounding streets, asking at every door if there was a monkey in the house. He interrogated porters and their wives, washer-women, servants, a cobbler, a greengrocer, a glazier, clerks in bookshops, a priest, a bookbinder, two guardians of the peace, children, thus testing the diversity of character and variety of temper in one and the same people; for the replies he received were quite dissimilar in nature; some were rough, some were gentle; there were the coarse and the polished, the simple and the ironical, the prolix and the abrupt, the brief and even the silent. But of the animal he sought he had had neither sight nor sound, when under the archway of an old house in the Rue Servandoni, a small freckled, red-haired girl who looked after the door, made reply:

"There is Monsieur Ordonneau's monkey; would you care to see it?"

And without another word she conducted the old man to a stable at the other end of the yard. There on some rank straw and old bits of cloth, a young macaco with a chain round his middle sat and shivered. He was no taller than a five-year-old child. His livid face, his wrinkled brow, his thin lips were all expressive of mortal sadness. He fixed on the visitor the still lively gaze of his yellow eyes. Then with his small dry hand he seized a carrot, put it to his mouth, and forthwith flung it away. Having looked at the newcomers for a moment, the exile turned away his head, as if he expected nothing further of mankind or of life. Sitting huddled up, one knee in his hand, he made no further movement, but at times a dry cough shook his breast.

"It's Edgar," said the small girl. "He is for sale, you know."

But the old book-lover, who had come armed with anger and resentment, thinking to find a cynical enemy, a monster of malice, an antibibliophile, stopped short, surprised, saddened, and overcome, before this little being devoid of strength and joy and hope.

Recognising his mistake, troubled by the almost human face which sorrow and suffering made more human still, he murmured "Forgive me" and bowed his head.

CHAPTER IV

WHICH IN ITS FORCEFUL BREVITY PROJECTS US TO THE LIMITS OF THE ACTUAL WORLD

TWO months elapsed; the domestic upheaval did not subside, and Monsieur Sariette's thoughts turned to the Freemasons. The papers he read were full of their crimes. Abbé Patouille deemed them capable of the darkest deeds, and believed them to be in league with the Jews and meditating the total overthrow of Christendom.

Having now arrived at the acme of power, they wielded a dominating influence in all the principal departments of State, they ruled the Chambers, there were five of them in the Ministry, and they filled the Élysée. Having some time since assassinated a President of the Republic because he was a patriot, they were getting rid of the accomplices and witnesses of their execrable crime. Few days passed without Paris being terror-stricken at some mysterious murder hatched in their Lodges. These were facts concerning which no doubt was possible. By what means did they gain access to the library? Monsieur Sariette could not imagine. What task had they come to fulfil? Why did they attack sacred antiquity and the origins of the Church? What impious designs were they forming? A heavy shadow hung over these terrible undertakings. The Catholic archivist feeling himself under the eye of the sons of Hiram was terrified and fell ill.

Scarcely had he recovered, when he resolved to pass the night in the very spot where these terrible mysteries were enacted, and to take the subtle and dangerous visitors by surprise. It was an enterprise that demanded all his slender courage. Being a man of delicate physique and of nervous temperament, Monsieur Sariette was naturally inclined to be fearful. On the 8th of January at nine o'clock in the evening, while the city lay asleep under a whirling snowstorm, he built up a good fire in the room containing the busts of the ancient poets and philosophers, and ensconced himself in an arm-chair at the chimney corner, a rug over his knees. On a small stand within reach of his hand were a lamp, a bowl of black coffee, and a revolver borrowed from the youthful Maurice. He tried to read his paper, La Croix, but the letters danced beneath his eyes. So he stared hard in front of him, saw nothing but the shadows, heard nothing but the wind, and fell asleep.

When he awoke the fire was out, the lamp was extinguished, leaving an acrid smell behind. But all around, the darkness was filled with milky brightness and phosphorescent lights. He thought he saw something flutter on the table. Stricken to the marrow with cold and terror, but upheld by a resolve stronger than any fear, he rose, approached the table, and passed his hands over the cloth. He saw nothing; even the lights faded, but under his fingers he felt a folio wide open; he tried to close it, the book resisted, jumped up and hit the imprudent librarian three blows on the head.

Monsieur Sariette fell down unconscious…

Since then things had gone from bad to worse. Books left their allotted shelves in greater profusion than ever, and sometimes it was impossible to replace them; they disappeared. Monsieur Sariette discovered fresh losses daily. The Bollandists were now an imperfect set, thirty volumes of exegesis were missing. He himself had become unrecognisable. His face had shrunk to the size of one's fist and grown yellow as a lemon, his neck was elongated out of all proportion, his shoulders drooped, the clothes he wore hung on him as on a peg. He ate nothing, and at the Crèmerie des Quatre Évêques he would sit with dull eyes and bowed head, staring fixedly and vacantly at the saucer where, in a muddy juice, floated his stewed prunes. He did not hear old Guinardon relate how he had at last begun to restore the Delacroix paintings at St. Sulpice.

Monsieur René d'Esparvieu, when he heard the unhappy curator's alarming reports, used to answer drily:

"These books have been mislaid, they are not lost; look carefully, Monsieur Sariette, look carefully and you will find them."

And he murmured behind the old man's back:

"Poor old Sariette is in a bad way."

"I think," replied Abbé Patouille, "that his brain is going."

CHAPTER V

WHEREIN EVERYTHING SEEMS STRANGE BECAUSE EVERYTHING IS LOGICAL

THE Chapel of the Holy Angels, which lies on the right hand as you enter the Church of St. Sulpice, was hidden behind a scaffolding of planks. Abbé Patouille, Monsieur Gaétan, Monsieur Maurice, his nephew, and Monsieur Sariette, entered in single file through the low door cut in the wooden hoarding, and found old Guinardon on the top of his ladder standing in front of the Heliodorus. The old artist, surrounded by all sorts of tools and materials, was putting a white paste in the crack which cut in two the High Priest Onias. Zéphyrine, Paul Baudry's favourite model, Zéphyrine, who had lent her golden hair and polished shoulders to so many Magdalens, Marguerites, sylphs, and mermaids, and who, it is said, was beloved of the Emperor Napoleon III, was standing at the foot of the ladder with tangled locks, cadaverous cheeks, and dim eyes, older than old Guinardon, whose life she had shared for more than half a century. She had brought the painter's lunch in a basket.

Although the slanting rays fell grey and cold through the leaded and iron-barred window, Delacroix's colouring shone resplendent, and the roses on the cheeks of men and angels dimmed with their glorious beauty the rubicund countenance of old Guinardon, which stood out in relief against one of the temple's columns. These frescoes of the Chapel of the Holy Angels, though derided and insulted when they first appeared, have now become part of the classic tradition, and are united in immortality with the masterpieces of Rubens and Tintoretto.

Old Guinardon, bearded and long-haired, looked like Father Time effacing the works of man's genius. Gaétan, in alarm, called out to him:

"Carefully, Monsieur Guinardon, carefully. Do not scrape too much."

The painter reassured him.

"Fear nothing, Monsieur Gaétan. I do not paint in that style. My art is a higher one. I work after the manner of Cimabue, Giotto, and Beato Angelico, not in the style of Delacroix. This surface here is too heavily charged with contrast and opposition to give a really sacred effect. It is true that Chenavard said that Christianity loves the picturesque, but Chenavard was a rascal with neither faith nor principle – an infidel… Look, Monsieur d'Esparvieu, I fill up the crevice, I relay the scales of paint which are peeling. That is all… The damage, due to the sinking of the wall, or more probably to a seismic shock, is confined to a very small space. This painting of oil and wax applied on a very dry foundation is far more solid than one might think.

"I saw Delacroix engaged on this work. Impassioned but anxious, he modelled feverishly, scraped out, re-painted unceasingly; his mighty hand made childish blunders, but the thing is done with the mastery of a genius and the inexperience of a schoolboy. It is a marvel how it holds."

The good man was silent, and went on filling in the crevice.

"How classic and traditional the composition is," said Gaétan. "Time was when one could recognise nothing but its amazing novelty; now one can see in it a multitude of old Italian formulas."

"I may allow myself the luxury of being just, I possess the qualifications," said the old man from the top of his lofty ladder. "Delacroix lived in a blasphemous and godless age. A painter of the decadence, he was not without pride nor grandeur. He was greater than his times. But he lacked faith, single-heartedness, and purity. To be able to see and paint angels he needed that virtue of angels and primitives, that supreme virtue which, with God's help, I do my best to practise, chastity."

"Hold your tongue, Michel; you are as big a brute as any of them."

Thus Zéphyrine, devoured with jealousy because that very morning on the stairs she had seen her lover kiss the bread-woman's daughter, to wit the youthful Octavie, who was as squalid and radiant as one of Rembrandt's Brides. She had loved Michel madly in the happy days long since past, and love had never died out in Zéphyrine's heart.

Old Guinardon received the flattering insult with a smile that he dissembled, and raised his eyes to the ceiling, where the archangel Michael, terrible in azure cuirass and gilt helmet, was springing heavenwards in all the radiance of his glory.

Meanwhile Abbé Patouille, blinking, and shielding his eyes with his hat against the glaring light from the window, began to examine the pictures one after another: Heliodorus being scourged by the angels, St. Michael vanquishing the Demons, and the combat of Jacob and the Angel.

"All this is exceedingly fine," he murmured at last, "but why has the artist only represented wrathful angels on these walls? Look where I will in this chapel, I see but heralds of celestial anger, ministers of divine vengeance. God wishes to be feared; He wishes also to be loved. I would fain perceive on these walls messengers of peace and of clemency. I should like to see the Seraphim who purified the lips of the prophet, St. Raphael who gave back his sight to old Tobias, Gabriel who announced the Mystery of the Incarnation to Mary, the Angel who delivered St. Peter from his chains, the Cherubim who bore the dead St. Catherine to the top of Sinai. Above all, I should like to be able to contemplate those heavenly guardians which God gives to every man baptized in His name. We each have one who follows all our steps, who comforts us and upholds us. It would be pleasant indeed to admire these enchanting spirits, these beautiful faces."

"Ah, Abbé! it depends on the point of view," answered Gaétan. "Delacroix was no sentimentalist. Old Ingres was not very far wrong in saying that this great man's work reeks of fire and brimstone. Look at the sombre, splendid beauty of those angels, look at those androgynes so proud and fierce, at those pitiless youths who lift avenging rods against Heliodorus, note this mysterious wrestler touching the patriarch on the hip…"

"Hush," said Abbé Patouille. "According to the Bible he is no angel like the others; if he be an angel, he is the Angel of Creation, the Eternal Son of God. I am surprised that the Venerable Curé of St. Sulpice, who entrusted the decoration of this chapel to Monsieur Eugène Delacroix, did not tell him that the patriarch's symbolic struggle with Him who was nameless took place in profound darkness, and that the subject is quite out of place here, since it prefigures the Incarnation of Jesus Christ. The best artists go astray when they fail to obtain their ideas of Christian iconography from a qualified ecclesiastic. The institutions of Christian art form the subject of numerous works with which you are doubtless acquainted, Monsieur Sariette."

Monsieur Sariette was gazing vacantly about him. It was the third morning after his adventurous night in the library. Being, however, thus called upon by the venerable ecclesiastic, he pulled himself together and replied:

"On this subject we may with advantage consult Molanus, De Historia Sacrarum Imaginum et Picturarum, in the edition given us by Noël Paquot, dated Louvain, 1771; Cardinal Frederico Borromeo, De Pictura Sacra, and the Iconography of Didron; but this last work must be read with caution."

Having thus spoken, Monsieur Sariette relapsed into silence. He was pondering on his devastated library.

"On the other hand," continued Abbé Patouille, "since an example of the holy anger of the angels was necessary in this chapel, the painter is to be commended for having depicted for us in imitation of Raphael the heavenly messengers who chastised Heliodorus. Ordered by Seleucus, King of Syria, to carry off the treasures contained in the Temple, Heliodorus was stricken by an angel in a cuirass of gold mounted on a magnificently caparisoned steed. Two other angels smote him with rods. He fell to earth, as Monsieur Delacroix shows us here, and was swallowed up in darkness. It is right and salutary that this adventure should be cited as an example to the Republican Commissioners of Police and to the sacrilegious agents of the law. There will always be Heliodoruses, but, let it be known, every time they lay their hands on the property of the Church, which is the property of the poor, they shall be chastised with rods and blinded by the angels."

"I should like this painting, or, better still, Raphael's sublimer conception of the same subject, to be engraved in little pictures fully coloured, and distributed as rewards in all the schools."

"Uncle," said young Maurice, with a yawn, "I think these things are simply ghastly. I prefer Matisse and Metzinger."

These words fell unheeded, and old Guinardon from his ladder held forth:

"Only the primitives caught a glimpse of Heaven. Beauty is only to be found between the thirteenth and fifteenth centuries. The antique, the impure antique, which regained its pernicious influence over the minds of the sixteenth century, inspired poets and painters with criminal notions and immodest conceptions, with horrid impurities, filth. All the artists of the Renaissance were swine, including Michael-Angelo."

Then, perceiving that Gaétan was on the point of departure, Père Guinardon assumed an air of bonhomie, and said to him in a confidential tone:

"Monsieur Gaétan, if you're not afraid of climbing up my five flights, come and have a look at my den. I've got two or three little canvases I wouldn't mind parting with, and they might interest you. All good, honest, straightforward stuff. I'll show you, among other things, a tasty, spicy little Baudouin that would make your mouth water."

At this speech Gaétan made off. As he descended the church steps and turned down the Rue Princesse, he found himself accompanied by old Sariette, and fell to unburdening himself to him, as he would have done to any human creature, or indeed to a tree, a lamp-post, a dog, or his own shadow, of the indignation with which the æsthetic theories of the old painter inspired him.

"Old Guinardon overdoes it with his Christian art and his Primitives! Whatever the artist conceives of Heaven is borrowed from earth; God, the Virgin, the Angels, men and women, saints, the light, the clouds. When he was designing figures for the chapel windows at Dreux, old Ingres drew from life a pure, fine study of a woman, which may be seen, among many others, in the Musée Bonnat at Bayonne. Old Ingres had written at the bottom of the page in case he should forget: 'Mademoiselle Cécile, admirable legs and thighs' – and so as to make Mademoiselle Cécile into a saint in Paradise, he gave her a robe, a cloak, a veil, inflicting thus a shameful decline in her estate, for the tissues of Lyons and Genoa are worthless compared with the youthful living tissue, rosy with pure blood; the most beautiful draperies are despicable compared with the lines of a beautiful body. In fact, clothing for flesh that is desirable and ripe for wedlock is an unmerited shame, and the worst of humiliations"; and Gaétan, walking carelessly in the gutter of the Rue Garancière, continued: "Old Guinardon is a pestilential idiot. He blasphemes Antiquity, sacred Antiquity, the age when the gods were kind. He exalts an epoch when the painter and the sculptor had all their lessons to learn over again. In point of fact, Christianity has run contrary to art in so much as it has not favoured the study of the nude. Art is the representation of nature, and nature is pre-eminently the human body; it is the nude."

"Pardon, pardon," purred old Sariette. "There is such a thing as spiritual, or, as one might term it, inward beauty, which, since the days of Fra Angelico down to those of Hippolyte Flandrin, Christian art has – "

But Gaétan, never hearing a word of all this, went on hurling his impetuous observations at the stones of the old street and the snow-laden clouds overhead:

"The Primitives cannot be judged as a whole, for they are utterly unlike each other. This old madman confounds them all together. Cimabue is a corrupt Byzantine, Giotto gives hints of powerful genius, but his modelling is bad, and, like children, he gives all his characters the same face. The early Italians have grace and joy, because they are Italians. The Venetians have an instinct for fine colour. But when all is said and done these exquisite craftsmen enamel and gild rather than paint. There is far too much softness about the heart and the colouring of your saintly Angelico for me. As for the Flemish school, that's quite another pair of shoes. They can use their hands, and in glory of workmanship they are on a level with the Chinese lacquer-workers. The technique of the brothers Van Eyck is a marvel, but I cannot discover in their Adoration of the Lamb the charm and mystery that some have vaunted. Everything in it is treated with a pitiless perfection; it is vulgar in feeling and cruelly ugly. Memling may touch one perhaps; but he creates nothing but sick wretches and cripples; under the heavy, rich, and ungraceful robing of his virgins and saints one divines some very lamentable anatomy. I did not wait for Rogier van der Wyden to call himself Roger de la Pasture and turn Frenchman in order to prefer him to Memling. This Rogier or Roger is less of a ninny; but then he is more lugubrious, and the rigidity of his lines bears eloquent testimony to his poverty-stricken figures. It is a strange perversion to take pleasure in these carnivalesque figures when one can have the paintings of Leonardo, Titian, Correggio, Velasquez, Rubens, Rembrandt, Poussin, or Prud'hon. Really it is a perverted instinct."

Meanwhile the Abbé Patouille and Maurice d'Esparvieu were strolling leisurely along in the wake of the esthete and the librarian. As a general rule the Abbé Patouille was little inclined to talk theology with laymen, or, for that matter, with clerics either. Carried away, however, by the attractiveness of the subject, he was telling the youthful Maurice all about the sacred mission of those guardian angels which Monsieur Delacroix had so inopportunely excluded from his picture. And in order to give more adequate expression to his thoughts on such lofty themes, the Abbé Patouille borrowed whole phrases and sentences from Bossuet. He had got them up by heart to put in his sermons, for he adhered strongly to tradition.

"Yes, my son," he was saying, "God has appointed tutelary spirits to be near us. They come to us laden with His gifts. They return laden with our prayers. Such is their task. Not an hour, not a moment passes but they are at our side, ready to help us, ever fervent and unwearying guardians, watchmen that never slumber."

"Quite so, Abbé," murmured Maurice, who was wondering by what cunning artifice he could get on the soft side of his mother and persuade her to give him some money of which he was urgently in need.

CHAPTER VI

WHEREIN PÈRE SARIETTE DISCOVERS HIS MISSING TREASURES

NEXT morning Monsieur Sariette entered Monsieur René d'Esparvieu's study without knocking. He raised his arms to the heavens, his few hairs were standing straight up on his head. His eyes were big with terror. In husky tones he stammered out the dreadful news. A very old manuscript of Flavius Josephus; sixty volumes of all sizes; a priceless jewel, namely, a Lucretius adorned with the arms of Philippe de Vendôme, Grand Prior of France, with notes in Voltaire's own hand; a manuscript of Richard Simon, and a set of Gassendi's correspondence with Gabriel Naudé, comprising two hundred and thirty-eight unpublished letters, had disappeared. This time the owner of the library was alarmed.

He mounted in haste to the abode of the philosophers and the globes, and there with his own eyes confirmed the magnitude of the disaster.

There were yawning gaps on many a shelf. He searched here and there, opened cupboards, dragged out brooms, dusters, and fire-extinguishers, rattled the shovel in the coke fire, shook out Monsieur Sariette's best frock-coat that was hanging in the cloak-room, and then stood and gazed disconsolately at the empty places left by the Gassendi portfolios.

For the past half-century the whole learned world had been loudly clamouring for the publication of this correspondence. Monsieur René d'Esparvieu had not responded to the universal desire, unwilling either to assume so heavy a task, or to resign it to others. Having found much boldness of thought in these letters, and many passages of more libertine tendency than the piety of the twentieth century could endure, he preferred that they should remain unpublished; but he felt himself responsible for their safe-keeping, not only to his country but to the whole civilized world.

"How can you have allowed yourself to be robbed of such a treasure?" he asked severely of Monsieur Sariette.

"How can I have allowed myself to be robbed of such a treasure?" repeated the unhappy librarian. "Monsieur, if you opened my breast, you would find that question engraved upon my heart."

Unmoved by this powerful utterance, Monsieur d'Esparvieu continued with pent-up fury:

"And you have discovered no single sign that would put you on the track of the thief, Monsieur Sariette? You have no suspicion, not the faintest idea, of the way these things have come to pass? You have seen nothing, heard nothing, noticed nothing, learnt nothing? You must grant this is unbelievable. Think, Monsieur Sariette, think of the possible consequences of this unheard-of theft, committed under your eyes. A document of inestimable value in the history of the human mind disappears. Who has stolen it? Why has it been stolen? Who will gain by it? Those who have got possession of it doubtless know that they will be unable to dispose of it in France. They will go and sell it in America or Germany. Germany is greedy for such literary monuments. Should the correspondence of Gassendi with Gabriel Naudé go over to Berlin, if it is published there by German savants, what a disaster, nay, what a scandal! Monsieur Sariette, have you not thought of that?.."

Beneath the stroke of an accusation all the more cruel in that he brought it against himself, Monsieur Sariette stood stupefied, and was silent. And Monsieur d'Esparvieu continued to overwhelm him with bitter reproaches.

"And you make no effort. You devise nothing to find these inestimable treasures. Make enquiries, bestir yourself, Monsieur Sariette; use your wits. It is well worth while."

And Monsieur d'Esparvieu went out, throwing an icy glance at his librarian.

Monsieur Sariette sought the lost books and manuscripts in every spot where he had already sought them a hundred times, and where they could not possibly be. He even looked in the coke-box and under the leather seat of his arm-chair. When midday struck he mechanically went downstairs. At the foot of the stairs he met his old pupil Maurice, with whom he exchanged a bow. But he only saw men and things as through a mist.

The broken-hearted curator had already reached the hall when Maurice called him back.

"Monsieur Sariette, while I think of it, do have the books removed that are choking up my garden-house."

"What books, Maurice?"

"I could not tell you, Monsieur Sariette, but there are some in Hebrew, all worm-eaten, with a whole heap of old papers. They are in my way. You can't turn round in the passage."

"Who took them there?"

"I'm bothered if I know."

And the young man rushed off to the dining-room, the luncheon gong having sounded quite a minute ago.

Monsieur Sariette tore away to the summer-house. Maurice had spoken the truth. About a hundred volumes were there, on tables, on chairs, even on the floor. When he saw them he was divided betwixt joy and fear, filled with amazement and anxiety. Happy in the finding of his lost treasure, dreading to lose it again, and completely overwhelmed with astonishment, the man of books alternately babbled like an infant and uttered the hoarse cries of a maniac. He recognised his Hebrew Bibles, his ancient Talmuds, his very old manuscript of Flavius Josephus, his portfolios of Gassendi's letters to Gabriel Naudé, and his richest jewel of all, to wit, Lucretius adorned with the arms of the Grand Prior of France, and with notes in Voltaire's own hand. He laughed, he cried, he kissed the morocco, the calf, the parchment, and vellum, even the wooden boards studded with nails.

As fast as Hippolyte, the manservant, returned with an armful to the library, Monsieur Sariette, with a trembling hand, restored them piously to their places.

CHAPTER VII

OF A SOMEWHAT LIVELY INTEREST, WHEREOF THE MORAL WILL, I HOPE, APPEAL GREATLY TO MY READERS, SINCE IT CAN BE EXPRESSED BY THIS SORROWFUL QUERY: "THOUGHT, WHITHER DOST THOU LEAD ME?" FOR IT IS A UNIVERSALLY ADMITTED TRUTH THAT IT IS UNHEALTHY TO THINK AND THAT TRUE WISDOM LIES IN NOT THINKING AT ALL

ALL the books were now once more assembled in the pious keeping of Monsieur Sariette. But this happy reunion was not destined to last. The following night twenty volumes left their places, among them the Lucretius of Prior de Vendôme. Within a week the old Hebrew and Greek texts had all returned to the summer-house, and every night during the ensuing month they left their shelves and secretly went on the same path. Others betook themselves no one knew whither.

On hearing of these mysterious occurrences, Monsieur René d'Esparvieu merely remarked with frigidity to his librarian:

"My poor Sariette, all this is very queer, very queer indeed."

And when Monsieur Sariette tentatively advised him to lodge a formal complaint or to inform the Commissaire de Police, Monsieur d'Esparvieu cried out upon him:

"What are you suggesting, Monsieur Sariette? Divulge domestic secrets, make a scandal! You cannot mean it. I have enemies, and I am proud of it. I think I have deserved them. What I might complain about is that I am wounded in the house of my friend, attacked with unheard-of violence, by fervent loyalists, who, I grant you, are good Catholics, but exceedingly bad Christians… In a word, I am watched, spied upon, shadowed, and you suggest, Monsieur Sariette, that I should make a present of this comic-opera mystery, this burlesque adventure, this story in which we both cut somewhat pitiable figures, to a set of spiteful journalists? Do you wish to cover me with ridicule?"

The result of the colloquy was that the two gentlemen agreed to change all the locks in the library. Estimates were asked for and workmen called in. For six weeks the d'Esparvieu household rang from morning till night with the sound of hammers, the hum of centre-bits, and the grating of files. Fires were always going in the abode of the philosophers and globes, and the people of the house were simply sickened by the smell of heated oil. The old, smooth, easy-running locks were replaced, on the cupboards and doors of the rooms, by stubborn and tricky fastenings. There was nothing but combinations of locks, letter-padlocks, safety-bolts, bars, chains, and electric alarm-bells.

All this display of ironmongery inspired fear. The lock-cases glistened, and there was much grinding of bolts. To gain access to a room, a cupboard, or a drawer, it was necessary to know a certain number, of which Monsieur Sariette alone was cognisant. His head was filled with bizarre words and tremendous numbers, and he got entangled among all these cryptic signs, these square, cubic, and triangular figures. He himself couldn't get the doors and the cupboards undone, yet every morning he found them wide open, and the books thrown about, ransacked, and hidden away. In the gutter of the Rue Servandoni a policeman picked up a volume of Salomon Reinach on the identity of Barabbas and Jesus Christ. As it bore the book-plate of the d'Esparvieu library he returned it to the owner.

Monsieur René d'Esparvieu, not even deigning to inform Monsieur Sariette of the fact, made up his mind to consult a magistrate, a friend in whom he had complete confidence, to wit, a certain Monsieur des Aubels, Counsel at the Law Courts, who had put through many an important affair. He was a little plump man, very red, very bald, with a cranium that shone like a billiard ball. He entered the library one morning feigning to come as a book-lover, but he soon showed that he knew nothing about books. While all the busts of the ancient philosophers were reflected in his shining pate, he put divers insidious questions to Monsieur Sariette, who grew uncomfortable and turned red, for innocence is easily flustered. From that moment Monsieur des Aubels had a mighty suspicion that Monsieur Sariette was the perpetrator of the very thefts he denounced with horror; and it immediately occurred to him to seek out the accomplices of the crime. As regards motives, he did not trouble about them; motives are always to be found. Monsieur des Aubels told Monsieur René d'Esparvieu that, if he liked, he would have the house secretly watched by a detective from the Prefecture.

"I will see that you get Mignon," he said. "He is an excellent servant, assiduous and prudent."

By six o'clock next morning Mignon was already walking up and down outside the d'Esparvieus' house, his head sunk between his shoulders, wearing love-locks which showed from under the narrow brim of his bowler hat, his eye cocked over his shoulder. He wore an enormous dull-black moustache, his hands and feet were huge; in fact, his whole appearance was distinctly memorable. He paced regularly up and down from the nearest of the big rams' head pillars which adorn the Hôtel de la Sordière to the end of the Rue Garancière, towards the apse of St. Sulpice Church and the dome of the Chapel of the Virgin.

Henceforth it became impossible to enter or leave the d'Esparvieus' house without feeling that one's every action, that one's very thoughts, were being spied upon. Mignon was a prodigious person endowed with powers that Nature denies to other mortals. He neither ate nor slept. At all hours of the day and night, in wind and rain, he was to be found outside the house, and no one escaped the X-rays of his eye. One felt pierced through and through, penetrated to the very marrow, worse than naked, bare as a skeleton. It was the affair of a moment; the detective did not even stop, but continued his everlasting walk. It became intolerable. Young Maurice threatened to leave the paternal roof if he was to be so radiographed. His mother and his sister Berthe complained of his piercing look; it offended the chaste modesty of their souls. Mademoiselle Caporal, young Léon d'Esparvieu's governess, felt an indescribable embarrassment. Monsieur René d'Esparvieu was sick of the whole business. He never crossed his own threshold without crushing his hat over his eyes to avoid the investigating ray and without wishing old Sariette, the fons et origo of all the evil, at the devil. The intimates of the household, such as Abbé Patouille and Uncle Gaétan, made themselves scarce; visitors gave up calling, tradespeople hesitated about leaving their goods, the carts belonging to the big shops scarcely dared stop. But it was among the domestics that the spying roused the most disorder.

The footman, afraid, under the eye of the police, to go and join the cobbler's wife over her solitary labours in the afternoon, found the house unbearable and gave notice. Odile, Madame d'Esparvieu's lady's-maid, not daring, as was her custom after her mistress had retired, to introduce Octave, the handsomest of the neighbouring bookseller's clerks, to her little room upstairs, grew melancholy, irritable and nervous, pulled her mistress's hair while dressing it, spoke insolently, and made advances to Monsieur Maurice. The cook, Madame Malgoire, a serious matron of some fifty years, having no more visits from Auguste, the wine-merchant's man in the Rue Servandoni, and being incapable of suffering a privation so contrary to her temperament, went mad, sent up a raw rabbit to table, and announced that the Pope had asked her hand in marriage. At last, after a fortnight of superhuman assiduity, contrary to all known laws of organic life, and to the essential conditions of animal economy, Mignon, the detective, having observed nothing abnormal, ceased his surveillance and withdrew without a word, refusing to accept a gratuity. In the library the dance of the books became livelier than ever.

"That is all right," said Monsieur des Aubels. "Since nothing comes in nor goes out, the evil-doer must be in the house."

The magistrate thought it possible to discover the criminal without police-warrant or enquiry. On a date agreed upon at midnight, he had the floor of the library, the treads of the stairs, the vestibule, the garden path leading to Monsieur Maurice's summer-house, and the entrance hall of the latter, all covered with a coating of talc.

The following morning Monsieur des Aubels, assisted by a photographer from the Prefecture, and accompanied by Monsieur René d'Esparvieu and Monsieur Sariette, came to take the imprints. They found nothing in the garden, the wind had blown away the coating of talc; nothing in the summer-house either. Young Maurice told them he thought it was some practical joke and that he had brushed away the white dust with the hearth-brush. The real truth was, he had effaced the traces left by the boots of Odile, the lady's-maid. On the stairs and in the library the very light print of a bare foot could be discerned, it seemed to have sprung into the air and to have touched the ground at rare intervals and without any pressure. They discovered five of these traces. The clearest was to be found in the abode of the busts and spheres, on the edge of the table where the books were piled. The photographer took several negatives of this imprint.

"This is more terrifying than anything else," murmured Monsieur Sariette.

Monsieur des Aubels did not hide his surprise.

Three days later the anthropometrical department of the Prefecture returned the proofs exhibited to them, saying that they were not in the records.

After dinner Monsieur René showed the photographs to his brother Gaétan, who examined them with profound attention, and after a long silence exclaimed:

"No wonder they have not got this at the Prefecture; it is the foot of a god or of an athlete of antiquity. The sole that made this impression is of a perfection unknown to our races and our climates. It exhibits toes of exquisite grace, and a divine heel."

René d'Esparvieu cried out upon his brother for a madman.

"He is a poet," sighed Madame d'Esparvieu.

"Uncle," said Maurice, "you'll fall in love with this foot if you ever come across it."

"Such was the fate of Vivant Denon, who accompanied Bonaparte to Egypt," replied Gaétan. "At Thebes, in a tomb violated by the Arabs, Denon found the little foot of a mummy of marvellous beauty. He contemplated it with extraordinary fervour, 'It is the foot of a young woman,' he pondered, 'of a princess – of a charming creature. No covering has ever marred its perfect shape.' Denon admired, adored, and loved it. You may see a drawing of this little foot in Denon's atlas of his journey to Egypt, whose leaves one could turn over upstairs, without going further afield, if only Monsieur Sariette would ever let us see a single volume of his library."

Sometimes, in bed, Maurice, waking in the middle of the night, thought he heard the sound of pages being turned over in the next room, and the thud of bound volumes falling on the floor.

One morning at five o'clock he was coming home from the club, after a night of bad luck, and while he stood outside the door of the summer-house, hunting in his pocket for his keys, his ears distinctly heard a voice sighing:

"Knowledge, whither dost thou lead me? Thought, whither dost thou lure me?"

But entering the two rooms he saw nothing, and told himself that his ears must have deceived him.

CHAPTER VIII

WHICH SPEAKS OF LOVE, A SUBJECT WHICH ALWAYS GIVES PLEASURE, FOR A TALE WITHOUT LOVE IS LIKE BEEF WITHOUT MUSTARD: AN INSIPID DISH

NOTHING ever astonished Maurice. He never sought to know the causes of things and dwelt tranquilly in the world of appearances. Not denying the eternal truth, he nevertheless followed vain things as his fancy led him.

Less addicted to sport and violent exercise than most young people of his generation, he followed unconsciously the old erotic traditions of his race. The French were ever the most gallant of men, and it were a pity they should lose this advantage. Maurice preserved it. He was in love with no woman, but, as St. Augustine said, he loved to love. After paying the tribute that was rightly due to the imperishable beauty and secret arts of Madame de la Berthelière, he had enjoyed the impetuous caresses of a young singer called Luciole. At present he was joylessly experiencing the primitive perversity of Odile, his mother's lady's-maid, and the tearful adoration of the beautiful Madame Boittier. And he felt a great void in his heart.

It chanced that one Wednesday, on entering the drawing-room where his mother entertained her friends – who were, generally speaking, unattractive and austere ladies, with a sprinkling of old men and very young people – he noticed, in this intimate circle, Madame des Aubels, the wife of the magistrate at the Law Courts, whom Monsieur d'Esparvieu had vainly consulted on the mysterious ransacking of his library. She was young, he found her pretty, and not without cause. Gilberte had been modelled by the Genius of the Race, and no other genius had had a part in the work.

Thus all her attributes inspired desire, and nothing in her shape or her being aroused any other sentiment.

The law of attraction which draws world to world moved young Maurice to approach this delicious creature, and under its influence he offered to escort her to the tea-table. And when Gilberte was served with tea, he said:

"We should hit it off quite well together, you and I, don't you think?"

He spoke in this way, according to modern usage, so as to avoid inane compliments and to spare a woman the boredom of listening to one of those old declarations of love which, containing nothing but what is vague and undefined, require neither a truthful nor an exact reply.

And profiting by the fact that he had an opportunity of conversing secretly with Madame des Aubels for a few minutes, he spoke urgently and to the point. Gilberte, so far as one could judge, was made rather to awaken desire than to feel it. Nevertheless, she well knew that her fate was to love, and she followed it willingly and with pleasure. Maurice did not particularly displease her. She would have preferred him to be an orphan, for experience had taught her how disappointing it sometimes is to love the son of the house.

"Will you?" he said by way of conclusion.

She pretended not to understand, and with her little foie-gras sandwich raised half-way to her mouth she looked at Maurice with wondering eyes.

"Will I what?" she asked.

"You know quite well."

Madame des Aubels lowered her eyes, and sipped her tea, for her prudishness was not quite vanquished. Meanwhile Maurice, taking her empty cup from her hand, murmured:

"Saturday, five o'clock, 126 Rue de Rome, on the ground-floor, the door on the right, under the arch. Knock three times."

Madame des Aubels glanced severely and imperturbably at the son of the house, and with a self-possessed air rejoined the circle of highly respectable women to whom the Senator Monsieur Le Fol was explaining how artificial incubators were employed at the agricultural colony at St. Julienne.

The following Saturday, Maurice, in his ground-floor flat, awaited Madame des Aubels. He waited her in vain. No light hand came to knock three times on the door under the arch. And Maurice gave way to imprecation, inwardly calling the absent one a jade and a hussy. His fruitless wait, his frustrated desires, rendered him unjust. For Madame des Aubels in not coming where she had never promised to go hardly deserved these names; but we judge human actions by the pleasure or pain they cause us.

Maurice did not put in an appearance in his mother's drawing-room until a fortnight after the conversation at the tea-table. He came late. Madame des Aubels had been there for half an hour. He bowed coldly to her, took a seat some way off, and affected to be listening to the talk.

"Worthily matched," a rich male voice was saying; "the two antagonists were well calculated to render the struggle a terrible and uncertain one. General Bol, with unprecedented tenacity, maintained his position as though he were rooted in the very soil. General Milpertuis, with an agility truly superhuman, kept carrying out movements of the most dazzling rapidity around his immovable adversary. The battle continued to be waged with terrible stubbornness. We were all in an agony of suspense…"

It was General d'Esparvieu describing the autumn manœuvres to a company of breathlessly interested ladies. He was talking well and his audience were delighted. Proceeding to draw a comparison between the French and German methods, he defined their distinguishing characteristics and brought out the conspicuous merits of both with a lofty impartiality. He did not hesitate to affirm that each system had its advantages, and at first made it appear to his circle of wondering, disappointed, and anxious dames, whose countenances were growing increasingly gloomy, that France and Germany were practically in a position of equality. But little by little, as the strategist went on to give a clearer definition of the two methods, that of the French began to appear flexible, elegant, vigorous, full of grace, cleverness, and verve; that of the Germans heavy, clumsy, and undecided. And slowly and surely the faces of the ladies began to clear and to light up with joyous smiles. In order to dissipate any lingering shadows of misgiving from the minds of these wives, sisters, and sweethearts, the General gave them to understand that we were in a position to make use of the German method when it suited us, but that the Germans could not avail themselves of the French method. No sooner had he delivered himself of these sentiments than he was button-holed by Monsieur le Truc de Ruffec, who was engaged in founding a patriotic society known as "Swordsmen All," of which the object was to regenerate France and ensure her superiority over all her adversaries. Even children in the cradle were to be enrolled, and Monsieur le Truc de Ruffec offered the honorary presidency to General d'Esparvieu.

Meanwhile Maurice was appearing to be interested in a conversation that was taking place between a very gentle old lady and the Abbé Lapetite, Chaplain to the Dames du Saint Sang. The old lady, severely tried of late by illness and the loss of friends, wanted to know how it was that people were unhappy in this world.

"How," she asked Abbé Lapetite, "do you explain the scourges that afflict mankind? Why are there plagues, famines, floods, and earthquakes?"

"It is surely necessary that God should sometimes remind us of his existence," replied Abbé Lapetite, with a heavenly smile.

Maurice appeared keenly interested in this conversation. Then he seemed fascinated by Madame Fillot-Grandin, quite a personable young woman, whose simple innocence, however, detracted all piquancy from her beauty, all savour from her bodily charms. A very sour, shrill-voiced old lady, who, affecting the dowdy, woollen weeds of poverty, displayed the pride of a great lady in the world of Christian finance, exclaimed in a squeaky voice:

"Well, my dear Madame d'Esparvieu, so you have had trouble here. The papers speak darkly of robbery, of thefts committed in Monsieur d'Esparvieu's valuable library, of stolen letters…"

"Oh," said Madame d'Esparvieu, "if we are to believe all the newspapers say…"

"Oh, so, dear Madame, you have got your treasures back. All's well that ends well."

"The library is in perfect order," asserted Madame d'Esparvieu. "There is nothing missing."

"The library is on the floor above this, is it not?" asked young Madame des Aubels, showing an unexpected interest in the books.

Madame d'Esparvieu replied that the library occupied the whole of the second floor, and that they had put the least valuable books in the attics.

"Could I not go and look at it?"

The mistress of the house declared that nothing could be easier. She called to her son:

"Maurice, go and do the honours of the library to Madame des Aubels."

Maurice rose, and without uttering a word, mounted to the second floor in the wake of Madame des Aubels.

He appeared indifferent, but inwardly he rejoiced, for he had no doubt that Gilberte had feigned her ardent desire to inspect the library simply to see him in secret. And, while affecting indifference, he promised himself to renew those offers which, this time, would not be refused.

Under the romantic bust of Alexandre d'Esparvieu, they were met by the silent shadow of a little wan, hollow-eyed old man, who wore a settled expression of mute terror.

"Do not let us disturb you, Monsieur Sariette," said Maurice. "I am showing Madame des Aubels round the library."

Maurice and Madame des Aubels passed on into the great room where against the four walls rose presses filled with books and surmounted by bronze busts of poets, philosophers, and orators of antiquity. All was in perfect order, an order which seemed never to have been disturbed from the beginning of things.

Only, a black void was to be seen in the place which, only the evening before, had been filled by an unpublished manuscript of Richard Simon. Meanwhile, by the side of the young couple walked Monsieur Sariette, pale, faded, and silent.

"Really and truly, you have not been nice," said Maurice, with a look of reproach at Madame des Aubels.

She signed to him that the librarian might over-hear. But he reassured her.

"Take no notice. It is old Sariette. He has become a complete idiot." And he repeated: "No, you have not been at all nice. I awaited you. You did not come. You have made me unhappy."

After a moment's silence, while one heard the low melancholy whistling of asthma in poor Sariette's bronchial tubes, young Maurice continued insistently:

"You are wrong."

"Why wrong?"

"Wrong not to do as I ask you."

"Do you still think so?"

"Certainly."

"You meant it seriously?"

"As seriously as can be."

Touched by his assurance of sincere and constant feeling, and thinking she had resisted sufficiently, Gilberte granted to Maurice what she had refused him a fortnight ago.

They slipped into an embrasure of the window, behind an enormous celestial globe whereon were graven the Signs of the Zodiac and the figures of the stars, and there, their gaze fixed on the Lion, the Virgin, and the Scales, in the presence of a multitude of Bibles, before the works of the Fathers, both Greek and Latin, beneath the casts of Homer, Æschylus, Sophocles, Euripides, Herodotus, Thucydides, Socrates, Plato, Aristotle, Demosthenes, Cicero, Virgil, Horace, Seneca, and Epictetus, they exchanged vows of love and a long kiss on the mouth.

Almost immediately Madame des Aubels bethought herself that she still had some calls to pay, and that she must make her escape quickly, for love had not made her lose all sense of her own importance. But she had barely crossed the landing with Maurice when they heard a hoarse cry and saw Monsieur Sariette plunge madly downstairs, exclaiming as he went:

"Stop it, stop it; I saw it fly away! It escaped from the shelf by itself. It crossed the room … there it is – there! It's going downstairs. Stop it! It has gone out of the door on the ground floor!"

"What?" asked Maurice.

Monsieur Sariette looked out of the landing window, murmuring horror-struck:

"It's crossing the garden! It's going into the summer-house. Stop it, stop it!"

"But what is it?" repeated Maurice – "in God's name, what is it?"

"My Flavius Josephus," exclaimed Monsieur Sariette. "Stop it!"

And he fell down unconscious.

"You see he is quite mad," said Maurice to Madame des Aubels, as he lifted up the unfortunate librarian.

Gilberte, a little pale, said she also thought she had seen something in the direction indicated by the unhappy man, something flying.

Maurice had seen nothing, but he had felt what seemed like a gust of wind.

He left Monsieur Sariette in the arms of Hippolyte and the housekeeper, who had both hastened to the spot on hearing the noise.

The old gentleman had a wound in his head.

"All the better," said the housekeeper; "this wound may save him from having a fit."

Madame des Aubels gave her handkerchief to stop the blood, and recommended an arnica compress.

CHAPTER IX

WHEREIN IT IS SHOWN THAT, AS AN ANCIENT GREEK POET SAID, "NOTHING IS SWEETER THAN APHRODITE THE GOLDEN"

ALTHOUGH he had enjoyed Madame des Aubels' favours for six whole months, Maurice still loved her. True they had had to separate during the summer. For lack of funds of his own he had had to go to Switzerland with his mother, and then to stop with the whole family at the Château d'Esparvieu. She had spent the summer with her mother at Niort, and the autumn with her husband at a little Normandy seaside place, so that they had hardly seen each other four or five times. But since the winter, kindly to lovers, had brought them back to town again, Maurice had been receiving her twice a week in his little flat in the Rue de Rome, and received no one else. No other woman had inspired him with feelings of such constancy and fidelity. What augmented his pleasure was that he believed himself loved, and indeed he was not unpleasing.

He thought that she did not deceive him, not that he had any reason to think so, but it appeared right and fitting that she should be content with him alone. What annoyed him was that she always kept him waiting, and was unpunctual in coming to their meeting-place; she was invariably late, – at times very late.

Now on Saturday, January 30th, since four o'clock in the afternoon, Maurice had been awaiting Madame des Aubels in the little pink room, where a bright fire was burning. He was gaily clad in a suit of flowered pyjamas, smoking Turkish cigarettes. At first he dreamt of receiving her with long kisses, with hitherto unknown caresses. A quarter of an hour having passed, he meditated serious and affectionate reproaches, then after an hour of disappointed waiting he vowed he would meet her with cold disdain.

At length she appeared, fresh and fragrant.

"It was scarcely worth while coming," he said bitterly, as she laid her muff and her little bag on the table and untied her veil before the wardrobe mirror.

Never, she told her beloved, had she had such trouble to get away. She was full of excuses, which he obstinately rejected. But no sooner had she the good sense to hold her tongue than he ceased his reproaches, and then nothing detracted from the longing with which she inspired him.

The curtains were drawn, the room was bathed in warm shadows lit by the dancing gleams of the fire. The mirrors in the wardrobe and on the chimney-piece shone with mysterious lights. Gilberte, leaning on her elbow, head on hand, was lost in thought. A little jeweller, a trustworthy and intelligent man, had shown her a wonderfully pretty pearl and sapphire bracelet; it was worth a great deal, and was to be had for a mere nothing. He had got it from a cocotte down on her luck, who was in a hurry to dispose of it. It was a rare chance; it would be a huge pity to let it slip.

"Would you like to see it, darling? I will ask the little man to let me have it to show you."

Maurice did not actually decline the proposal. But it was clear that he took no interest in the wonderful bracelet. "When small jewellers come across a great bargain, they keep it to themselves, and do not allow their customers to profit by it. Moreover, jewellery means nothing just now. Well-bred women have given up wearing it. Everyone goes in for sport, and jewellery does not go with sport."

Maurice spoke thus, contrary to truth, because having given his mistress a fur coat, he was in no hurry to give her anything more. He was not stingy, but he was careful with his money. His people did not give him a very large allowance, and his debts grew bigger every day. By satisfying the wishes of his inamorata too promptly he feared to arouse others still more pressing. The bargain seemed less wonderful to him than to Gilberte; besides, he liked to take the initiative in choosing his gifts. Above all, he thought that if he gave her too many presents he would be no longer sure of being loved for himself.

Madame des Aubels felt neither contempt nor surprise at this attitude; she was gentle and temperate, she knew men, and judged that one must take them as one found them, that for the most part they do not give very willingly, and that a woman should know how to make them give.

Suddenly a gas lamp was lighted in the street, and shone through the gaps in the curtains.

"Half-past six," she said. "We must be on the move."

Pricked by the touch of Time's fleeting wing, Maurice was conscious of reawakened desires and reanimated powers. A white and radiant offering, Gilberte, with her head thrown back, her eyes half closed, her lips apart, sunk in dreamy languor, was breathing slowly and placidly, when suddenly she started up with a cry of terror.

"Whatever is that?"

"Stay still," said Maurice, holding her back in his arms.

In his present mood, had the sky fallen it would not have troubled him. But in one bound she escaped from him. Crouching down, her eyes filled with terror, she was pointing with her finger at a figure which appeared in a corner of the room, between the fire-place and the wardrobe with the mirror. Then, unable to bear the sight, and nearly fainting, she hid her face in her hands.

CHAPTER X

WHICH FAR SURPASSES IN AUDACITY THE IMAGINATIVE FLIGHTS OF DANTE AND MILTON

MAURICE at length turned his head, saw the figure, and perceiving that it moved, was also frightened. Meanwhile, Gilberte was regaining her senses. She imagined that what she had seen was some mistress whom her lover had hidden in the room. Inflamed with anger and disgust at the idea of such treachery, boiling with indignation, and glaring at her supposed rival, she exclaimed:

"A woman … a naked woman too! You bring me into a room where you allow your women to come, and when I arrive they have not had time to dress. And you reproach me with arriving late! Your impudence is beyond belief! Come, send the creature packing. If you wanted us both here together, you might at least have asked me whether it suited me…"

Maurice, wide-eyed and groping for a revolver that had never been there, whispered in her ear:

"Be quiet … it is no woman. One can scarcely see, but it is more like a man."

She put her hands over her eyes again and screamed harder than ever.

"A man! Where does he come from? A thief. An assassin! Help! Help! Kill him… Maurice, kill him! Turn on the light. No, don't turn on the light…"

She made a mental vow that should she escape from this danger she would burn a candle to the Blessed Virgin. Her teeth chattered.

The figure made a movement.

"Keep away!" cried Gilberte. "Keep away!"

She offered the burglar all the money and jewels she had on the table if he would consent not to stir. Amid her surprise and terror the idea assailed her that her husband, dissembling his suspicions, had caused her to be followed, had posted witnesses, and had had recourse to the Commissaire de Police. In a flash she distinctly saw before her the long painful future, the glaring scandal, the pretended disdain, the cowardly desertion of her friends, the just mockery of society, for it is indeed ridiculous to be found out. She saw the divorce, the loss of her position and of her rank. She saw the dreary and narrow existence with her mother, when no one would make love to her, for men avoid women who fail to give them the security of the married state. And all this, why? Why this ruin, this disaster? For a piece of folly, for a mere nothing. Thus in a lightning flash spoke the conscience of Gilberte des Aubels.

"Have no fear, Madame," said a very sweet voice.

Slightly reassured, she found strength to ask:

"Who are you?"

"I am an angel," replied the voice.

"What did you say?"

"I am an angel. I am Maurice's guardian angel."

"Say it again. I am going mad. I do not understand…"

Maurice, without understanding either, was indignant. He sprang forward and showed himself; with his right hand armed with a slipper he made a threatening gesture, and said in a rough voice:

"You are a low ruffian; oblige me by going the way you came."

"Maurice d'Esparvieu," continued the sweet voice, "He whom you adore as your Creator has stationed by the side of each of the faithful a good angel, whose mission it is to counsel and protect him; it is the invariable opinion of the Fathers, it is founded on many passages in the Bible, the Church admits it unanimously, without, however, pronouncing anathema upon those who hold a contrary opinion. You see before you one of these angels, yours, Maurice. I was commanded to watch over your innocence and to guard your chastity."

"That may be," said Maurice; "but you are certainly no gentleman. A gentleman would not permit himself to enter a room at such a moment. To be plain, what the deuce are you doing here?"

"I have assumed this appearance, Maurice, because, having henceforth to move among mankind, I have to make myself like them. The celestial spirits possess the power of assuming a form which renders them apparent to the eye and to the touch. This shape is real, because it is apparent, and all the realities in the world are but appearances."

Gilberte, pacified at length, was arranging her hair on her forehead.

The Angel pursued:

"The celestial spirits adopt, according to their fancy, one sex or the other, or both at once. But they cannot disguise themselves at any moment, according to their caprice or fantasy. Their metamorphoses are subject to constant laws, which you would not understand. Thus I have neither desire nor power to transform myself under your eyes, for your amusement or my own, into a lion, a tiger, a fly, or into a sycamore-shaving like the young Egyptian whose story was found in a tomb. I cannot change myself into an ass as did Lucius with the pomade of the youthful Photis. For in my wisdom I had fixed beforehand the hour of my apparition to mankind, nothing could hasten or delay it."

Impatient for enlightenment, Maurice asked for the second time:

"Still, what are you up to here?"

Joining her voice to his, Madame des Aubels asked: "Yes, indeed, what are you doing here?"

The Angel replied:

"Man, lend your ear. Woman, hear my voice. I am about to reveal to you a secret on which hangs the fate of the Universe. In rebellion against Him whom you hold to be the Creator of all things visible and invisible, I am preparing the Revolt of the Angels."

"Do not jest," said Maurice, who had faith and did not allow holy things to be played with.

But the Angel answered reproachfully: "What makes you think, Maurice, that I am frivolous and given to vain words?"

"Come, come," said Maurice, shrugging his shoulders. "You are not going to revolt against – "

He pointed to the ceiling – not daring to finish.

But the Angel continued:

"Do you not know that the sons of God have already revolted and that a great battle took place in the heavens?"

"That was a long time ago," said Maurice, putting on his socks.

Then the Angel replied:

"It was before the creation of the world. But nothing has changed since then in the heavens. The nature of the Angels is no different now from what it was originally. What they did then they could do again now."

"No! It is not possible. It is contrary to faith. If you were an angel, a good angel as you make out you are, it would never occur to you to disobey your Creator."

"You are in error, Maurice, and the authority of the Fathers condemns you. Origen lays it down in his homilies that good angels are fallible, that they sin every day and fall from Heaven like flies. Possibly you may be tempted to reject the authority of this Father, despite his knowledge of the Scriptures, because he is excluded from the Canon of the Saints. If this be so, I would remind you of the second chapter of Revelation, in which the Angels of Ephesus and Pergamos are rebuked for that they kept not ward over their church. You will doubtless contend that the angels to whom the Apostle here refers are, properly speaking, the Bishops of the two cities in question, and that he calls them angels on account of their ministry. It may be so, and I cede the point. But with what arguments, Maurice, would you counter the opinion of all those Doctors and Pontiffs whose unanimous teaching it is that angels may fall from good into evil? Such is the statement made by Saint Jerome in his Epistle to Damasus…"

"Monsieur," said Madame des Aubels, "go away, I beg you."

But the Angel hearkened not, and continued:

"Saint Augustine, in his True Religion, Chapter XIII; Saint Gregory, in his Morals, Chapter XXIV; Isidore – "

"Monsieur, let me get my things on; I am in a hurry."

"In his treatise on The Greatest Good, Book I, Chapter XII; Bede on Job – "

"Oh, please, Monsieur …"

"Chapter VIII; John of Damascus on Faith, Book II, Chapter III. Those, I think, are sufficiently weighty authorities, and there is nothing for it, Maurice, but to admit your error. What has led you astray is that you have not duly considered my nature, which is free, active, and mobile, like that of all the angels, and that you have merely observed the grace and felicity with which you deem me so richly endowed. Lucifer possessed no less, yet he rebelled."

"But what on earth are you rebelling for?" asked Maurice.

"Isaiah," answered the child of light, "Isaiah has already asked, before you: 'Quomodo cecidisti de cœlo, Lucifer, qui mane oriebaris?' Hearken, Maurice. Before Time was, the Angels rose up to win dominion over Heaven, the most beautiful of the Seraphim revolted through pride. As for me, it is science that has inspired me with the generous desire for freedom. Finding myself near you, Maurice, in a house containing one of the vastest libraries in the world, I acquired a taste for reading and a love of study. While, fordone with the toils of a sensual life, you lay sunk in heavy slumber, I surrounded myself with books, I studied, I pondered over their pages, sometimes in one of the rooms of the library, under the busts of the great men of antiquity, sometimes at the far end of the garden, in the room in the summer-house next to your own."

On hearing these words, young d'Esparvieu exploded with laughter and beat the pillow with his fist, an infallible sign of uncontrollable mirth.

"Ah … ah … ah! It was you who pillaged papa's library and drove poor old Sariette off his head. You know, he has become completely idiotic."

"Busily engaged," continued the Angel, "in cultivating for myself a sovereign intelligence, I paid no heed to that inferior being, and when he thought to offer obstacles to my researches and to disturb my work I punished him for his importunity.

"One particular winter's night in the abode of the philosophers and globes I let fall a volume of great weight on his head, which he tried to tear from my invisible hand. Then more recently, raising, with a vigorous arm composed of a column of condensed air, a precious manuscript of Flavius Josephus, I gave the imbecile such a fright, that he rushed out screaming on to the landing and (to borrow a striking expression from Dante Alighieri) fell even as a dead body falls. He was well rewarded, for you gave him, Madame, to staunch the blood from his wound, your little scented handkerchief. It was the day, you may remember, when behind a celestial globe you exchanged a kiss on the mouth with Maurice."

"Monsieur," said Madame des Aubels, with a frown, "I cannot allow you…"

But she stopped short, deeming it was an inopportune moment to appear over-exacting on a matter of decorum.

"I had made up my mind," continued the Angel impassively, "to examine the foundations of belief. I first attacked the monuments of Judaism, and I read all the Hebrew texts."

"You know Hebrew, then?" exclaimed Maurice.

"Hebrew is my native tongue: in Paradise for a long time we have spoken nothing else."

"Ah, you are a Jew. I might have deduced it from your want of tact."

The Angel, not deigning to hear, continued in his melodious voice: "I have delved deep into Oriental antiquities and also into those of Greece and Rome. I have devoured the works of theologians, philosophers, physicists, geologists, and naturalists. I have learnt. I have thought. I have lost my faith."

"What? You no longer believe in God?"

"I believe in Him, since my existence depends on His, and if He should fail to exist, I myself should fall into nothingness. I believe in Him, even as the Satyrs and the Mænads believed in Dionysus and for the same reason. I believe in the God of the Jews and the Christians. But I deny that He created the world; at the most He organised but an inferior part of it, and all that He touched bears the mark of His rough and unforeseeing touch. I do not think He is either eternal or infinite, for it is absurd to conceive of a being who is not bounded by space or time. I think Him limited, even very limited. I no longer believe Him to be the only God. For a long time He did not believe it Himself; in the beginning He was a polytheist; later, His pride and the flattery of His worshippers made Him a monotheist. His ideas have little connection; He is less powerful than He is thought to be. And, to speak candidly, He is not so much a god as a vain and ignorant demiurge. Those who, like myself, know His true nature, call Him Ialdabaoth."

"What's that you say?"

"Ialdabaoth."

"Ialdabaoth. What's that?"

"I have already told you. It is the demiurge whom, in your blindness, you adore as the one and only God."

"You're mad. I don't advise you to go and talk rubbish like that to Abbé Patouille."

"I am not in the least sanguine, my dear Maurice, of piercing the dense night of your intellect. I merely tell you that I am going to engage Ialdabaoth in conflict with some hopes of victory."

"Mark my words, you won't succeed."

"Lucifer shook His throne, and the issue was for a moment in doubt."

"What is your name?"

"Abdiel for the angels and saints, Arcade for mankind."

"Well, my poor Arcade, I regret to see you going to the bad. But confess that you are jesting with us. I could at a pinch understand your leaving Heaven for a woman. Love makes us commit the greatest follies. But you will never make me believe that you, who have seen God face to face, ultimately found the truth in old Sariette's musty books. No, you will never get me to believe that!"

"My dear Maurice, Lucifer was face to face with God, yet he refused to serve Him. As to the kind of truth one finds in books, it is a truth that enables us sometimes to discern what things are not, without ever enabling us to discover what they are. And this poor little truth has sufficed to prove to me that He in whom I blindly believed is not believable, and that men and angels have been deceived by the lies of Ialdabaoth."

"There is no Ialdabaoth. There is God. Come, Arcade, do the right thing. Renounce these follies, these impieties, dis-incarnate yourself, become once more a pure Spirit, and resume your office of guardian angel. Return to duty. I forgive you, but do not let us see you again."

"I should like to please you, Maurice. I feel a certain affection for you, for my heart is soft. But fate henceforth calls me elsewhere towards beings capable of thought and action."

"Monsieur Arcade," said Madame des Aubels, "withdraw, I implore you. It makes me horribly shy to be in this position before two men. I assure you I am not accustomed to it."

CHAPTER XI

RECOUNTS IN WHAT MANNER THE ANGEL, ATTIRED IN THE CAST-OFF GARMENTS OF A SUICIDE, LEAVES THE YOUTHFUL MAURICE WITHOUT A HEAVENLY GUARDIAN

REASSURE yourself, Madame," replied the apparition, "your position is not as risky as you say. You are not confronted with two men, but with one man and an angel."

She examined the stranger with an eye which, piercing the gloom, was anxiously surveying a vague but by no means negligible indication, and asked:

"Monsieur, is it quite certain that you are an angel?"

The apparition prayed her to have no doubt about it, and gave some precise information as to his origin.

"There are three hierarchies of celestial spirits, each composed of nine choirs; the first comprises the Seraphim, Cherubim, and the Thrones; the second, the Dominations, the Virtues, and the Powers; the third, the Principalities, the Archangels, and the Angels properly so called. I belong to the ninth choir of the third hierarchy."

Madame des Aubels, who had her reasons for doubting this, expressed at least one:

"You have no wings."

"Why should I, Madame? Am I bound to resemble the angels on your holy-water stoups? Those feathery oars that beat the waves of the air in rhythmic cadences are not always worn by the heavenly messengers on their shoulders. Cherubim may be apterous. That all too beautiful angelic pair who spent an anxious night in the house of Lot compassed about by an Oriental horde – they had no wings! No, they appeared just like men, and the dust of the road covered their feet, which the patriarch washed with pious hand. I would beg you to observe, Madame, that according to the Science of Organic Metamorphosis created by Lamarck and Darwin, the wings of birds have been successively transformed into fore-feet in the case of quadrupeds and into arms in the case of the Linnæan primates. And you may remember, Maurice, that by a rather annoying reversion to type, Miss Kate, your English nurse, who used to be so fond of giving you a whipping, had arms very like the pinions of a plucked fowl. One may say, then, that a being possessing both arms and wings is a monster and belongs to the department of Teratology. In Paradise we have Cherubim and Kerûbs in the shape of winged bulls, but those are the clumsy inventions of an inartistic god. It is nevertheless true, quite true, that the Victories of the Temple of Athena Nike on the Athenian Acropolis are beautiful, and possess both arms and wings; it is also true that the Victory of Brescia is beautiful, with her outstretched arms and her long wings folded on her mighty loins. It is one of the miracles of Greek genius to have known how to create harmonious monsters. The Greeks never err. The Moderns always."

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