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The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 11 of 12)

James George Frazer
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 11 of 12)

Chapter VI. Fire-Festivals in Other Lands

§ 1. The Fire-walk

Bonfires at the Pongol festival in Southern India.

At first sight the interpretation of the European fire customs as charms for making sunshine is confirmed by a parallel custom observed by the Hindoos of Southern India at the Pongol or Feast of Ingathering. The festival is celebrated in the early part of January, when, according to Hindoo astrologers, the sun enters the tropic of Capricorn, and the chief event of the festival coincides with the passage of the sun. For some days previously the boys gather heaps of sticks, straw, dead leaves, and everything that will burn. On the morning of the first day of the festival the heaps are fired. Every street and lane has its bonfire. The young folk leap over the flames or pile on fresh fuel. This fire is an offering to Sûrya, the sun-god, or to Agni, the deity of fire; it “wakes him from his sleep, calling on him again to gladden the earth with his light and heat.”¹ If this is indeed the explanation which the people themselves give of the festival, it seems decisive in favour of the solar explanation of the fires; for to say that the fires waken the sun-god from his sleep is only a metaphorical or mythical way of saying that they actually help to rekindle the sun's light and heat. But the hesitation which the writer indicates between the two distinct deities of sun and fire seems to prove that he is merely giving his own interpretation of the rite, not reporting the views of the celebrants. If that is so, the expression of his opinion has no claim to authority.

Bonfires at the Holi festival in Northern India. The village priest expected to pass through the fire. Leaping over the ashes of the fire to get rid of disease.

A festival of Northern India which presents points of resemblance to the popular European celebrations which we have been considering is the Holi. This is a village festival held in early spring at the full moon of the month Phalgun. Large bonfires are lit and young people dance round them. The people believe that the fires prevent blight, and that the ashes cure disease. At Barsana the local village priest is expected to pass through the Holi bonfire, which, in the opinion of the faithful, cannot burn him. Indeed he holds his land rent-free simply on the score of his being fire-proof. On one occasion when the priest disappointed the expectant crowd by merely jumping over the outermost verge of the smouldering ashes and then bolting into his cell, they threatened to deprive him of his benefice if he did not discharge his spiritual functions better when the next Holi season came round. Another feature of the festival which has, or once had, its counterpart in the corresponding European ceremonies is the unchecked profligacy which prevails among the Hindoos at this time.² In Kumaon, a district of North-West India, at the foot of the Himalayas, each clan celebrates the Holi festival by cutting down a tree, which is thereupon stripped of its leaves, decked with shreds of cloth, and burnt at some convenient place in the quarter of the town inhabited by the clan. Some of the songs sung on this occasion are of a ribald character. The people leap over the ashes of the fire, believing that they thus rid themselves of itch and other diseases of the skin. While the trees are burning, each clan tries to carry off strips of cloth from the tree of another clan, and success in the attempt is thought to ensure good luck. In Gwalior large heaps of cow-dung are burnt instead of trees. Among the Marwaris the festival is celebrated by the women with obscene songs and gestures. A monstrous and disgusting image of a certain Nathuram, who is said to have been a notorious profligate, is set up in a bazaar and then smashed with blows of shoes and bludgeons while the bonfire of cow-dung is blazing. No household can be without an image of Nathuram, and on the night when the bride first visits her husband, the image of this disreputable personage is placed beside her couch. Barren women and mothers whose children have died look to Nathuram for deliverance from their troubles.³ Various stories are told to account for the origin of the Holi festival. According to one legend it was instituted in order to get rid of a troublesome demon (rákshasí). The people were directed to kindle a bonfire and circumambulate it, singing and uttering fearlessly whatever might come into their minds. Appalled by these vociferations, by the oblations to fire, and by the laughter of the children, the demon was to be destroyed.⁴

Vernal festival of fire in China. Ceremony to ensure an abundant year. Walking through the fire. Ashes of the fire mixed with the fodder of the cattle.

In the Chinese province of Fo-Kien we also meet with a vernal festival of fire which may be compared to the fire-festivals of Europe. The ceremony, according to an eminent authority, is a solar festival in honour of the renewal of vegetation and of the vernal warmth. It falls in April, on the thirteenth day of the third month in the Chinese calendar, and is doubtless connected with the ancient custom of renewing the fire, which, as we saw, used to be observed in China at this season.⁵ The chief performers in the ceremony are labourers, who refrain from women for seven days, and fast for three days before the festival. During these days they are taught in the temple how to discharge the difficult and dangerous duty which is to be laid upon them. On the eve of the festival an enormous brazier of charcoal, sometimes twenty feet wide, is prepared in front of the temple of the Great God, the protector of life. At sunrise next morning the brazier is lighted and kept burning by fresh supplies of fuel. A Taoist priest throws a mixture of salt and rice on the fire to conjure the flames and ensure an abundant year. Further, two exorcists, barefooted and followed by two peasants, traverse the fire again and again till it is somewhat beaten down. Meantime the procession is forming in the temple. The image of the god of the temple is placed in a sedan-chair, resplendent with red paint and gilding, and is carried forth by a score or more of barefooted peasants. On the shafts of the sedan-chair, behind the image, stands a magician with a dagger stuck through the upper parts of his arms and grasping in each hand a great sword, with which he essays to deal himself violent blows on the back; however, the strokes as they descend are mostly parried by peasants, who walk behind him and interpose bamboo rods between his back and the swords. Wild music now strikes up, and under the excitement caused by its stirring strains the procession passes thrice across the furnace. At their third passage the performers are followed by other peasants carrying the utensils of the temple; and the rustic mob, electrified by the frenzied spectacle, falls in behind. Strange as it may seem, burns are comparatively rare. Inured from infancy to walking barefoot, the peasants can step with impunity over the glowing charcoal, provided they plant their feet squarely and do not stumble; for usage has so hardened their soles that the skin is converted into a sort of leathery or horny substance which is almost callous to heat. But sometimes, when they slip and a hot coal touches the sides of their feet or ankles, they may be seen to pull a wry face and jump out of the furnace amid the laughter of the spectators. When this part of the ceremony is over, the procession defiles round the village, and the priests distribute to every family a leaf of yellow paper inscribed with a magic character, which is thereupon glued over the door of the house. The peasants carry off the charred embers from the furnace, pound them to ashes, and mix the ashes with the fodder of their cattle, believing that it fattens them. However, the Chinese Government disapproves of these performances, and next morning a number of the performers may generally be seen in the hands of the police, laid face downwards on the ground and receiving a sound castigation on a part of their person which is probably more sensitive than the soles of their feet.⁶

Passage of the image of the deity through the fire. Passage of inspired men through the fire in India.

In this last festival the essential feature of the ceremony appears to be the passage of the image of the deity across the fire; it may be compared to the passage of the straw effigy of Kupalo across the midsummer bonfire in Russia.⁷ As we shall see presently, such customs may perhaps be interpreted as magical rites designed to produce light and warmth by subjecting the deity himself to the heat and glow of the furnace; and where, as at Barsana, priests or sorcerers have been accustomed in the discharge of their functions to walk through or over fire, they have sometimes done so as the living representatives or embodiments of deities, spirits, or other supernatural beings. Some confirmation of this view is furnished by the beliefs and practices of the Dosadhs, a low Indian caste in Behar and Chota Nagpur. On the fifth, tenth, and full-moon days of three months in the year, the priest walks over a narrow trench filled with smouldering wood ashes, and is supposed thus to be inspired by the tribal god Rahu, who becomes incarnate in him for a time. Full of the spirit and also, it is surmised, of drink, the man of god then mounts a bamboo platform, where he sings hymns and distributes to the crowd leaves of tulsi, which cure incurable diseases, and flowers which cause barren women to become happy mothers. The service winds up with a feast lasting far into the night, at which the line that divides religious fervour from drunken revelry cannot always be drawn with absolute precision.⁸ Similarly the Bhuiyas, a Dravidian tribe of Mirzapur, worship their tribal hero Bir by walking over a short trench filled with fire, and they say that the man who is possessed by the hero does not feel any pain in the soles of his feet.⁹ Ceremonies of this sort used to be observed in most districts of the Madras Presidency, sometimes in discharge of vows made in time of sickness or distress, sometimes periodically in honour of a deity. Where the ceremony was observed periodically, it generally occurred in March or June, which are the months of the vernal equinox and the summer solstice respectively. A narrow trench, sometimes twenty yards long and half a foot deep, was filled with small sticks and twigs, mostly of tamarind, which were kindled and kept burning till they sank into a mass of glowing embers. Along this the devotees, often fifty or sixty in succession, walked, ran, or leaped barefoot. In 1854 the Madras Government instituted an enquiry into the custom, but found that it was not attended by danger or instances of injury sufficient to call for governmental interference.¹⁰

Hindoo fire-festival in honour of Darma Rajah and Draupadi. Worshippers walking through the fire.

The French traveller Sonnerat has described how, in the eighteenth century, the Hindoos celebrated a fire-festival of this sort in honour of the god Darma Rajah and his wife Drobedé (Draupadi). The festival lasted eighteen days, during which all who had vowed to take part in it were bound to fast, to practise continence, to sleep on the ground without a mat, and to walk on a furnace. On the eighteenth day the images of Darma Rajah and his spouse were carried in procession to the furnace, and the performers followed dancing, their heads crowned with flowers and their bodies smeared with saffron. The furnace consisted of a trench about forty feet long, filled with hot embers. When the images had been carried thrice round it, the worshippers walked over the embers, faster or slower, according to the degree of their religious fervour, some carrying their children in their arms, others brandishing spears, swords, and standards. This part of the ceremony being over, the bystanders hastened to rub their foreheads with ashes from the furnace, and to beg from the performers the flowers which they had worn in their hair; and such as obtained them preserved the flowers carefully. The rite was performed in honour of the goddess Drobedé (Draupadi), the heroine of the great Indian epic, the Mahabharata. For she married five brothers all at once; every year she left one of her husbands to betake herself to another, but before doing so she had to purify herself by fire. There was no fixed date for the celebration of the rite, but it could only be held in one of the first three months of the year.¹¹ In some villages the ceremony is performed annually; in others, which cannot afford the expense every year, it is observed either at longer intervals, perhaps once in three, seven, ten, or twelve years, or only in special emergencies, such as the outbreak of smallpox, cholera, or plague. Anybody but a pariah or other person of very low degree may take part in the ceremony in fulfilment of a vow. For example, if a man suffers from some chronic malady, he may vow to Draupadi that, should he be healed of his disease, he will walk over the fire at her festival. As a preparation for the solemnity he sleeps in the temple and observes a fast. The celebration of the rite in any village is believed to protect the cattle and the crops and to guard the inhabitants from dangers of all kinds. When it is over, many people carry home the holy ashes of the fire as a talisman which will drive away devils and demons.¹²