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The Story of Siegfried
The Story of Siegfried
The Fore Word
When the world was in its childhood, men looked upon the works of Nature with a strange kind of awe. They fancied that every thing upon the earth, in the air, or in the water, had a life like their own, and that every sight which they saw, and every sound which they heard, was caused by some intelligent being. All men were poets, so far as their ideas and their modes of expression were concerned, although it is not likely that any of them wrote poetry. This was true in regard to the Saxon in his chilly northern home, as well as to the Greek in the sunny southland. But, while the balmy air and clear sky of the south tended to refine men’s thoughts and language, the rugged scenery and bleak storms of the north made them uncouth, bold, and energetic. Yet both the cultured Greek and the rude Saxon looked upon Nature with much the same eyes, and there was a strange resemblance in their manner of thinking and speaking. They saw, that, in all the phenomena which took place around them, there was a certain system or regularity, as if these were controlled by some law or by some superior being; and they sought, in their simple poetical way, to account for these appearances. They had not yet learned to measure the distances of the stars, nor to calculate the motions of the earth. The changing of the seasons was a mystery which they scarcely sought to penetrate. But they spoke of these occurrences in a variety of ways, and invented many charming, stories with reference to them, not so much with a view towards accounting for the mystery, as towards giving expression to their childlike but picturesque ideas.
Thus, in the south, when reference was made to the coming of winter and to the dreariness and discomforts of that season of the year, men did not know nor care to explain it all, as our teachers now do at school; but they sometimes told how Hades had stolen Persephone (the summer) from her mother Demetre (the earth), and had carried her, in a chariot drawn by four coal black steeds, to the gloomy land of shadows; and how, in sorrow for her absence, the Earth clothed herself in mourning, and no leaves grew upon the trees, nor flowers in the gardens, and the very birds ceased singing, because Persephone was no more. But they added, that in a few months the fair maiden would return for a time to her sorrowing mother, and that then the flowers would bloom, and the trees would bear fruit, and the harvest-fields would again be full of golden grain.
In the north a different story was told, but the meaning was the same. Sometimes men told how Odin (the All-Father) had become angry with Brunhild (the maid of spring), and had wounded her with the thorn of sleep, and how all the castle in which she slept was wrapped in deathlike slumber until Sigurd or Siegfried (the sunbeam) rode through flaming fire, and awakened her with a kiss. Sometimes men told how Loki (heat) had betrayed Balder (the sunlight), and had induced blind old Hoder (the winter months) to slay him, and how all things, living and inanimate, joined in weeping for the bright god, until Hela (death) should permit him to revisit the earth for a time.
So, too, when the sun arose, and drove away the darkness and the hidden terrors of the night, our ancestors thought of the story of a noble young hero slaying a hideous dragon, or taking possession of the golden treasures of Mist Land. And when the springtime came, and the earth renewed its youth, and the fields and woods were decked in beauty, and there was music everywhere, they loved to tell of Idun (the spring) and her youth-giving apples, and of her wise husband Bragi (Nature’s musician). When storm-clouds loomed up from the horizon and darkened the sky, and thunder rolled overhead, and lightning flashed on every hand, they talked about the mighty Thor riding over the clouds in his goat-drawn chariot, and battling with the giants of the air. When the mountain-meadows were green with long grass, and the corn was yellow for the sickles of the reapers, they spoke of Sif, the golden-haired wife of Thor, the queen of the pastures and the fields. When the seasons were mild, and the harvests were plentiful, and peace and gladness prevailed, they blessed Frey, the giver of good gifts to men.
To them the blue sky-dome which everywhere hung over them like an arched roof was but the protecting mantle which the All-Father had suspended above the earth. The rainbow was the shimmering bridge which stretches from earth to heaven. The sun and the moon were the children of a giant, whom two wolves chased forever around the earth. The stars were sparks from the fire-land of the south, set in the heavens by the gods. Night was a giantess, dark and swarthy, who rode in a car drawn by a steed the foam from whose bits sometimes covered the earth with dew. And Day was the son of Night; and the steed which he rode lighted all the sky and the earth with the beams which glistened from his mane.
It was thus that men in the earlier ages of the world looked upon and spoke of the workings of Nature; and it was in this manner that many myths, or poetical fables, were formed. By and by, as the world grew older, and mankind became less poetical and more practical, the first or mythical meaning of these stories was forgotten, and they were regarded no longer as mere poetical fancies, but as historical facts. Perhaps some real hero had indeed performed daring deeds, and had made the world around him happier and better. It was easy to liken him to Sigurd, or to some other mythical slayer of giants; and soon the deeds of both were ascribed to but one. And thus many myth-stories probably contain some historical facts blended with the mass of poetical fancies which mainly compose them; but, in such cases, it is generally impossible to distinguish what is fact from what is mere fancy.
All nations have had their myth-stories; but, to my mind, the purest and grandest are those which we have received from our northern ancestors. They are particularly interesting to us; because they are what our fathers once believed, and because they are ours by right of inheritance. And, when we are able to make them still more our own by removing the blemishes which rude and barbarous ages have added to some of them, we shall discover in them many things that are beautiful and true, and well calculated to make us wiser and better.
It is not known when or by whom these myth-stories were first put into writing, nor when they assumed the shape in which we now have them. But it is said, that, about the year 1100, an Icelandic scholar called Saemund the Wise collected a number of songs and poems into a book which is now known as the “Elder Edda;” and that, about a century later, Snorre Sturleson, another Icelander, wrote a prose-work of a similar character, which is called the “Younger Edda.” And it is to these two books that we owe the preservation of almost all that is now known of the myths and the strange religion of our Saxon and Norman forefathers. But, besides these, there are a number of semi-mythological stories of great interest and beauty,—stories partly mythical, and partly founded upon remote and forgotten historical facts. One of the oldest and finest of these is the story of Sigurd, the son of Sigmund. There are many versions of this story, differing from each other according to the time in which they were written and the character of the people among whom they were received. We find the first mention of Sigurd and his strange daring deeds in the song of Fafnir, in the “Elder Edda.” Then, in the “Younger Edda,” the story is repeated in the myth of the Niflungs and the Gjukungs. It is told again in the “Volsunga Saga” of Iceland. It is repeated and re-repeated in various forms and different languages, and finally appears in the “Nibelungen Lied,” a grand old German poem, which may well be compared with the Iliad of the Greeks. In this last version, Sigurd is called Siegfried; and the story is colored and modified by the introduction of many notions peculiar to the middle ages, and unknown to our Pagan fathers of the north. In our own time this myth has been woven into a variety of forms. William Morris has embodied it in his noble poem of “Sigurd the Volsung;” Richard Wagner, the famous German composer, has constructed from it his inimitable drama, the “Nibelungen Ring;” W. Jordan, another German writer, has given it to the world in his “Sigfrid’s Saga;” and Emanuel Geibel has derived from it the materials for his “Tragedy of Brunhild.”
And now I, too, come with the STORY OF SIEGFRIED, still another version of the time-honored legend. The story as I shall tell it you is not in all respects a literal rendering of the ancient myth; but I have taken the liberty to change and recast such portions of it as I have deemed advisable. Sometimes I have drawn materials from one version of the story, sometimes from another, and sometimes largely from my own imagination alone. Nor shall I be accused of impropriety in thus reshaping a narrative, which, although hallowed by an antiquity of a thousand years and more, has already appeared in so many different forms, and been clothed in so many different garbs; for, however much I may have allowed my fancy or my judgment to retouch and remodel the immaterial portions of the legend, the essential parts of this immortal myth remain the same. And, if I succeed in leading you to a clearer understanding and a wiser appreciation of the thoughts and feelings of our old northern ancestors, I shall have accomplished the object for which I have written this Story of Siegfried.
Adventure I. Mimer, the Master
At Santen, in the Lowlands, there once lived a young prince named Siegfried. His father, Siegmund, was king of the rich country through which the lazy Rhine winds its way just before reaching the great North Sea; and he was known, both far and near, for his good deeds and his prudent thrift. And Siegfried’s mother, the gentle Sigelind, was loved by all for her goodness of heart and her kindly charity to the poor. Neither king nor queen left aught undone that might make the young prince happy, or fit him for life’s usefulness. Wise men were brought from far-off lands to be his teachers; and every day something was added to his store of knowledge or his stock of happiness. And very skilful did he become in warlike games and in manly feats of strength. No other youth could throw the spear with so great force, or shoot the arrow with surer aim. No other youth could run more swiftly, or ride with more becoming ease. His gentle mother took delight in adding to the beauty of his matchless form, by clothing him in costly garments decked with the rarest jewels. The old, the young, the rich, the poor, the high, the low, all praised the fearless Siegfried, and all vied in friendly strife to win his favor. One would have thought that the life of the young prince could never be aught but a holiday, and that the birds would sing, and the flowers would bloom, and the sun would shine forever for his sake.
But the business of man’s life is not mere pastime; and none knew this truth better than the wise old king, Siegmund.
“All work is noble,” said he to Siegfried; “and he who yearns to win fame must not shun toil. Even princes should know how to earn a livelihood by the labor of their hands.”
And so, while Siegfried was still a young lad, his father sent him to live with a smith called Mimer, whose smithy was among the hills not far from the great forest. For in those early times the work of the smith was looked upon as the most worthy of all trades,—a trade which the gods themselves were not ashamed to follow. And this smith Mimer was a wonderful master,—the wisest and most cunning that the world had ever seen. Men said that he was akin to the dwarf-folk who had ruled the earth in the early days, and who were learned in every lore, and skilled in every craft; and they said that he was so exceeding old that no one could remember the day when he came to dwell in the land of Siegmund’s fathers. And some said, too, that he was the keeper of a wonderful well, or flowing spring, the waters of which imparted wisdom and far-seeing knowledge to all who drank of them.
To Mimer’s school, then, where he would be taught to work skilfully and to think wisely, Siegfried was sent, to be in all respects like the other pupils there. A coarse blue blouse, and heavy leggings, and a leathern apron, took the place of the costly clothing which he had worn in his father’s dwelling. His feet were incased in awkward wooden shoes, and his head was covered with a wolf-skin cap. The dainty bed, with its downy pillows, wherein every night his mother had been wont, with gentle care, to see him safely covered, was given up for a rude heap of straw in a corner of the smithy. And the rich food to which he had been used gave place to the coarsest and humblest fare. But the lad did not complain. The days which he passed in the smithy were mirthful and happy; and the sound of his hammer rang cheerfully, and the sparks from his forge flew briskly, from morning till night.
And a wonderful smith he became. No one could do more work than he, and none wrought with greater skill. The heaviest chains and the strongest bolts, for prison or for treasure-house, were but as toys in his stout hands, so easily and quickly did he beat them into shape. And he was alike cunning in work of the most delicate and brittle kind. Ornaments of gold and silver, studded with the rarest jewels, were fashioned into beautiful forms by his deft fingers. And among all of Mimer’s apprentices none learned the master’s lore so readily, nor gained the master’s favor more.1
One morning the master, Mimer, came to the smithy with a troubled look upon his face. It was clear that something had gone amiss; and what it was the apprentices soon learned from the smith himself. Never, until lately, had any one questioned Mimer’s right to be called the foremost smith in all the world; but now a rival had come forward. An unknown upstart—one Amilias, in Burgundy-land—had made a suit of armor, which, he boasted, no stroke of sword could dint, and no blow of spear could scratch; and he had sent a challenge to all other smiths, both in the Rhine country and elsewhere, to equal that piece of workmanship, or else acknowledge themselves his underlings and vassals. For many days had Mimer himself toiled, alone and vainly, trying to forge a sword whose edge the boasted armor of Amilias could not foil; and now, in despair, he came to ask the help of his pupils and apprentices.
“Who among you is skilful enough to forge such a sword?” he asked.
One after another, the pupils shook their heads. And Veliant, the foreman of the apprentices, said, “I have heard much about that wonderful armor, and its extreme hardness, and I doubt if any skill can make a sword with edge so sharp and true as to cut into it. The best that can be done is to try to make another war-coat whose temper shall equal that of Amilias’s armor.”
Then the lad Siegfried quickly said, “I will make such a sword as you want,—a blade that no war-coat can foil. Give me but leave to try!”