 
 ʸ



               .         ,            .     ʸ       ,           ,   ,      ,   .         ,      ,      .  ,           ,           .  ʸ    ,       .





 ʸ

 



 On Slowness by Lutz Koepnick Copyright 2014 Columbia University Press This Russian language edition is a complete translation of the U. S. edition, specially authorized by the original publisher, Columbia University Press.

 . ,   , 2023

 . ,  , 2023

    , 2023







   ,        .                  XXI .          ,                 .        ,           .         -   .            .    ø     ,       .            .

        .         .          Germanic Review,      :        (Free Fallin: Tom Tykwer and the Aesthetics of Deceleration and Dislocation // Germanic Review 82. 2007. I. . 730)   :        (Herzogs Cave: On Cinemas Unclaimed Pasts and Forgotten Futures // Germanic Review 88. 2013. I. . 271285),   Bloomsbury Publishing,   01:     (01: Riefenstahl and the Beauty of Soccer, in Riefenstahl Screened: An Anthology of New Critisism / Ed. Neil Christian Pages, Mary Rhiel, and Ingeborg Majer-OSickey. New York: Continuum, 2008. . 5270).




.   


     ,      ,            . ,      , ,   .       ,   ,      .  ,      ,       .       ,              .  ,                ,     ,   ,    ,           .  :     ,      ,   ,          ,  ,  ,  ,  .

     ,           [1 -         ; .,  : Honor C. In Praise of Slowness: How a Worldwide Movement Is Challenging the Cult of Speed. San Francisco: HarperCollins, 2004); McEwen C. World Enough and Time: On Creativity and Slowing Down. Dublin: Bauhan, 2011.].      ,                  .  -      ,   ,    .     ,         ,               .       ,                .    ,            .     ,          ,     ,           .

       ,     2010?      ,     ,     .  ,     [2 -  Slowness,     ,         (      ),    (       ).            . . .]     ,     .            .             ,   -,  -       ,        .  ,              ,           ,  ,       -,      .       ,   ,       ,   (  )      ,     .    ,          ,    ,  ,         .            ,      ,  :    ,   .        ,       ,     ,          ,     .

              ,         .       ,         ,   ,      ,   .    ,    ,                  . ,             ,    ;            .  ,        ,    .                ,     ,      .

    ,        ,        



     ,      ,           [3 - Burgin V. In/Different Spaces: Place and Memory in Visual Culture. Berkeley: University of California Press, 1996. . 184.].


 ,       ,    -    .          ,   ? ,    ,        .     ,       ;              ,   ,   ,   .    ,        ,    ,    .                 ,         .           -, -    ,    .       ,     ,       :    ,        ,   ,    .      ,        ,    .     ,    ,             ,   .

 ,      ,        .    ,               ;    ,         [4 - .,  : Huyssen A. Present Pasts: Urban Palimpsests and the Politics of Memory. Stanford: Stanford University Press, 2003.].       ,        .  , , ,             ,    [5 - .,  : Gumbrecht H. U. Production of Presence: What Meaning Cannot Convey. Stanford: Stanford University Press, 2004.].      ,     ,     ,     ,      .

 ,    ,           .            ,      ,      ;      ,  .               ,         ,       ,    ,     . ,  ,       ,            ,       ,       .

           (the contemporary)[6 -         .: Smith T. What Is Contemporary Art? Chicago: University of Chicago Press, 2009; Stallabrass J. Contemporary Art: A Very Short Introduction. New York: Oxford University Press, 2006.]    ,      ,   .  ,   ,      ,    ,       ,  -    ,    .             1990?  .         ,       , ,    .   ,   ,                .

     ,    ,      .               -  .           ,      ,     ,    .        ,                   . ,  , 



    [],        . ,      ,      ,    ,        ,       [7 -  .  ? /. . . . ?:  i i, 2012. . 47.].


,  ,       ;          .          ,         ,        ,      ,    -     ,           ,    .  , ,      ,      ,            ,       ,  ,       ,      .         ,        .               .       ,       .         ,      [8 -  . . 57.].        ,      ,         .

    ,               .          ,           .           ,    ,   ,         ?,     .           ,                  .         ,        .    ,   ,   ,               ,         , -            .                          ,       ,    ,    .

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  :  ,     .    ;        .         . []   :    ,         .   -    BMW[9 - Eliasson O. Your Mobile Expectations: BMW H2R Project. Baden: Lars M?ller, 2008. . 282.].





. 0.1.  .   :  BMW H2R (2007).     H2R,  , ,  ,  145 ? 525 ? 255.       - (SFMOMA), 2007. :  ,  SFMOMA, BMW Group.  , 2007.



   :                       .    ,   ,           .   ,          ,     .          ( ,        ;   ;   ,    )         ,    .   ,            .     ,    ,            [10 -    (Ibid. . 288).],       .

               ,     ,                .    BMW            .            :          A     ,           ,   ,          ,   ?     .               .     ,         ,        ? .

           .           , , , , -  ,          ,      .   ,       ,     ,        -    . ,    ,     ,          .     ,          ,     , ,    - .        ,            ,    :    ,   ,       ,      ,    .

   ,      ,      . -,          ,     ,  [11 -  ʸ      (        )   ,          XX   1936 ,    ,   ,        ( .        / ., ., . . . . . .: , 1996. . 2527). . .],               ,       -  .

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       ,    ,    [];      ,   ,     [12 - Hansen M. Babel and Babylon: Spectatorship in the American Silent Film. Cambridge: Harvard University Press, 1991. . 1213; .     : Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno. Berkeley: University of California Press, 2010.          . . .].


    :                     .            . ,           , , ,   .            .  ,             ,         ,          .    ,         ,       - .       ,                                   .

   ,               , ,      ,        XX .               , ,     ,       XX ,         .        .           XX        ,   .         ,      (   ,        1970? ),    , ,      ,     ,    ,    ,     .                .        ,      , , ,        .         (      4)      ,            ( 5),   ( 6)    ( 7).           ,   (    )       ? ,       .

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     ,         ,      .       ,     ,    1933         ,    ,           ,  ,     [13 -  .    / . . . .   . . . . .: -  , 1960. . 93.].   ,  ,        ,  ,    ,    ,      .                  ,                      .            ,  ,         ,   ,        .

     ,      ,  ,    ,       ,            .          , , ,   .                   .          ,      ;              .    ,              , ,    ,                      [14 -          .: Golumbia D. The Cultural Logic of Computation. Cambridge: Harvard University Press, 2009.].   ,     ,          (),     .        ,     ,    ; ,         ;   ,      ;    ,   .

     , ,   ,            ,     ,     .  ,   ,     ,      ,    ,      ,        ,  ,   .           ;        .           ,     .            ,   ,   .          ,   ,                .       ,    ,            .  ,        ,   :             .




 1.  



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 1889          ,       ,      ?         [15 -  .    //  . . .:  4. .:  , 1992. . 1. . 55; Guerlac S. Thinking in Time: An Introduction to Henri Bergson. Ithaca: Cornell University Press, 2006. P. 47.].       ,        ,     ,   -         ,    , ,     .  ,    ,     XIX       ,  , , ,   ,    - [16 -         : Kern S. The Culture of Time and Space, 18801918. Cambridge: Harvard University Press, 1983; Schivelbusch W. The Railway Journey: The Industrialization of Time and Space in the Nineteenth Century. Berkeley: University of California Press, 1977; Thacker A. Moving Through Modernity: Space and Geography in Modernism. Manchester: Manchester University Press, 2003.].           ,    ,       .

         ,        ,       .  ,           .    ,           .             ,    ,     [17 -     XIX ,            .     : Cowan M. Cult of the Will: Nervousness and German Modernity. University Park: Pennsylvania State University Press, 2008; Radkau J. Das nervo?se Zeitalter: Deutschland zwischen Bismarck und Hitler. Munich: Hanser, 1998.].  -       ,     ,          ,                 .

 1931      :   , ,    (modern) [18 - Huxley A. Wanted, a New Pleasure // Huxley A. Complete Essays / Ed. R. S. Baker and J. Sexton. Chicago: Ivan R. Dee, 2001. Vol. 3. P. 263.       . : [Duffy 2009: 1757].].     ,      .   ,    ,     ,   . - ( -),        ;        ,           ,     .                      ,   .        ,      ,    .

-,       XIX ,    ,               .        ,      ,         . , -,               XIX        : ,    ,   ,  ,        .    (   )         .        ? ,                   .

      ,                       .         ,      XX     ,          .           ,        .              [19 -     .: Weibel P. Die Beschleunigung der Bilder. Bern: Benteli, 1987.]. ,           ,         .           , ,      ,         ,       .        (       )             - ,      ,    ,              .

     1900? ,        ,     ,      ,           .          ,       ,     ,     ,     ,   ,   . ,    ,            ,          ,             ,      .   ,   ,                   ,        .         -        ,       ,  ,        ,    ? ,     .

         , ,                :     ,  ,   .          ,     .    ,  ,      ,        ,          ,   ,       (  )     ,          ?  (  1880?  1930? )        [20 - .  : Cosmopolitan Modernisms / Ed. by K. Mercer. Cambridge: Institute of International Visual Arts, 2005; Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity / Eds. T. Smith, O. Enwezor and Nancy Condee. Durham: Duke University Press, 2008; Hansen M. Foreword // Public Sphere and Experience: Toward an Analysis of the Bourgeois and Proletarian Public Sphere / Ed. by O. Negt and A. Kluge, trans. A. Oksiloff and P. Labanyo. Minneapolis: University of Minnesota Press, 1993; : Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and TheodorW. Adorno. Berkeley: University of California Press, 2011.] [Hansen 1993; 2010; Mercer 2005; Smith, Enwezor, Condee 2008].      (,   ),            .  ,    ,       .        ,    ,     ,        .    ,             , ,            ,   .    ,      c                ,       .           ,   ,          ,      ,           .

                     .       19091913   ,         .        ,  ,   ,            .              ,   1930?                     .               ,     ,    .

      ,       ,   .              ,    ,      ,               ,      .     ,         ,          ,    .    ,        ,          ,         .                ,          ,               ,      ,        [21 -     ,                ,             (.: Massey D. For Space. London: Sage, 2005).].

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  ,    ,                     .           ,         A   ,       ,               . ,                 ,          ,       , ,   ,          ,   ,   .

 ,    , ,    ,       ,   .   ,          ,        ,            ,     .           ,             .        ,      .          ,                  , ,        ,      .     ,    ,                  .

       ,     [22 - .: Krauss R. A Voyage on the North Sea: Art in the Age of the Post-Medium Condition. London: Thames and Hudson, 2000; Krauss R. Two Moments from the Post-Medium Condition // October 116. Spring 2006. . 5562.] [Krauss 2000; 2006],                . ,          ,    ,     ,       .             ;         ,     ,               .


2

   ,    ,                    .  ,      -,   ,                    [23 - Poggi C. Inventing Futurism: The Art and Politics of Artificial Optimism. Princeton: Princeton University Press, 2009. P. 2729.].    ,         ,                    .






. 1.1.  .   (1913). 2013.    (ARS, -) /     (SIAE, ).   :       (MART).



,     (1913; . 1.1)       ,       .          ,         ,    ,   ,     ,  ,   ,       [24 -  . .     //   .   / . . . .: .  , 1914. . 3642.].         ,    ,         . ,   -,    ,       :     ,                    [25 - Russolo L. The Art of Noise / Trans. Robert Filliou. New York: Great Bear Pamphlet, 1967.].

                   ,  , ,        XIX    ,    ,     ,    .     ,          .           ,       .

         ,         1913            ,             .    :   ,  ,         ,       ,    ,     ,   ,    .

          ,        ,      Le Figaro 20  1909 .        ,          ,    ,       ,   ,     XIX : , , .           ,     [26 -  . .    //    :     . .: , 1986. . 161.],   ,        ,    .                  :



   ,  .     ,        [27 -  . . 160.].


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        ,        , ,    ,  ,  . <> [   ]         ,                  [29 - Poggi C. Inventing Futurism. P. 10.              ,         [ 2006];                (.:  . . .:   , 2015. . 116173];       (Schnapp J. Crash (Speed as Engine of Individuation) // Modernism/Modernity 6. 1999. 1. . 149).].


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   ,       ,   ,      ,    , ,     ,     ,   ,    .        [30 - . : Doane M. A. The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge: Harvard University Press, 2002. . 87.].


 ,    1913   (Violoncellista)   (Dattilografa) (. 1.2),        ,   ,             .       ,         ,  .  ?               .                 ,  ,       .    ,          .    ,    ,      ,     .

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     c      ,     , ,         (Forme uniche della continuit? nello spazio, 1913; . 1.3). ,                    ,              -: ,      ,    ; ,          ,    [31 - , , ,    1961  . . :      ,  ,      ,       .  ,     ,  ,  .        ,        (. : Coen E. Umberto Boccioni. New York: Abrams, 1988. . 218). .    : Poggi C. Inventing Futurism. .170.].   ,       ,          .   ,   ,      ,          ,                   ,           .




  .


   .

   ,     (https://www.litres.ru/pages/biblio_book/?art=69006727)  .

      Visa, MasterCard, Maestro,    ,   ,     ,  PayPal, WebMoney, ., QIWI ,       .



notes








1


        ; .,  : Honor C. In Praise of Slowness: How a Worldwide Movement Is Challenging the Cult of Speed. San Francisco: HarperCollins, 2004); McEwen C. World Enough and Time: On Creativity and Slowing Down. Dublin: Bauhan, 2011.




2


 Slowness,     ,         (      ),    (       ).            . . .




3


Burgin V. In/Different Spaces: Place and Memory in Visual Culture. Berkeley: University of California Press, 1996. . 184.




4


.,  : Huyssen A. Present Pasts: Urban Palimpsests and the Politics of Memory. Stanford: Stanford University Press, 2003.




5


.,  : Gumbrecht H. U. Production of Presence: What Meaning Cannot Convey. Stanford: Stanford University Press, 2004.




6


        .: Smith T. What Is Contemporary Art? Chicago: University of Chicago Press, 2009; Stallabrass J. Contemporary Art: A Very Short Introduction. New York: Oxford University Press, 2006.




7


 .  ? /. . . . ?:  i i, 2012. . 47.




8


 . . 57.




9


Eliasson O. Your Mobile Expectations: BMW H2R Project. Baden: Lars M?ller, 2008. . 282.




10


   (Ibid. . 288).




11


 ʸ      (        )   ,          XX   1936 ,    ,   ,        ( .        / ., ., . . . . . .: , 1996. . 2527). . .




12


Hansen M. Babel and Babylon: Spectatorship in the American Silent Film. Cambridge: Harvard University Press, 1991. . 1213; .     : Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno. Berkeley: University of California Press, 2010.          . . .




13


 .    / . . . .   . . . . .: -  , 1960. . 93.




14


         .: Golumbia D. The Cultural Logic of Computation. Cambridge: Harvard University Press, 2009.




15


 .    //  . . .:  4. .:  , 1992. . 1. . 55; Guerlac S. Thinking in Time: An Introduction to Henri Bergson. Ithaca: Cornell University Press, 2006. P. 47.




16


        : Kern S. The Culture of Time and Space, 18801918. Cambridge: Harvard University Press, 1983; Schivelbusch W. The Railway Journey: The Industrialization of Time and Space in the Nineteenth Century. Berkeley: University of California Press, 1977; Thacker A. Moving Through Modernity: Space and Geography in Modernism. Manchester: Manchester University Press, 2003.




17


    XIX ,            .     : Cowan M. Cult of the Will: Nervousness and German Modernity. University Park: Pennsylvania State University Press, 2008; Radkau J. Das nervo?se Zeitalter: Deutschland zwischen Bismarck und Hitler. Munich: Hanser, 1998.




18


Huxley A. Wanted, a New Pleasure // Huxley A. Complete Essays / Ed. R. S. Baker and J. Sexton. Chicago: Ivan R. Dee, 2001. Vol. 3. P. 263.       . : [Duffy 2009: 1757].




19


    .: Weibel P. Die Beschleunigung der Bilder. Bern: Benteli, 1987.




20


.  : Cosmopolitan Modernisms / Ed. by K. Mercer. Cambridge: Institute of International Visual Arts, 2005; Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity / Eds. T. Smith, O. Enwezor and Nancy Condee. Durham: Duke University Press, 2008; Hansen M. Foreword // Public Sphere and Experience: Toward an Analysis of the Bourgeois and Proletarian Public Sphere / Ed. by O. Negt and A. Kluge, trans. A. Oksiloff and P. Labanyo. Minneapolis: University of Minnesota Press, 1993; : Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and TheodorW. Adorno. Berkeley: University of California Press, 2011.




21


    ,                ,             (.: Massey D. For Space. London: Sage, 2005).




22


.: Krauss R. A Voyage on the North Sea: Art in the Age of the Post-Medium Condition. London: Thames and Hudson, 2000; Krauss R. Two Moments from the Post-Medium Condition // October 116. Spring 2006. . 5562.




23


Poggi C. Inventing Futurism: The Art and Politics of Artificial Optimism. Princeton: Princeton University Press, 2009. P. 2729.




24


 . .     //   .   / . . . .: .  , 1914. . 3642.




25


Russolo L. The Art of Noise / Trans. Robert Filliou. New York: Great Bear Pamphlet, 1967.




26


 . .    //    :     . .: , 1986. . 161.




27


 . . 160.




28


 .




29


Poggi C. Inventing Futurism. P. 10.              ,         [ 2006];                (.:  . . .:   , 2015. . 116173];       (Schnapp J. Crash (Speed as Engine of Individuation) // Modernism/Modernity 6. 1999. 1. . 149).




30


. : Doane M. A. The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge: Harvard University Press, 2002. . 87.




31


, , ,    1961  . . :      ,  ,      ,       .  ,     ,  ,  .        ,        (. : Coen E. Umberto Boccioni. New York: Abrams, 1988. . 218). .    : Poggi C. Inventing Futurism. .170.


