 :  
 


  (. 1946)     ,    (-),      (New Musicology),                       .   ,  -  2019 ,      ,          (audiable),     ,  , , ,           , ,     .

  PDF A4    .






 

 .  


The Hum of the World

A Philosophy of Listening

Lawrence Kramer



University of California Press



:  








 2019 The Regents of the University of California Published by arrangement with University of California Press

    , 2023








I

     .                ,    (auditory culture).     ,         .     ,    ,   ,    .     ,             , ,  ,   , .

  ,       . :     .     ,         .     ,        .   .        ,  ,  ,    .     ,           .     .         .   ,       ,  .   ,         ,    ,   .

      ,  .     ,      .          ,   .       ,       ,          .     .


II

         ,       :  ,   ,     , Minima moralia ,   ,    ,    .  ,      ,      ,     ,    ,   .       ,    ,   ,    .        .         (soundscape)  ,     ,  ,  ,   .     ,     ,           ,    ,   .  ,   ,      ;     .         ,   ,      .

    ,        ,     ,       .  ,   ,    , ,   ,   , , , , ,   ,    ,           ,   ,  .    ,     ,      ,      ,     . ,  ,    [1 -         ,         (.: Latour B. We Have Never Been Modern / trans. C. Porter. Cambridge, MA: Harvard University Press, 1993).              ,        .     ,       ,  , ,  -  ,         . .: Smith B. H. Anthropotheology // New Literary History. No. 47. 2016. P. 331352; 343344.].



,   , ,   ,     ,        :     .    .  ,        . , ,    .




  


  .         .   , -  ,    ,    .  ,    ,         ,      :   ,   ,   ,   .      ,    , ,     ,   .

          ,        ,        .       .   (  ,      )  ,     : ,      ,      .       ,     .   XIX     ,        .    ,   ,        .

        ,  .         ;             ,   .           .      ,        .         ? ,  :  ,   ,     ?

   (  )        ,   . ,    ,     ,      ;    , , , , ,   ..       .         ,   ,      .       .     ,        ,   .

     ,     ,    .        . ,   , audiable, ,     audible, .  ,       .           ,     .             ?                 .










I

   :    .    ,   ,   .      .       .     ,      ,         .     .    .    ?      ?

     ,  ,     ,   .         ,   ,    ,  ,    .   -  .       :

 -    , , , :   .       .      , .     :   .  ,   ,   , ,   ,    , ,   ,   .      , ,   ,  .  :    .[2 - Dillard A. Teaching a Stone to Talk: Expeditions and Encounters. New York: Harper Perennial. 2013. P. 8990.]

 ,       .  ,    ,  ,    ,   .  ,   ,    ,   ,   ,    .      ,      ;      (         ).    ,          ,    ,   ,  ,    .


II

     .  ,     ,   .         ,        ,                .         ,        .               .

       ,       ,      .         ,  ,    ,   ,      ,    .   ,    .         .

       .         ,   .      ,     ,    ,          .        .       - ,     ,      .  ?     ?     ,         ?      ,       ?        .     .   ,  ,      ,    ,  .


III

    ? , ,    ?

     ,          ,    ;    ,  ,         .          ;     .       ,  ,     ,   (      ),         .    .     .           ,              .         ,         .   , ,  ,    ,    (  )      .  ,    .         ,  .        ,     ,    .




 


      ,       :              ;          ,         ,          ;          .       :  ( ,     )        ;            ,      ;  ,   ,     ,       ,      ,     ,      .

    ?              ,       . ,    ,    ;      ,            ;    ,       ,       .

   ,       ,            .

-,               , ,   .    ,       ,   [3 - .: Interpreting Music (2010); Expression and Truth: On the Music of Knowledge (2012); The Thought of Music (2016).      University of California Press.].             .      : , , , ,       ;        ,          .

-,        ,   軠   ,     ,      ,  ,   ,     .            .

-,      (utterance),     ,     (statement),    .       :         ;            ,    .          ,   .




 



I

  ,         ;        .  ,   , ;       ,     ,              ,     .   ,    ,        ,    ,      ;     ,       . ,   ,   ,         ?,       ? ,    ,    ,      ,    ,      ,  .

   ,     - ,    :  ,     ,     ;  ,           (. 3:1).     ,    ,     ,     .    ,   ,    ,   ,  -   .      ,       .      .

 ,       ,        ,   .   ,         .      ,    :

         ,    , ,      .     ,    .[4 -            .  . . , . .]

                  ( ,     ,     ,  )       ,   .      ,         :

     ,  ,     ,       ,                  ,  ,  ,  ,   ,            .

  ,    ,       ,   ,      ,   ,         ,    .        ,   ,        ,            :   ,      ,     ,      .         ;   ,           ,      .


II

   ,  ,    (      )  gaze ( ; , )   .         ,   ,     -,  ,   ,       ,     ,  -  , ,  ..,    ,  .            ,  ,    XX,  . (, ,  .   ,                   XIX   .)  , ,       ,   .     .    .          .    ,          ,   .  ,        ,   .              .


III

     .            :

      .       :    ,      ,     ,     ,  ?,  ,     ,    ,  ,   ,     - .     ,              [ ].[5 - . . .]

   ,             .       .     ,      ,     , ,      .         ,   . ,    ,   ,     ,  ,       ? ,  , ?  .        ,    . ,    ,              .

 ,       :       ?            ?




 ?


XXI    ,         .        ,    ,    .   ,              ,     .        ,   ,        ,  ,        .  ,    ,   .       .  ,           ,      ,     ,           .

-,  ,            .      ,     .      .     ,   .   , ,      .      .              :    ,    ,    .   ?           ,       ,          ,  -     [6 - Ivanoff A. Porgy and Bess with a White Cast Stirs Controversy // The New York Times. January 18. 2018.]. , ,    :    ,        .        ,     .

       ,    ,    .    ,     -,  .          :

  ,    ,     .        ,    ,    ?          ,          ,   ,    , ,    ,      ,   ,      , ..;          ,      ,     .[7 -  .   ?       / . . .        .]

                [8 - .: Marcus S., Best S. Surface Reading: An Introduction // Representations. No. 108. 2009. P. 121.].  ,    :         .          .        .           .

-, ,    ,       ,    ,           :       ,          .    ,       , , .        ,  ,       ,  ,    ,   :       .      ,     ;      ,      ,      .     ,     .

-,           .      , ,  ,   .   ,   ,     , ,    ,   ,    ,  .         ,        .  , ,     ,      .

        ?          ,      ?

     . ,    ,  ,   ,  ,    , ,    ,       .      ,  ,   ,      ,      .     ,                  .    ,   ,          .        ,    ,     ,         [9 -  .: Expression and Truth. Op. cit.].  ,   ,       ,           ,     .

 ,    ,              , ,   ,  ,   .   ,     ,       .

    .     - ,     ,  ,     . ,           .     ,  ,   ,    .       ,    .




 


       , ,  ,  ,       [10 - Interpreting Music. Op. cit. P. 5260.].     ,   .     ,   .         ,    ,      .     ,            (),  ()   ().

     ,  ,     .   ,           ,   .     ,   .    ,         ,   ,     .        ,   .         .

      ,   .     .      ,  ,         .

         ,  , ,   ,     :

		      ?
		   ,    .
		      ?
		  .[11 - . .]

     :    .  ,     ,      ,    ,              ? ,      ,      ,   ,     ,   .   ,   ,     , .   ,          ,      ,    ,  . ,    ,     ,     [12:5]:   ,   .       ,       .     :        ,    : , ,     ,     ,     .          ,   ,   ,      .

            . ,      , ,          :

		   .
		     
		     .
		    .[12 - . . .]

   ,     ,   : ,         ,        ,  .    ,     .     .  ,          .

             (Das Wirsthaus),    ,           .        ,      ⠫ ,  ,    :    /    ?       ,          .  ,    .        ,      ,    .




,   



I

 ,     (?  ?      ,       ?)     ,       .          [13 - .: Jay M. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley; London: University of California Press. 1994.].        .        ,     .    ?   ?       ?

    ,        ,   , .     ,     ,   ,           .      ,     ,   .          ,    ,    ,     .      .  ,   ,   ,     .      ,    ,      .               .

  .          , ,  ,   .      ,      .   ,      .        ,       .       1790-        :

		  
		   ;
		    
		  ;   
		    
		   
		  
		  ,   
		  
		  
		,    ,
		     
		 -     [14 - . . .]

(. VII. 1805. 165177, 210212, 221224)
          ,   .          .      ,  ,    ,       .        :     ?,     ,  .          , ,   ;     ,   .            .          (       ),        ,   .      ,             . , ,    ,      . ,    ,      .          .

           ,     ,   ,      ,     ,  .    .    ,       ,   .     ,       .     ,      ,   [15 - .: Kant I. Critique of the Power of Judgment / trans. P. Guyer and E. Matthews; ed. P. Guyer. Cambridge; New York: Cambridge University Press, 2000. P. 203207.].              ,       .     ,        ,   ,       ,   , ,   .           ,   ( ,  )   ,    .                 ,      ,  ,     .        .       ,     ,  - ,    .       .


II

    (   !)  , ,    .     ,   . ,    .      ,   .    ,  -        .       蠫 컠      .    ,  -    ,     .       -,   ,     -.           .    ,    ,     .  ,      ,           ,    .     ,    .


III

      ,   :   , , - ,     ,  .     ,                .    , ,   ,       .    :    .     :    . , ,      ,    .       .                    .        ;    .     ,          ( )  ,     ,  .

  ,    ,         ?   ,                ,         ,     ,       [16 - Sterne J. The Audible Past: Cultural Origins of Sound Reproduction. Durham, NC: Duke University Press, 2003. P. 1518.]?       , , , , ?    ,     , :    .

  ;        ( ) .         .      ,   ,     ,        .         .         .                   [17 -  . . . : 4. . 1.   :  / . . . .].

   .   ,     .   ,  ,    (    ),    ,      ,  ,     .   ,                 ,     ,  ,   .     ,   ,     .   ,   ,  , .    ,          ,    ,        [18 -  . IV].            .       .

XIX           .       ,    .       ,  ,     ,             , ,           .  , ,             .     XVIII,       .  1804     ,     , ,         .        [19 - Cater J. P. Electronically Speaking: Computer Speech Generation. Indianapolis: Howard M. Sams, 1983. P. 7274.].   ,    1845,    ,  ,      .      . ( ,     ,     ,   . . .)

   ,      ,    ,         ,        .  ,     ,            ,   ,  . (            .)     ,   ,  Edison            .  ,       .      ,    .      ,    ,      .        Tone Tests,     Victor Talking Machine Edison         ,     .   , -,       .  ,        ,    .    ,           [20 - Leppert R. Aesthetic Technologies of Modernity, Subjectivity, and Nature: Opera, Orchestra, Phonograph, Film. Berkeley; London: University of California Press, 2015. P. 119.].      ,   .      1921 ,    ,        .     ,       .

  , ,   () .     1932,   ,       .   :   ! ,    , !           ,   -,     .          .  Victor Talking Machine ,      :       ,   ,  ,   ,        ,     .       ,     .

         .      , Tone Tests  .   ,   , ,          .   ,    ,       ,      .  1955 -   ,      ,    ,      .    , ,        ,    ,         .

 ,    , ,   ,                ,         [21 - Habermas J. Modernity  An Incomplete Project / trans. S. Ben-Habib // The Anti-Aesthetic: Essays on Postmodern Culture / ed. H. Foster. New York: New Press, 1983. P. 315. V].         (     )  ,         ,  ,    - ,         .         , ,  , , ,     ,       (         ).      :      .

      ,    . ,     ,   ,   ,    .       ,            ,          .    ,     ,   ,      .       ,      .      ,         .

 , , ,  ,      ,    .      ? ,         ,       ,  .   ,     ,   ,    ,      .    ,         ,   .        ,     ,     ⠫- ,     ,        ,  ,     :   .

  ,   ,   ,        .             .            ,              .        ,    ,  ,    .   ,    , ?     ?     ,     ,     ?   , , , ,      ,    ?     ?




  .


   .

   ,     (https://www.litres.ru/pages/biblio_book/?art=69740716)  .

      Visa, MasterCard, Maestro,    ,   ,     ,  PayPal, WebMoney, ., QIWI ,       .



notes








1


        ,         (.: Latour B. We Have Never Been Modern / trans. C. Porter. Cambridge, MA: Harvard University Press, 1993).              ,        .     ,       ,  , ,  -  ,         . .: Smith B. H. Anthropotheology // New Literary History. No. 47. 2016. P. 331352; 343344.




2


Dillard A. Teaching a Stone to Talk: Expeditions and Encounters. New York: Harper Perennial. 2013. P. 8990.




3


.: Interpreting Music (2010); Expression and Truth: On the Music of Knowledge (2012); The Thought of Music (2016).      University of California Press.




4


           .  . . , . .




5


. . .




6


Ivanoff A. Porgy and Bess with a White Cast Stirs Controversy // The New York Times. January 18. 2018.




7


 .   ?       / . . .        .




8


.: Marcus S., Best S. Surface Reading: An Introduction // Representations. No. 108. 2009. P. 121.




9


 .: Expression and Truth. Op. cit.




10


Interpreting Music. Op. cit. P. 5260.




11


. .




12


. . .




13


.: Jay M. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley; London: University of California Press. 1994.




14


. . .




15


.: Kant I. Critique of the Power of Judgment / trans. P. Guyer and E. Matthews; ed. P. Guyer. Cambridge; New York: Cambridge University Press, 2000. P. 203207.




16


Sterne J. The Audible Past: Cultural Origins of Sound Reproduction. Durham, NC: Duke University Press, 2003. P. 1518.




17


 . . . : 4. . 1.   :  / . . . .




18


 . IV




19


Cater J. P. Electronically Speaking: Computer Speech Generation. Indianapolis: Howard M. Sams, 1983. P. 7274.




20


Leppert R. Aesthetic Technologies of Modernity, Subjectivity, and Nature: Opera, Orchestra, Phonograph, Film. Berkeley; London: University of California Press, 2015. P. 119.




21


Habermas J. Modernity  An Incomplete Project / trans. S. Ben-Habib // The Anti-Aesthetic: Essays on Postmodern Culture / ed. H. Foster. New York: New Press, 1983. P. 315. V


