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An American Patrician, or The Story of Aaron Burr
An American Patrician, or The Story of Aaron Burr / Illustrated
CHAPTER I – FROM THEOLOGY TO LAW
THE Right Reverend Doctor Bellamy is a personage of churchly consequence in Bethlehem. Indeed, the doctor is a personage of churchly consequence throughout all Connecticut. For he took his theology from that well-head of divinity and metaphysics, Jonathan Edwards himself, and possesses an immense library of five hundred volumes, mostly on religion. Also, he is the author of “True Religion Delineated”; which work shines out across the tumbling seas of New England Congregationalism like a lighthouse on a difficult coast. Peculiarly is it of guiding moment to storm-vexed student ones, who, wanting it, might go crashing on controversial reefs, and so miss those pulpit snug-harbors toward which the pious prows of their hopes are pointed.
The doctor has a round, florid face, which, with his well-fed stomach, gives no hint of thin living. From the suave propriety of his cue to the silver buckles on his shoes, his atmosphere is wholly clerical. Just now, however, he wears a disturbed, fussy air, as though something has rubbed wrong-wise the fur of his feelings. He shows this by the way in which he trots up and down his study floor. Doubtless, some portion of that fussiness is derived from the doctor’s short fat legs; for none save your long-legged folk may walk to and fro with dignity. Still, it is clear there be reasons of disturbance which go deeper than mere short fat legs, and set his spirits in a tumult.
The good doctor, as he trots up and down, is not alone. Madam Bellamy is with him, chair drawn just out of reach of the June sunshine as it comes streaming through the open lattice. In her plump hands she holds her sewing; for she is strong in the New England virtue of industry, and regards hand-idleness as a species of viciousness. While she stitches, she bends appreciative ear to the whistle of a robin in an apple tree outside.
“No, mother,” observes the doctor, breaking in on the robin, “the lad does himself no credit. He is careless, callous, rebellious, foppish, and altogether of the flesh. I warrant you I shall take him in hand; it is my duty.”. “But no harshness, Joseph!”
“No, mother; as you say, I must not be harsh. None the less I shall be firm. He must study; he is not to become a preacher by mere wishing.”
Shod hoofs are heard on the graveled driveway; a voice is lifted:
“Walk Warlock up and down until he is cooled out. Then give him a rub, and a mouthful of water.”
Madam Bellamy steps to the window. The master of the voice is swinging from the saddle, while the doctor’s groom takes his horse – sweating from a brisk gallop – by the bridle.
“Here he comes now,” says Madam Bellamy, at the sound of a springy step in the hall.
The youth, who so confidently enters the doctor’s study, is in his nineteenth year. His face is sensitive and fine, and its somewhat overbred look is strengthened and restored by a high hawkish nose. The dark hair is clubbed in an elegant cue. The skin, fair as a girl’s, gives to the black eyes a glitter beyond their due. These eyes are the striking feature; for, while the eyes of a poet, they carry in their inky depths a hard, ophidian sparkle both dangerous and fascinating – the sort of eyes that warn a man and blind a woman.