Karnis and his two companions were a long time away. Dada had almost forgotten her wish to see the young soldier once more, and after playing with little Papias for some time, as she might have played with a dog, she began to feel dull and to think the quiet of the boat intolerable. The sun was sinking when the absentees returned, but she at once reminded Karnis that he had promised to take her for a walk and show her Alexandria. Herse, however, forbid her going on such an expedition till the following day. Dada, who was more irritable and fractious than usual, burst into tears, flung the distaff that her foster-mother put into her hand over the side of the ship, and declared between her sobs that she was not a slave, that she would run away and find happiness wherever it offered. In short she was so insubordinate that Herse lost patience and scolded her severely. The girl sprang up, flung on a handkerchief and in a moment would have crossed the plank to the shore; Karnis, however, held her back.
"Why, child," he said, "do you not see how tired I am?" The appeal had its effect; Dada recovered her reason and tried to look up brightly, but her eyes were still tearful and heavy and she could only creep away into a corner and cry in silence. The old man's heart was very soft towards the girl; he would have been glad only to speak a few kind words to her and smoothe down her hair; however, he made an effort, and whispering a few words to his wife said he was ready, if Dada wished it, to take her as far as the Canopic way and the Bruchium.
Dada laughed with delight, wiped away her tears, flung her arms round the musician's neck and kissed his brown cheeks, exclaiming:
"You are the best of them all! Make haste, and Agne shall come too; she must see something of the city."
But Agne preferred to remain on board, so Karnis and Dada set out together. Orpheus followed them closely for, though the troops had succeeded in quelling the uproar, the city was still in a state of ferment. Closely veiled, and without any kind of adornment—on this Herse had positively insisted—the girl, clinging to the old man's arm, made her way through the streets, asking questions about everything she saw; and her spirits rose, and she was so full of droll suggestions that Karnis soon forgot his fatigue and gave himself up to the enjoyment of showing her the old scenes that he knew and the new beauties and improvements.
In the Canopic way Dada was fairly beside herself with delight. Houses like palaces stood arrayed on each side. Close to the buildings ran a covered arcade, and down the centre of the roadway there was a broad footpath shaded by sycamores. This fine avenue swarmed with pedestrians, while on each side chariots, drawn by magnificent horses, hurried past, and riders galloped up and down; at every step there was something new and interesting to be seen.
Rome, even, could not boast of a handsomer street, and Dada expressed her delight with frank eagerness; but Karnis did not echo her praises; he was indignant at finding that the Christians had removed a fine statue of the venerable Nile-god surrounded by the playful forms of his infant children, which had formerly graced the fountain in the middle of the avenue, and had also overthrown or mutilated the statues of Hermes that had stood by the roadside. Orpheus sympathized in his wrath which reached its climax when, on looking for two statues, of Demeter and of Pallas Athene, of which Karnis had spoken to his son as decorating the gateway of one of the finest houses in the city, they beheld instead, mounted on the plinths, two coarsely-wrought images of the Lamb with its Cross.
"Like two rats that have been caught under a stone!" cried the old man. "And what is most shameful is that I would wager that they have destroyed the statues which were the pride of the town and thrown them on a rubbish heap. In my day this house belonged to a rich man named Philippus. But stop—was not he the father of our hospitable protector . . ."
"The steward spoke of Porphyrius as the son of Philippus," Orpheus said.
"And Philippus was a corn merchant, too," added Karnis. "Demeter was figurative of a blessing on the harvest, for it was from that the house derived its wealth, and Pallas Athene was patroness of the learning that was encouraged by its owners. When I was a student here every wealthy man belonged to some school of philosophy. The money-bag did not count for everything. Heathen or Jew, whether engaged in business or enjoying the revenues of an inherited fortune, a man was expected to be able to talk of something besides the price of merchandise and the coming and sailing of vessels."