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       Masters   Ad Marginem

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E. H. Gombrich, Julian Hochberg and Max Black

Art, Perception, and Reality


* * *

Copyright  1972 by Johns Hopkins University Press. All rights reserved

    , 2023




 




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notes








1


            ,          1967 .     ,    .




2


Gombrich E. H. Art and Illusion: a study in the Psychology of Pictorial Representation. The A. W. Mellon Lectures in the Fine Arts, 1956. Bollingen Series XXXV. V. 5. New York; London, 1960.     : Waetzoldt W. Die Kunst die Portr?ts. Lipzig, 1908; Furst H. Portrait Painting, Its Nature and Function. London, 1927.       : Whlr . Twentieth Cntury Portraits. The useum of Modern Art. Nw York, 1942;    : Shlosser J. von. Gspr?h von der Bildniskunst. 1906; Shlosser J. von. Pr?ludien. Brlin, 1927; Gombrich E. H. Portrait Painting and Portrait Photograph / ed. P. Wngraf // propos Portrait Painting. Lndon, 1945; Vinent C. In Sarh of Liknss // Bulletin of the Mtropolitn Musum of rt. Nw York, April 1966; Pop-nnss J. The Portrait in th Renissan // The A. W. Mellon Lectures in the Fine Arts 1963. Bollingen Series XXXV. 12. New York; London, 1966.




3


           ;      1520 . ( ).




4


De Tolnay Ch. Michelangelo. V. III. Princeton, 1948. P. 68.




5


Golzio V. Raffaello nei documnti. Vatican Cit, 1936. Lettr by Bembo. April 10, 1516.




6


Scharf A. Filippino Lippi. Vinna, 1935. P. 92.




7


Panofsk . Idea. Studin dr Bibliothk Warburg. Hambug, 1923;        : Shahn B. Conrning likenss in Portraitur // C. Nordnfalk Ben Shahns Portrait of Dag Hammarskj?ld // eddelanden fr?n Nationlmuseum. No. 87. Stokholm. n. d.




8


    . .    ,     ,         : Harmon L. D. Som Aspts of Reognition of Human Fas.




9


   (18841986)     . ( ).




10


             . (.: Croce B. Problemi di Estetica. Bari, 1923. P.258259.)        ,        :        ? (.: Payne W. A. Letter to the London Times. March 5, 1970.)




11


Montagu J. Charles Le Bruns Confrence sur lexpression. Unpublished Ph. D. thesis. University of London, 1960.          .




12


Petrarca F. Le famigliari. XXIII. 19. P.7894. . . . :  .      / . .  // . . . .: , 2004. . 296.       : The Style all antica // Norm and Form. London, 1966.




13


  (18841956)  ,   . ( ).




14


  (18911963)    .( ).




15


Strelow L. Das manipulierte Menschenbildnis. D?sseldorf, 1961.




16


  (18651944)     . ( ).




17


Guilbert Y. La chanson de ma vie. Paris, 1927.




18


     (1624). ( ).




19


Gibson J. J. The Senses Considered as Perceptual Systems. Boston, 1966.


