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        .   1990? .             ,       .     :       1950?  1960? .,    ,         .         .   1950?        1960? . ,  ,    ,  ,    .  1960?    1970? .     ,       ()      .        1970?   1980? ., , ,             .

  installation         [- -][1 -      / . . . . . ., 2014.];  ,       ,  ,  [2 -             .     :  . .: Reiss J. H. From Margin to Center: the Spaces of Installation Art. Cambridge, Mass.: MIT Press, 1999. 181 p.].   1960? .    installation  [3 - .: Bishop C. Installation Art: A Critical History. London: Routledge, 2005. P. 6; Installation Art / N. de Oliveira, N. Oxley, M. Petry, M. Archer (texts). London: Thames and Hudson Ltd, 1994. P. 11.],        .          installation       1970? .   ,           1978  (  The Art Index), , ,        [4 - Reiss J. H. From Margin to Center P. xii.].    ,   ,    The Art Index  1993-      [5 - Ibid.].  ,  ,    1950?  1970? . (      1980-)  ,         ,              ;     ,   .

                X  .     ,    ,    ,     ,     -,  .               X : -,  , ,    ,   Light and Space  .   ,     ,    ,         .     ,    ,        ,     ?        .

 ,          1990? .,          .        .          ,          [6 - .: Bishop C. Installation Art 144 p.; Petersen A. R. Installation Art Between Image and Stage. Copenhagen: Museum Tusculanum Press, 2015. 507 p.; Ran F. A History of Installation Art and the Development of New Art Forms: Technology and the Hermeneutics of Time and Space in Modern and Postmodern Art from Cubism to Installation. New York: Peter Lang Publishing Inc, 2009. 256 p.; Rebentisch J. Aesthetics of Installation Art. Berlin: Sternberg Press, 2012. 296 p.],     ,    [7 - Reiss J. H. From Margin to Center 1999. 181 p.].             ,    [8 - .    . -: Tupitsyn M. The Raison DEtre of Installation Art // Moscow Vanguard Art 19221992. London and New Haven: Yale University Press, 2017. P. 130165.].

             ,    ,    ,          , ,  .   ,   ,   ,   .  ,            ,  ,      .       ,                 .     ?      ,  case-study,   ,           ,    -,        , ,    Light and Space,       .              . ,          ,      . , . , . , .  ,   Arte povera  .

   ,                 ,        .         . ,     ,   ,       ,       ,   ,  ,      .  ,             .


***

      .        , ,  ,    ,    ,       ,         ,   ,  ,    ,        (          ),     (      ),         .

     ,                   (,  . )       (,     . , ,    . ),                                  (, , ,    ).

 ,       , ,   . , , Light and Space, . , . ,  , . , , . , .   . , . , . , . . ,    ,   ,  ,         ,     ,  .

        1950? .,               .        1990? .,     ,           ,    .



        .  ,        ,      ,          .         滠                 .  ,        :  ,  ,  ,  ,  ,  ,  . ,           .




 1

    



              ,     ,        .       ,   ,    ,        .




 


 ,            ,       1950?   1960? .,     .  1990? .        ,    .

         .  ,   [9 - Kaprow A. Assemblage, Environments and Happenings. New York: Harry N. Abrams, 1966. 341 p.],    1950?   1960? .   1966 .   ,       ,   1970?    [10 - Reiss J. H. From Margin to Center P. xi.].

    ,       .         ,      . ,  ,       .      1960?,    ,         -  ,             . ,        1960? .,         [11 - Judd D. Specific Obiects // Donald Judd: Early Work, 19551968 / Ed. T. Kellein. New York: D.A.P., 2002. URL: http://atc.berkeley.edu/201/readings/judd-so.pdf (Accessed 25.09.2018).],     [12 - Restany P. The New Realists // Art in Theory 19002000: An Anthology of Changing Ideas / Eds. C. Harrison, P. Wood. Oxford: Blackwell Publ., 1999. P. 711712.],    [13 - Higgins D., Higgins H. Intermedia // Leonardo. 2001. Vol. 34. 1. P. 4954.],       ,      ,   ,     .

 ,                   .  ,        ,   ,   ,   ,         .               ;  ,      ,  .  ,       :          , , ,  [14 - Kaprow A. Assemblages, Environments and Happenings // Art in Theory 19002000: An Anthology of Changing Ideas / Eds. C. Harrison, P. Wood. Oxford: Blackwell Publ., 1999. P. 706.],            (ready-made).           ,         :



    ,  ,        . <>           ,   ,    ,       -     ,  ,   [15 - Ibid.].


             .  :



    ,     , , .    , , , ,  ,       . <>          [16 - Ibid. . 705.].


 ,     ,   , .  ,   ,             .         :           -, , ,  .   ,            :         ,            ,       .         , ,  ,   .

 , ,    ,   19501960? .     ,       .        ,     , ,   ,             , ,      .  ,  ,             , , ,       (post-studio) [17 -          .  Function of the Studio,   ,   ,     . .: Buren D. Function of the Studio // Museums by Artists / Eds. A. A. Bronson, P. Gale. Toronto: Art Metropole, 1983. P. 6168.].

 ,         ,       :            ;          ;   ;     ,         ;   .  ,          ,    :   .

     ,  1967 .,  .          [18 -  . .    :  -       19601990? . .: , 2007. . 59.]    [19 - Fried M. Art and Objecthood // Art and Objecthood. Essays and Reviews. Chicago, London: University of Chicago Press, 1998. P. 148172.]. ,    ,       ,       :            [20 -  ,  installation              .].   ,  . ,   ,     (literalist art).        ,     ,  ,      .          ,       ,  . , . , . , . , . , . , . , . , . , [21 - Fried M. Art and Objecthood. P. 170.]           .  ,          ,     .

 ,     ,      ,      [22 - Ibid. . 153.].       .   ,     ,     ,    ,               [23 - .. ,    .  (,               ?   ,     ,                   ,     ),  ,         ,     ,      ( . .    컅 . 171).],     ,            ,       [24 - Morris R. Notes on Sculpture. Part 2 // Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, Mass.: MIT Press, 1993. P. 15.].    ,      ,         , , ,      [25 - Fried M. Art and Objecthood. P. 153155.].  ,        . ,   ,     ,      ,                 .

  , ,  ,           ,    .  ,    -      ,   ,   ,          ,     [26 - Ibid. P. 163.].

,    ,    []  [27 - Ibid. . 164.],    ,     ,    (,   ,  ? ),         , ,   ,  . ,       :            .  Intermedia 1965 .[28 - Higgins D., Higgins H. Intermedia. P. 4954.],    ,    ,       .

      ,                 [29 - Fried M. Art and Objecthood. P. 163.].        ,          ,   ,       ,       ,             [30 - Ibid. . 164.].  , , -               . .  ,       1766 .,          ?[31 -            .      :    ,     ,     ut pictura poesis.   ,     ,        . , ,    ,   ,           .  ,        ,   ,   ,    ,     .   ,  ,       ,     ?.  ,  ,   , ,   ,       . ,   ,             ,     .       :    ,         ,       .    ,     ,        ? ,   ,   .  ,    ,        . .:  . . ,       //   / . . . , . . . . .: . ., 1953. . 386387.].    ,        (duration)        ,  ,      ,  ,     ;          .     (presentness)  ,        ,  ,   ,      ,   ,        ,    [32 - Fried M. Art and Objecthood. P. 167.].

, .        ,       ,      [33 - Fried M. How Modernism Works: A Response to T. J. Clark // Critical Inquiry. 1982. Vol. 9. 1. P. 229230.]   [34 - ., .: Auslander P. Presence and theatricality in the discourse of performance and the visual arts // From Acting to Performance: Essays in Modernism and Postmodernism. London and New York: Routledge, 2002. P. 52.],     .  ,           ,      .     ,         ,              1998 .[35 - Fried M. An Introduction to My Art Criticism // Art and Objecthood. Essays and Reviews. Chicago, London: University of Chicago Press, 1998. P. 43.]              .     ,       ,        ,    ;    ,          , ,   .

        . ,       , Spaces,   19691970 .[36 - Licht J. Spaces: exh. cat. New York: The Museum of Modern Art, 1969. N. p.]  .      .     ,  ,       Spaces.     ,      ,  ,        ,  .        ,     , ,      .   ,        ,    ,  ,   ,    ,    .     ,  ,       .        ,       .    Spaces.  ,  ,   ,       ,    (. . , . ),  (. , . ),   .    ,   ,    ,         .

 ,       ? .        ,               ,      [37 - Licht J. Spaces: exh. cat.].          ,     ,    , ,   ,      ,       .


***

 1970? .                 -    .        .     , ,  . Β[38 - Β .   .   . .:   , 2015. 144 .]:  ,    Artforum  1976 .      .

 ,   Β      installation   :         1960? .   ,      .    ,       ,     [39 -  . . 80. (.      .)].

 Β       ,   ,       ,    Β,         [40 -  . . 100.]. Β          :      [41 - Β .   . . 75.].       X    ,          ,    ,   ?     ,  ,    .  ,   ,          ,     .  ,   Β,      ,       ,         [42 -  . . 88.],   .

 , Β    -   19601970?,       .          , Β ,     ,           [43 -  . . 126.].     Β      ,   ,               ,             , ,  :



 -, ?, , ,    , ,          -      [44 -  . . 122.].


1976      .          Ambiente/Arte     . ,      Arte povera.     ;     /:    - (Ambiente/arte: dal futurismo alla body art)[45 - Celant G. Ambiente/arte: dal futurismo alla body art: cat. del. mostra. Venezia: La biennale di Venezia, 1977. 236 p.].              ,      .

          ,    ,         ,      :  ,         ,        ,       ,   ,    . ,          ,      .      X ,                        . ,  ,   X    -  ,              ,      .  ,          ,        ,   - [46 - Celant G. Ambiente/arte. . 5.].       ,     :     ,     ,   ,   .

,         ,    ,    (ambiente).            ,    .   ,           ,   ,           ,   -.       ,       ,       , ,   .    ,   ,            ,   :      ?         ,     ,       , ?      ,           ,   . ,  ,   ,   ,       .        ,   ,       :   ,        ,             .

 ,  ,   ,           ( ,      .   . ),                .         ,    ,       .

       ,          ,    ,    : , , , ,    . . ,   ,       :   ,     ,    ,  ,  .           ,   :  ,  ,   .       ,    :    ,   ,      ,    ,   ,    .     ,   ,              .


***

      ( , , , Β, )       .     ,         ,   ,  ,   1990? .   ,         1994 .     .  , .   .  (   . )[47 - Installation Art / N. de Oliveira, N. Oxley, M. Petry, M. Archer (texts). London: Thames and Hudson Ltd, 1994. 208 p.].  1990 .  ,          ( ),       - .

   ,      ,   ,   1994 .,   ,  ,   1960? .,        [48 - Installation Art. P. 30.].  ,  ,    1990? .      , ,    ,                 .     ,       ,  ,        ,  .  ,      ,      ,   :  (site),  (media), , .

  1990? .             :   (1999)[49 - Reiss J. H. From Margin to Center 181 p.]. ,   ,         1960? .,      [50 - Ibid. P. xi.].               ,    -,            , ,      .

 ,         (  , , ,    )      ,     ,     ,   ,            19601970? .     ,           .        .  1975 .[51 - Goldberg R. Space as Praxis // Manifesta Journal. 2009/2010. 7. P. 5063.],  , -,    (     ),         :      (constructed space  powerfields   . , . ),   (natural space  - . ),   (body space    . , . , . ),   (spectator space   . ) , , ,        (. ).

.    ,      :             ? (environments),  (situations),  (spaces),  (installations).      ,    - ,    ,   ,    ,     -   1950?  1990? .,                 .

             ,      .                    ,           ,      , , :    (Space, Site, Intervention: Situating Installation Art)   .  (2000)[52 - Space, Site, Intervention: Situating Installation Art / Ed. E. Suderburg. Minneapolis: University of Minnesota Press, 2000. 384 p.].  ,  . ,        ,       (,   ,  ,    ,  , ),         ,       -  ,    [53 - Suderburg E. Introduction: On Installation and Site-Specificity // Space, Site, Intervention P. 13.].     ,   ,          ,            [54 -   , ,  ,     - . , :   .   - . ,   :    .    .],  , ,       [55 -          -:    .   . ,  :      Asco .  ,   ,    ,         : . , . , . , . .].        , ,   ,                 .


***

              2000?.  ,      .    (  2003 .     2012 .  [56 - Rebentisch J. Aesthetics of Installation Art. 296 p.]).        ,      ,      1980? .,             :      ,  . , . . , . , . .             ,       .   ,     1960? .            ,  ,     .   ,    ,          ,          ,     . ,    ,   :       ,       ,  -,           .

      ,      : , , -.   .       ,        .    ,        (. .  ,    ),    ,      ,  ,     ,     .           :      ,       ,    ,       ,       .      ,   ,             .

   ,     . .        ,     ,    .  ,     ,    ,   ,    .   ,  ,      [57 -    , ,      ,       - ,     ,    .      ( ,   )      . .:  .,  .   . : Kerber Art, 2008. . 127.].   ,    ,         .  ,    ,         ,     , ,           .       ,          ,     ,           [58 - Rebentisch J. Aesthetics of Installation Art. P. 164165.].

    .       .   [59 - Bahtsetzis S. Geschichte der Installation. Situative Erfahrungsgestaltung in der Kunst der Moderne: Diss. zur Erlang. des akad. Grades Dr. phil. Berlin: Technische Universit?t Berlin, 2006. URL: https://depositonce.tu-berlin.de/bitstream/11303/1697/1/Dokument_7.pdf (Accessed 5.03.2019).],          (situative Erfahrungsgestaltung),           ,   .         .       ,         20032004 . ,       ,          ,    [60 - Performative Installation: exh. cat. /Ed. A. Nollert. Cologne: Snoeck, 2003. 256 p.].

   ,             .  :   (2005)[61 - Bishop C. Installation Art 144 p.],         .     ,           .        ,          .

  ,     [62 -        . . .],    ,             .         ,      .         ,      ,      ,    .      廠            :  ,      [63 - Bishop C. Installation Art P. 76.].  ,  ,  :        ,       , , ,    ,    ,         . ,          :        ,      ,     .  ,              .  ,           ,       .

        ,           ,       :  .   . ,  . -,   .   .     ,     ,         ,    . ,  ,     ,                   ,        ,           ,      .         ,         ,     [64 - Ibid. P. 133.].

,   .          :      ,         .    ,   ,   ,       ,                     .  ,     ,        .


***

     ,    2000?   2010? .,                    ,      ,          , ,         .                 ,    ,       ,     X .

,     .        :                (2009 .)[65 - Ran F. A History of Installation Art 256 p.]   .    ,        ,   ,       , ,         .  .         .      ,                 ,    ,   ,    .   .  , . , . , . , . , . , . , . , . , . , .    .            ,      , , ,      , ,    .  ,           , ,  ,    ,         .  ,   ,   ,     ,        ,   ,   ,      -,   ,     ,   .       ,       ,      ( Β 1976 .),      (  , ,    1994 .).

   2009 .      :    [66 - Petersen A. R. Installationskunsten: Mellem billede og scene. K?benhavn: Museum Tusculanums Forlag, 2009. 520 s.]    . . ,         (      2015 .)[67 - Petersen A. R. Installation Art Between Image and Stage. 507 p.].       ,   ,    ,      :  ,         X      .      ,          .              ,      ,          ,      19601970? .,           .         ,    ,    ,     ,   - .

  ,               ,  ,    ,     ?.       ,        (passage) ,            :         ,         ,    ,    ,    .

    .   .   :     (  2009 .     2013 .  )[68 - Ferriani B., Pugliese M. Ephemeral Monuments: History and Conservation of Installation Art. Los Angeles: Getty Conservation Institute, 2013. 280 p.].          DIC  Documentare Installazioni Complesse (  ),   20062008 .    :   ,    XXI  (MAXXI)  ,  MART  ,          .  , .   . ,            .      ,            ,          .         ,   ,  . , . , . , . , .   . , . .   ,   ,     , , ,  :     ,     ,                .               ,       ,   . ,   ,     1960? . .           . ,              1970? .

  ,     ,      ,  ,        , -,  ,      , ,  ,               .


*** 

,    ,         ,    .    [69 -  .,  .   . 288 .].   ,           ,   1990? .,           ,   .         ,       --  1992 .,     컠     .    ,   ,  ,  ,   -  -,       ,               :       [70 -     :      ,  ,    ,    ,  .         .  ,         ,            ,        ,      ,    .         ,    , ,       ,     . .:  . . 92.],   - ,      [71 -  . . 129.],      .  ,      ,   :     ,    ,  ,     ,   ,        ,      , ,       [72 -  . . 2631.].      ,     ,    .   ,       19601970? .,   :



  ,       [],         ,    -,  ,  ,  ,    ,      [73 -  . . 27.].


  ,         ,      . . ,   ,   [74 -    , , ,  ,       ,    , ,    . .. .:  .,  .   . . 24.],          ,   : ,      ,    ,   , ,     [75 -  . . 40.].     , ,              . [76 - ., .:  .   //  . .:   , 2012. . 6177; Groys B. Installing Communism // Utopia and Reality. El Lissitzky, Ilya and Emilia Kabakov / Ch. Esche [et al.]. Van Abbemuseum, 2012. P. 518.].

            . -    19221992 (Moscow Vanguard Art 19221992),       [77 - Tupitsyn M. The Raison DEtre of Installation Art. P. 130165.             The Raison dEtre of Installation Art    ,   ,                 . . .].                  ,     , ,    :  . ,  . ,  .   . ,  . ,   ,   .   . . -             19701980? .,          ,      ,                .      -   ,           , ,     ,   ,      -                 ,    .

  ,     - , ,        ,           ,      .  ,  3                .  ,         . , . , . , . , . , . , . , . [78 -  .    21  2020;  .    8  2020,  .    15  2020, 21  2020, 23  2020;  .    29  2020;  .    18  2020;  .    16  2021;  .    18  19  2020;  .    6  2020;  .    21  22  2020.],       .




  



  ,         [79 - .: Petersen A. R. Installation Art Between Image and Stage. P. 5589.],     1960? .    ,  ,             .        ,  - . , .   . .    ,         .              , ,   ,             ,           .  ,   . ,  ,    ,    [80 -  .   / . . . . , . . , . . . . . .:   , 2004. . 110.].    ,     ,      ,     (     ).




   


 ,        .      ,      .

          1950?   1960? .        .  1960 .     ,    .     ,            (1936)     (1940)           , ,   ,       .             ,           ,     ,       軠   ,      ,      [81 - Greenberg C. Modernist Painting // Art in Theory 19002000: An Anthology of Changing Ideas / Eds. C. Harrison, P. Wood. Oxford: Blackwell Publ., 1999. P. 755.].  ,     ,   ,  [82 -  . .    컅 . 156.].  ,      ,  ,   ,    [83 - Greenberg C. Modernist Painting // Art in Theory 19002000 P. 756.],    ,          .     ,   ,  ,      ,        [84 - Mitchell W. J. T. There Are No Visual Media // Journal of Visual Culture. 2005. Vol. 4. Issue 2. P. 258. . .         ,      . .:  . .  . .:   , 2019. . 186.].             .

   ,      ,     ,           .  . .         X ,     ,     1920 . [85 - Kahnweiler D.?H. The Essence of Sculpture // Modern Sculpture Reader / Eds. J. Wood, D. Hulks, A. Potts. Leeds: Henry Moore Institute, 2012. P. 7677.]:



     ,       ,          . <>      .            .        ,    ,    .  [86 -           - ,     , :   ,            ,   ,     , ,  -,               ,      ,  ,  ,   ,  ,   -    (     )         ,  . .:  .      //   . .: V-A-C press, 2015. . 44.]   ,     .


,      ,      ,     [87 - .: Petersen A. R. Installation Art Between Image and Stage. P. 5961;  . .     //  . 2019. 15.2. . 172.],     .      1978 .[88 -  .     //       / . . . , . . . . .:  , 2003. . 272288.]           - 19601970? .,       -    -,        ,     :  ,      .   ,      19601970? .        [89 - ., .: Anti-Illusion: Procedures/Materials: exh. cat. New York: Whitney Museum of American Art, 1969. 61 p.]. ,    ,          ,    .       ,    (, . [90 -       (The Present Tense of Space),       1970? . (  -)          . .: Morris R. The Present Tense of Space // Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, Mass.: MIT Press, 1993. P. 175209.], . )    .   .      ,           , , -,          ,       ,   ; -,   ,    ; -,  ,      ,        [91 - Potts A. Installation and Sculpture // Oxford Art Journal. 2001. 24.2. P. 20.]. ,    . . [92 - Petersen A. R. Installation Art Between Image and Stage. P. 59.],       19601970? .        ,               ,     .

 ,                :     ,     ,     ,      ,   -,    ,    .                    ,      -   (),   (), ,     (), ,    ().    ,               -  ()       ,         (),    -    .      ,     [93 - .: Bishop C. Installation Art : P. 1113.  .,  .   . . 254255.].  ,    -          ,        . [94 - ,   ,   ,          ,   : ,      ,    ,   , ,      ( .,  .   . . 24, 40).].        ,         [95 -  .,  .  .       //   ,  (   ). .  . . . APF-Obukhova-D11528. 50 .         2020 ;  .     //    [1987] //  . : -  , 2011. . 297308;   .  //    [1987] //  . : ?  , 2011. . 278293;  .,  .   ( ) [11.09.1988] //  :       / . . .:   , 2015. . 284321.],  ,   ,       ,          .

,             ,             ,    ,           [96 -  .    . . 273274.].




      


   -,    ,    ,      . .      : ,   /[97 - Petersen A. R. Installation Art Between Image and Stage. P. 7589.].      .       ,          ;               .                  ,              .

       .     Spaces .  1960? .      .        . -,   1960? .   ,     (1945 .,   1962 .),       (     1964 .).  1960? .   -  -     ,    .          [98 - Potts A. The Sculptural Imagination: Figurative, Modernist, Minimalist. London and New Haven: Yale University Press, 2000. P. 207234.]. -       ,    ,    ,        :  ,   ,    ,  ,          .   ,  ,  ,    [99 - - .    / . ., . . . . . .: , 1992. . 13.].      ,   [100 - - :        ,     ,    ,      ,    ,    .        ,        ,        .        ,     ,        ,    (- .   . . 15).]       , -  :         ,      .

   ,    1960? . . , . , . , .       -,            .      ,   1960? .       [101 - Potts A. The Sculptural Imagination P. 207210.].              ,     ,  ,       ,   ,      .              .

  1960? .    -               .      ,      ,      -,   , , - [102 -  ,   :    - ,        ,    -   ,          .   ,    ,         .   ,  -       ,               ,   (Butler J. Sexual Ideology and Phenomenological Description: A Feminist Critique of Merleau-Pontys Phenomenology of Perception // The Thinking Muse: Feminism and Modern French Philosophy / Eds. J. Allen, I. M. Young. Bloomington and Indianapolis: Indiana University Press, 1989. P. 98.].  ,     19601970? .   [103 - Potts A. The Sculptural Imagination P. 210211.],              .     ,     .            ,       .    . Β (1976)  /:    - .  (1977). ,       (, , , ,  ,   ),        ,   ,           . . ,



    (),     ,  ,  ,  ,   <>   ,    ,   .     .    , , ,   . [104 -  .    //     XX :  / . . . . , . . . .: -, 2007. . 315316.]


 ,     ,   ,      ,       .  , ,           (  Β)  . :     ,    - (spatialization of the ready-made)[105 - Buchloh B. H.-D. Detritus and Decrepitude: The Sculpture of Thomas Hirschhorn // Oxford Art Journal. 2001. Vol. 24. 2. P. 46.],    ,      : , ,   . .[106 -  .  . . 65.]. ,   ,              -.

  . -,     ,    ,  1990? .   ,       :   .                 ,    ,       ,          ,  , , ,    ,     ,      [107 - Fischer-Lichte E. From Text to Performance: The Rise of Theatre Studies as an Academic Discipline in Germany // Theatre Research International. 1999. Vol. 24. 2. P. 168.]. ,          ,   ,      .          2000? .:    .   :   . ,           , , .

 ,                   X ,     : ,   .




  



 ,            ,        ,    ,      .                  .            ,       :   , , , , ,    .

  ,              [108 - .: Petersen A. R. Installation Art Between Image and Stage. P. 64; Suderburg E. Introduction: On Installation and Site-Specificity. P. 2; Bishop C. Installation Art P. 6; Rebentisch J. Aesthetics of Installation Art. P. 14; Pugliese M. A Medium in Evolution: A Critical History of Installations // Ephemeral Monuments P. 23; Installation Art. P. 7.],        . ,       . ,    ,   ,  -,  :    ,   ,    .     ,   ,           [109 -  .,  .   . . 18.]. ,   ,       .         ,      ,              [110 - Installation Art. P. 8.].  ,        5-7-9 (The 5-7-9 Series)   27 ,        ,    .    ,         :        (5-7-9, 5-9-7  . .),     (5-7-5, 5-9-5  . .),     (5-5-7, 5-5-9  . .).        ,               ,       .

  :



     - ,         .     - ,       [111 - Reiss J. H. From Margin to Center P. xiixiii.].


         ,   ,   .  ,           ,      ,    .  ,  ,        [112 - Ibid.].     :



   ,            ,    (immersive)     (experiential)[113 - Bishop C. Installation Art P. 6.].


      ,  , [114 - Ferriani B., Pugliese M. Preface: Ephemeral Monuments: The History and Conservation of Installations // Ephemeral Monuments P. 9; Suderburg E. Introduction: On Installation and Site-Specificity. P. 2; Petersen A. R. Installation Art Between Image and Stage. P. 384; Installation Art. P. 7.]  mixed media[115 - Rebentisch J. Aesthetics of Installation Art. P. 14.].    ,   ,      ,     [116 - . : Petersen A. R. Installation Art Between Image and Stage. P. 64.].            ,    ,    ,    media studies[117 - Cl?ver C. Intermediality and Interart Studies // Changing Borders. Contemporary Positions in Intermediality / Eds. J. Arvidson, M. Askander, J. Bruhn & H. F?hrer. Lund: Intermedia Press, 2007. P. 31.].       ,      [118 - Reiss J. H. From Margin to Center]  [119 - Suderburg E. Introduction: On Installation and Site-Specificity. P. 122; Pugliese M. A Medium in Evolution P. 2291.]      ,     .     ?  ,    ,        .   ,           1960?   , , , ,                      .            . ,        ,      .







    .            ,   , , , ,   . .[120 - Ryan M.?L. Introduction // Narrative Across Media: The Languages of Storytelling / Ed. M.?L. Ryan. Lincoln and London: University of Nebraska Press, 2004. P. 15; Bruhn J. On the Borders of Poetry and Art // The Borders of Europe. Hegemony, Aesthetics and Border Poetics / Eds. H. V. Holm, S. L?greid, T. Skorgen. Aarhus: Aarhus University Press, 2012. P. 217.]         ,                ,            . ,  ,      ,    ,  -          . ,      ,  ,            [121 - De Oliveira N., Oxley N., Petry M. Installation Art in the New Millennium: The Empire of the Senses. London: Thames & Hudson, 2003. P. 14.].            ,       ,  ,  : , , , ,      .      ,      ,       ,   , ,   .  ,                   ,   . .     ,     ,   , , , ,    [122 - Higgins D., Higgins H. Intermedia. P. 4954; Fried M. Art and Objecthood. P. 170.].           1960?              -  .   . . . ,          ,            . , ,    , , , - , ,             ,        [123 - Mitchell W. J. T. There Are No Visual Media. P. 260.].




                 .  ,      ,      .   ,   intermedium   1960? .   ,      ,        .          Intermedia,   1965      [124 - Higgins D., Higgins H. Intermedia. P. 4954.].    ,       .   ,        ,            [125 -            media studies,           ut pictura poesis,        XVIII     ,      ,     ,  ,    1960? .,       ,         .   ut pictura poesis    .: Bruhn J. On the Borders of Poetry and Art. P. 217230.].        ,   ,         ,       .    ,   ,      [126 - Higgins D., Higgins H. Intermedia. P. 49.] ,  ,         .             , , .    ,   (    )      , ,   ,       , ,         ,   ,    .

         ,  (Fluxus),   [127 - Ibid. . 50.],        ,     (intermedia).       ,     ,          ,    ,   ,   .          1965 . ,       1960?:  ,  , , ,   [128 - Higgins D., Higgins H. Intermedia. P. 50.].

,   ,  1960? .     ,           ,        .   media studies  ,      ,       ,       ,      [129 - Mitchell W. J. T. There Are No Visual Media. P. 257266; Bruhn J. On the Borders of Poetry and Art. P. 227.].      ,         ,   ,      ,   [130 - Rosler M. Installed In The Place Of The Public // Oxford Art Journal. 2001. 24.2. P. 59.].   ,            XXI ,       ,                19601970? .,         .  ,    ,     ,  ,   ,   , ,   ,    ,                 -.       ,       ,        - .

     ,   ,        ,     , - [131 - Ryan M.?L. Introduction. P. 1519.].          ,     ,       ,     :



      .         . ,   par excellence     :       [132 -  .  . . 65.].


          ,       [133 - Licht J. Spaces: exh. cat. N. p.; Petersen A. R. Installation Art Between Image and Stage. P. 7273.].    ,      ,          , ,        .







,        .                , ,  .  ,     XVII    ,          ,       .             , ,  , ,    : ,  . , -,          XXXXI ,       ,    (represent) , , ,   . .,    (present)   . -,         ? ,       ,   [134 - Petersen A. R. Installation Art Between Image and Stage. P. 33.].           ,     ,      . . .       ,     ,   [135 - Ibid.].  ,          ,    ,                 ,        .          . -,  ,     .  ,      ,          .  ,       ,    (       ),    ,          :         ,     .  ,    - . -,   ,   ? ,   . :             .        ,          ,     .        ,                 .     ,       , ,   ,     [136 - Petersen A. R. Installation Art Between Image and Stage. P. 4145.].

          ,        .      ,   ,  , .         ,      ( , ),    :     -  , .      ?      ,      ,        ,    ?

  ,         ,   ,      .              .      ,        , ,    .         -[137 - Osborne P. Anywhere or Not at All: Philosophy of Contemporary Art. London, New York: Verso, 2013. P. 102.].







 , ,     ,           [138 - Installation Art. P. 7.].       , ,         (Space as Praxis) 1975 [139 - Goldberg R. Space as Praxis. P. 5063.].        ,  ,  ,         ,    ,       ,       ,       ,   .     ,   ,    -    -,      :    ,     .       :   -   ,   ,      ,         :      ,         [140 - Β  .    . 12829; Installation Art. P. 3637.]. ,       ,  24      [141 - Wainwright O. How We Made the Wrapped Reichstag // The Guardian. 2017. URL: https://www.theguardian.com/artanddesign/2017/feb/07/how-we-made-the-wrapped-reichstag-berlin-christo-and-jeanne-claude-interview (Accessed 24.12.2019).].      Β,   -    :



 ,   ,        ,          -. ,      [142 - Β .    . 132.].


          ,      .  ,          ,      -   ,    .


***

.       ,    .   ,                    ,            .  ?  ,    ,           ,    [143 - Rebentisch J. Aesthetics of Installation Art. P. 14.].   ,    ,   ,    : ?     ,           ,        ,   -, , -.  , ,                .

 ,    ,       ,         ,   ,   .  ,    ,          ,      [144 -  .  . . 237.], ,   ,     , ,    . ,  .  ,         ,           ,  ,  ,    .   ,     ,   ,    ,       ,     [145 - Osborne P. Anywhere or Not at All P. 8485.].  ,    ,           [146 -          . ,    1990? .     ( Ovcharenko),   1992 .     .    ,      ,      : ,      ,         .   1990?        .       ( ( ),  (, ,  ))     ,     .   ,      ,   ,       ,    ( .    16  2021).].




:  .  


 ,    ,          ,              ,     ,    ,              :

1)  ( . ):



a)  ,       (   ,          , , ,      );

b)     ;

c) -       ,    ;


2):



a)      ,    ;

b)    ;

c)  -  ,  ;

d)      ;


3)     ,      (),       ;

4) -;

5)  :



a)  ;

b)            ;

)      ;


6);

7) .

 ,       ,       19601970?         .      ,  ,      .     ,        ,       ,      . ,       .              .  :        , ,  ,    , ,   . .  :   ?,    ,    ,      ,              .  ,      ,      ,      ,         ,        installation   [- -]     - ,     - .        ,    ,  ,    ,    ,   .

  ,    ,  ;        , , ,   .        . :



 ,       ,        ,     ,        , ,    [147 -  .,  .   . . 22.].





      


   ,          ,        .     19601970? .  :   . ,        ,    ?  ,    1960? .    ,   [148 - Reiss J. H. From Margin to Center P. 21.].        ,      ,     .             ,     : ,  .   . .      ,    -   .         ,   ,       ,         .          , ,       : ?   ,    ,   .

.      ,      .

1.  .       .   ,   ,            .  ,    .           .     ,  ,  [149 - .: Petersen A. R. Installation Art Between Image and Stage. P. 115121.],       19601970? . .    ,    1970? .         ,      , ,  ,     .    ,  ,   ,          [150 - Morris R. The Present Tense of Space. P. 201202.].  ,             ,                ,            .  ,   ,       ,   ,   ,      -,    ,     .   ,     , ,      ,        19601970? .    ,       .  ,         ,                     .  ,      -,     ,      .

2.  ,        ,           .  ,        ,      ,       . . ,    ,     ,  ,     ,         [151 - Rebentisch J. Aesthetics of Installation Art. P. 17, 134135.].

3. ,      ,   ,       ,      ,     .

4. ,    .   . ,       ,     .     -    ,               ,    ,          ,       ,         ,          [152 - Reiss J. H. From Margin to Center P. xvxix.].




   


,     ,    :           . - ,         ,   ?    par excellence,            ,        .            :         .        [153 -  .,  .   . . 253.].    ,       ,       ,       [154 -         :   ,   ,     [] ,      ( ).].

            ,      . , .     [155 - Celant G. A Spherical Art // Ephemeral Monuments P. 1421.]     -    ,    ,    .    installation  in situ,        . In situ,  ,    ,           ,   ,        , . In stallo       ,      ,     in situ,        ,     [156 - Ibid. P. 1718.].       ,   , -,  ,      ( 0,10,    ),  -, ,       ,   ,      (   ,  , , , ,   .).  ,   in situ,    ,  : 1. . 2.   ,     ,    6 . .    , , ,  .           . .     :  ,     ,    ,          -,     ,   ,        .

     ,  ,  ,    , , ,        .   par excellence            ,            . ,        ,  . . [157 - Petersen A. R. Installation Art Between Image and Stage. P. 4547.].   par excellence   ,   ,       ,    ,            ,    .        [158 -    .        . . .:  .    . . 297308.],      .  ,     ,  par excellence ,  ,      ,     ,         . .       (The Present Tense of Space)    1970? .   ,     [159 - Morris R. The Present Tense of Space. P. 175.].

      ,      (1982),          ( -)   ,       .        ,              ,       .          ,   , ,             ,    ,   ,  ,       , , . ,   -       .   .         (Children of Uranium)         (2005).

   ,     .     ,    ,                  ,         .          ,       ,    ,   ,         .  ,     .   . ,    .           2  3:       ,    .




   


        ,            :  ,    -, -  .          .       ,              .        ,       [160 - Celant G. Ambiente/arte 236 p.; Β .    144 .; Pugliese M. A Medium in Evolution P. 23.],     ,           (, ,  ,   )   ,     .   , -,     ,    . ,       ,       ,   ,    ,   -,    ,   ,        .     ,        .      ,     ,              ,   .




 2

   



            ,     1960? .,                 .

  ,  1950-   1960? .     ,  ,   ,      ,   ,  ,  ,  ,  ,  ,  .    ,      ,  .   . .  1960?       (1960)      (1967),           ,  ,    ,     1930? .     (1936)     (1940).         - ,    .                 .

     1960? .         ,   -,    ,  , , .  ,    ,               .            - .    ,     ,     , 



           ,           ,            [161 -  .    :    . .:   , 2017. . 19.].


    [162 -   Β          :  ,   ,   ,   , .                        . <>  -           ,   .       -      ,      -,          . .: Β .    . 3944. . :   1900 : , ,  / .  [ .]; . . , . . .:   , 2015. . 384.],     ,       ,  ,      , ,       ,   [163 -   - ,         ,  ,  ,  ,           ,   -  . .:   1900  . 380384.].

    ,      1950?   1960? .    1960? .    .   , ,      ,      (19121956)      ,   .   Β,        :  , ,              , ,   ,  ,      [164 - Β .    . 73. Β             ,   ,   . .:  . . 108.].    ,         1960?.




 



          (19272006),     -  1960? .      ,     ,          .   . ,          ,   ,           -[165 - Reiss J. H. From Margin to Center P. 4.].  ,     ,          ,      ,  ,  ,  ,       ,               . ,   ,           .

 ,         ,    :     ,  ,  .    1950? .             (The Dada Painters and Poets)  ,   1951 .   .      .      ,      ;          [166 - Ibid. P. 7.].  ,      .  ,  .        (1956,   1958   Art News)[167 - Kaprow A. The Legacy of Jackson Pollock // Essays on the Blurring of Art and Life / Ed. J. Kelley. Berkeley: University of California Press, 1993. P. 19.],     ,         1960? . ,     ,    (1966)                  [168 - Kaprow A. Assemblage, Environments and Happenings.].




  


,          :      (              ,    ),         .         ,  ,         ,        .     , ,     .          , , ,  .      ,     ,    ,     . .?.    ,            .     ,          , 



  ,     ,   . <>             [169 -   1900  . 382.].


   ,        ,    . .      ,  ,   ,       ,    allover (),   , , [170 -  . . 477.],       -  .

       . ,  1949 .   Life        ,  :         ?.    ,   1950 .       ,         .         ,         .

   ,       ,  :  ,       ,    [171 - Kaprow A. The Legacy of Jackson Pollock. P. 2.]. ,          ,    :   ,            ,   ,    ,       .     : ,   ,  [172 - Kaprow A. The Legacy of Jackson Pollock. P. 2.].          .

-,        ,    (     ).   75 ,   , , , , ,     ,        ,      .     ,  ,              :         ,            .          ໠       [173 - Ibid. . 3.].              ,     .                 ,    ,          .

      ,             ,    :      .   ,    ,       .

-,    ,        ,    ,  , ,   .   ,         ,          .       ,            .        ,     ,       . ,       ,     1960? ., .    ,     ,      养[174 - Fried M. Art and Objecthood. P. 166.].

-,    ,   .        ,  ,   ,     ,    (environments). ,    ,  ,    .         ,              ,   trompe loeil.  ,    ,       , ,    -  ,   .

 :



 , ,     ,    ,         ,              ,      [175 - Kaprow A. The Legacy of Jackson Pollock. P. 5.].


            1960? .:        ,  .

-,       .        , ,   ,  ,  ,    ,   ,  ,    ,    ,     .   ,     ,   ,         XV  XVI .     ,   , ,    .      ,         ,        , ,   ,     .

       :      컠      ,   ,    ,    .          ,       : ,     ,          -.         .    ,              ,  , , , , , , , , , , , . ,  ,       ;   ,    ,  -  ,  .    ,               ,  



    ,  ,   , , , ,  ,  42? ,  ,    .        ,  ,       , , ,  , , .        : , , ,    , , ,  , ,       ,       [176 - Kaprow A. The Legacy of Jackson Pollock. P. 79.].


      ,     ,    .

,   ,   ,     , , .    (artists),       :



    ,   .        ,      .     ,   ,  , ,    .      ,     [177 - Ibid. . 9.].


            1960? .


***

      ,      1960? .     (    )[178 - Kaprow A. Notes on the Creation of a Total Art // Essays on the Blurring of Art and Life. P. 11.],      . ,    ,      ,   [179 - Kaizen W. Framed Space: Allan Kaprow and the Spread of Painting // Grey Room. 2003. 13. P. 100.].    ,     [180 -  :     ,       ,   . .: Jackson Pollock: Interviews, Articles, Reviews / Ed. P. Karmel. New York: Museum of Modern Art, 1999. P. 18.],  ,         Step Right In ()[181 - Kaprow A. Assemblage, Environments and Happenings.]:     ,      , ߸ ,       , ,   ,       ,   [182 - Kaizen W. Framed Space P. 81.].

       ,    [183 - .        : Pollock J. Application for Guggenheim Fellowship // Jackson Pollock: Interviews, Articles, Reviews. P. 17.], , ,   . ,    1940? .   ;     .    1948 .[184 - ., : Greenberg C. Art [1948] // Jackson Pollock: Interviews, Articles, Reviews. P. 5960.  .   The Situation at the Moment,   1948 . Partisan Review. . : Kaizen W. Framed Space P. 85.],          [185 - Greenberg C. The Crisis of the Easel Picture [1948] // Art and Culture. Critical Essays. Boston: Beacon Press, 1989. P. 154157.],  ,    ( ,  )               ,    ,  ,   []   [186 - . : Kaizen W. Framed Space P. 85.].    ,   ,         .  ,     ,       , ,         ,     ,  ,   [187 -              :       ,    ,          -,  . . .: Lum E. Pollocks Promise: Toward an Abstract Expressionist Architecture // Assemblage. 1999. 39. P. 6293.].

          Betty Parsons Gallery,   1948  1951 .  ,  ,   ,        ,  .     ,   ,  [188 - Kaizen W. Framed Space P. 83.].             .     1949 . (. 1),     :      ,    ,        ,      ,         [189 - Ibid. . 103.].               .                ,        .                       ,             :   [190 - Ibid. . 86.].  ,            ,        ,        .        ,    ,       ,          ,     .  ,          ,               .       ,           1949 .,  ,  ,    [191 - Kaizen W. Framed Space . 88.].






. 1. .    .           . 1949. Photo: Ben Schultz. Reproduction photographique dans le cadre de la prsentation des Collections Contemporaines, niveau 4, avril 2011. Allan Kaprow Estate. Photo credits: Georges Meguerditchian  Centre Pompidou, MNAM-CCI/Dist. RMN-GP. Image reference: 4N51523



         .         . ,        (New School for Social Research)  .           ,        1957 .     [192 - ,         ,  1959 .,   Reuben Gallery. .: Reiss J. H. From Margin to Center P. 28; Kaizen W. Framed Space P. 97.].            433 -  1952 .,      ,           , ,  ,    .       ,      - ,        ,     ,         1951 .   ,        ,        , -   [193 - Kaizen W. Framed Space P. 8990.];  ,      ,     ,  ,      433 .  ,          ,        ,        .

    : ,  1952 . Hansa Gallery    ,       .       ,         . ,        1950? .,     (Tobacco King) 1956 .  , ,  (Blue Blue Blue)   ,   .        ,  ,       (action collage)  ,    .    ,          : , , , , , ,  ,   ,  . .  ,         ,     (Penny Arcade) 1956 .   ,   ,       : ,     (Wall/Kiosk/Rearrangeable Panels, 19571959 .).           ,        ,     ,       ;      ,    ,          ,    .  , ,      ,     ,          .           , ,      ,    .

         -.     //  (. 2  ),     ,       .    2,5     6        :       ,  ,  ,     ,  ,   ,  .            [194 - . .     -      :     .                 . .:  . .   . .: - , 1993. . 218.],           ,         ,    .

        .     .  ,                  [195 - Kaizen W. Framed Space P. 92.], .  ,        [196 - Reiss J. H. From Margin to Center P. 11.].     ,               ,         ,           .  ,           ( )     par excellence.     ,      ,  ,    ,              1960? .,    ,  ,  [197 -        . .  American Connections: The Early Works of Thomas Bang. .: Anne Ring Petersen. American Connections: The Early Works of Thomas Bang // RIHA Journal. 2015. 0128. URL: https://www.riha-journal.org/articles/2015/2015-jul-sep/ring-american-connections/ (Accessed 2.07.2019).].          ,     .

        , ,    ,      1957 .     .  ,          ,   ,        .   , ,     , ,   .    ,       [198 - ,         . .: Reiss J. H. From Margin to Center P. 1820.].     ,  ,         ,      (      ).      ,    ,         [199 - Kaprow A. Assemblages, Environments and Happenings // Art in Theory 19002000 P. 705.].  ,        ,  -.                 ,      ,   [200 - Kaprow A. A Statement // Happenings. An Illustrated Anthology / Ed. M. Kirby. New York: E. P. Dutton & Co., Inc., 1965. P. 49.].

      Hansa Gallery  1958 .[201 -         ,        .]    ,   ,       ,   ,   ,      ,   ,  ,            [202 - .: Kaizen W. Framed Space P. 95.].      ,     .     ,     ,     :



   ,    ,    .     ,  ,   ,   ,   ,       [203 - Kaprow A. Notes on the Creation of a Total Art. P. 11.].


          ,    ,   .       :



       . <>        .      . <>     .         [204 - Oldenburg C. I Am for an Art // Art in Theory 19002000 P. 729.].


    ,    ,      ,    1950?   1960?       :



         ,            ,   .  ,      ,    .  ,           .       ,         .      ?           [205 - Hapgood S., Kaprow A. Interview with Allan Kaprow // Neo-Dada: Redefining Art, 19581960 / S. Hapgood. New York: American Federation of the Arts, 1994. P. 116.].


   -  , Junk Culture[206 -   .         Architectural Design  1961 . .: Kaizen W. Framed Space P. 94.],     ,     , , -[207 -     1957 .  - . . . :  . .   . . 211.],         ,   ,       .

 ,     ,   ,      ,          ,         [208 - Kaprow A. From Assemblages, Environments and Happenings // Modern Sculpture Reader. P. 232.].   ,        ,      , , . ,             ,      .        ,   ,      ,       .      ,   ,         ,        ,     .        ,     ,    ,     ,      .    ,   ,                  .         ,   ,    ,   ,  ,  [209 - Ibid. P. 232233.].   ,   ,    ,    1950?   1960? ,     ,     ,     ,    .


***

      (Words)    .     Smolin Gallery  1962 .          ,       -[210 -  - :  11   22 ,      ,  Smolin Gallery,    19 East 71 St., 19,  ,  ,   ,        ,   . . : Reiss J. H. From Margin to Center P. 4.]:                ,   .       ,  ,   ,   .            .  ,      ,         , , ,  ,    .   ,    ,   ,       ,   .  ,  ,            Scrabble,  ,      ,   ,     ,    -.

          .       ,   ,   ,         .        ,                ,   ,      [211 - Reiss J. H. From Margin to Center P. 29.].          - ,   Judson Gallery[212 - Judson Gallery      ,    1960? .,    (Judson Memorial Church).  1960 .   .   . , , . .: Reiss J. H. From Margin to Center P. 2426.], Reuben Gallery, Hansa Gallery[213 - Hansa Gallery         , .   . .    1952  1959 .], City Gallery, Delancey Street Museum[214 - City Gallery  Delancey Street Museum          .].       ,       ,          .             ,         , ,  . ,   ,     ,     (An Apple Shrine) (. 3),   Judson Gallery  1960 .,      .

      ,    ,  ,        ,     .         ,       ,      ,   ,        : , , .    ,    ,  ,          [215 - Reiss J. H. From Margin to Center P. 29.].       ,  ,    ,  ,          (   )   .






. 3.  .  . 1960. Judson Gallery, -. Photo: Robert R. McElroy. Reiss J. H. From Margin to Center: The Spaces of Installation Art. Cambridge, Mass.: MIT Press, 1999. P. 12.



  ,      ,           ,      ,    (     .    Ambiente/arte).  ,    1963 .,    MoMA   ,      ,      .           :      (Push and Pull  A Furniture Comedy for Hans Hofmann),    . , ,       .       .  ,     , ,    ,   ,       ,       .            , ,   ,         ,  ,  ,        [216 - Push and Pull  A Furniture Comedy for Hans Hofmann: exh. press release. New York: The Museum of Modern Art, 1963. URL: https://assets.moma.org/momaorg/shared/pdfs/docs/press_archives/3139/releases/MOMA_1963_0051_48.pdf (Accessed 1.05.2020).].  ,     ,       push and pull,  :   ,           ,       (push)   (pull)[217 - Seitz W. C. Hans Hofmann. New York: The Museum of Modern Art, 1963. P. 2732.].    ,  MoMA,       ,       .   ,  ,      -    .    MoMA    ,    ,  -,      Santini  -.        -  [218 - Push and Pull  A Furniture Comedy for Hans Hofmann. URL: https://assets.moma.org/momaorg/shared/pdfs/docs/press_archives/3139/releases/MOMA_1963_0051_48.pdf (Accessed 1.05.2020).], ,  ,   ,  Β  -  [219 - Reiss J. H. From Margin to Center P. 3031.].    -    ,            .  ,          ,    ,     ,     ,   . ,    ,     ,      19631965 .,    ;         ,      [220 - Ibid. . 31.].


***

    1960? .      ,   . ,       , ,  (Environments, Situations, Spaces),   1961 .   Martha Jackson Gallery[221 -        ,       ,     1960? .        ,    Judson Gallery  Reuben Gallery,     .].     , , , ,     . ,  ,   𻠖   ,    ,       ;  ,  , ,   ,  -        . ,     ,  ,     ,    ,   ,          .  Martha Jackson Gallery     ,      [222 - Reiss J. H. From Margin to Center P. 37.].     , ,       . ,  Β       - :



          ,       ,   ,  .   ,        ,           - ,     .  ,      ,      . <>   ,      [ ],  ,    [223 - ODoherty B. Art: 3Displays Run Gamut of Styles // The New York Times. 1961. June 6. P. 43. URL: https://www.nytimes.com/1961/06/06/archives/art-3-displays-run-gamut-of-styles-shows-called-wise-witty-and.html.].


,         ,     Β  .  Β  ,   ,  1970? .,                  .

 ,  ,    1960? .      ,   , ,      (Four Environments by Four New Realists),   1964 .  Sidney Janis Gallery   , ,    ,     [224 - Reiss J. H. From Margin to Center P. 41.].     ,         ,    .







      ,   1960? .             ,      .        -.    ,  .     ,            ?  .

 ,    ,       :       ,      ,   , ,  ,         (The Present Tense of Space). ,     ,     ,         .  ,     ,              ,    [225 - Judd D. Jackson Pollock // Jackson Pollock: Interviews, Articles, Reviews. P. 115.].

     [226 - Judd D. Specific Obiects. URL: http://atc.berkeley.edu/201/readings/judd-so.pdf (Accessed 25.09.2018).] (1965)       ,            -  .  ,      Intermedia   ,  : ?     ,    ,     ,   .      ,        , ,   . .,  .       ,   :      ,  ,  ,    ,   ,  ,  ,  , ߸ ,  ,  ,  ,  .         ,           ;  ,          .    ,     ,       ,  ,      ,   .      ,       1960? .     .

 ,        .          ,             -[227 -   . . ,       , ,          ,        ,     ,   ,           ( ).    , , ,   ,        ,     ( . .    컅 . 169).].  ,        . ,     [228 -      , inherited format.],       ,     , .

 ,     .          ,      ,    [229 - Judd D. Specific Obiects. URL: http://atc.berkeley.edu/201/readings/judd-so.pdf (Accessed 25.09.2018).].         ,   ,        , , , , ,          .

         .        -:     ,         ,    .    -,   :    ,   ,   ,      [230 - - . ,   , ,    . .: , 2001. . 29.].          ,     .        ,       [231 - Fried M. Art and Objecthood. P. 157158.].                ,         ,     ,           .        (representation) , , ,   -  -,   ,  (presentation) ,     ,     1960?,       ,    , , ,     ,   ,     [232 - Morse M. Video lnstallation Art: The Body, the lmage, and the Space-in-Between // Illuminating Video: An Essential Guide to Video Art / D. Hall, S. J. Fifer. Aperture/Bay Area Video Coalition: 1990. P. 156.].

       .   ,        .          ,       , ,   .  : ,      ,   ,     : ,    .      -   (      ),        .          -, ,   , ,   [233 - Judd D. Specific Obiects. URL: http://atc.berkeley.edu/201/readings/judd-so.pdf (Accessed 25.09.2018).].

        ,      Intermedia .   ,     ,     , -       1960? . ,           1960 . :   ,          [234 - Restany P. The New Realists. P. 711.]. ,   ,                   ,   ,          ,        .       軠      ,    ,       [235 - Ibid. . 711712.].


***

    ,    ,       .       [236 -       , ,   ,    ,       .   ,            ,     .]  ,        ,         ,     ,     ,  ,      ,   .      ,    ,       .

      ,   Β    :



   ,      Lebensraum. <>  []    ,   ,    ,      [237 - Β .    . 39.].


                ,           .      ,  Die   1968 .      1965 .        ,       , ,    ,      ,        ,       ,        .       ,           -   :      (Primary Structures: Younger American and British Sculptors)    :       ,        [238 - . : Reiss J. H. From Margin to Center P. 53.]




  .


   .

   ,     (https://www.litres.ru/chitat-onlayn/?art=69954874)  .

      Visa, MasterCard, Maestro,    ,   ,     ,  PayPal, WebMoney, ., QIWI ,       .



notes



1


     / . . . . . ., 2014.




2


            .     :  . .: Reiss J. H. From Margin to Center: the Spaces of Installation Art. Cambridge, Mass.: MIT Press, 1999. 181 p.




3


.: Bishop C. Installation Art: A Critical History. London: Routledge, 2005. P. 6; Installation Art / N. de Oliveira, N. Oxley, M. Petry, M. Archer (texts). London: Thames and Hudson Ltd, 1994. P. 11.




4


Reiss J. H. From Margin to Center P. xii.




5


Ibid.




6


.: Bishop C. Installation Art 144 p.; Petersen A. R. Installation Art Between Image and Stage. Copenhagen: Museum Tusculanum Press, 2015. 507 p.; Ran F. A History of Installation Art and the Development of New Art Forms: Technology and the Hermeneutics of Time and Space in Modern and Postmodern Art from Cubism to Installation. New York: Peter Lang Publishing Inc, 2009. 256 p.; Rebentisch J. Aesthetics of Installation Art. Berlin: Sternberg Press, 2012. 296 p.




7


Reiss J. H. From Margin to Center 1999. 181 p.




8


.    . -: Tupitsyn M. The Raison DEtre of Installation Art // Moscow Vanguard Art 19221992. London and New Haven: Yale University Press, 2017. P. 130165.




9


Kaprow A. Assemblage, Environments and Happenings. New York: Harry N. Abrams, 1966. 341 p.




10


Reiss J. H. From Margin to Center P. xi.




11


Judd D. Specific Obiects // Donald Judd: Early Work, 19551968 / Ed. T. Kellein. New York: D.A.P., 2002. URL: http://atc.berkeley.edu/201/readings/judd-so.pdf (Accessed 25.09.2018).




12


Restany P. The New Realists // Art in Theory 19002000: An Anthology of Changing Ideas / Eds. C. Harrison, P. Wood. Oxford: Blackwell Publ., 1999. P. 711712.




13


Higgins D., Higgins H. Intermedia // Leonardo. 2001. Vol. 34. 1. P. 4954.




14


Kaprow A. Assemblages, Environments and Happenings // Art in Theory 19002000: An Anthology of Changing Ideas / Eds. C. Harrison, P. Wood. Oxford: Blackwell Publ., 1999. P. 706.




15


Ibid.




16


Ibid. . 705.




17


         .  Function of the Studio,   ,   ,     . .: Buren D. Function of the Studio // Museums by Artists / Eds. A. A. Bronson, P. Gale. Toronto: Art Metropole, 1983. P. 6168.




18


 . .    :  -       19601990? . .: , 2007. . 59.




19


Fried M. Art and Objecthood // Art and Objecthood. Essays and Reviews. Chicago, London: University of Chicago Press, 1998. P. 148172.




20


 ,  installation              .




21


Fried M. Art and Objecthood. P. 170.




22


Ibid. . 153.




23


.. ,    .  (,               ?   ,     ,                   ,     ),  ,         ,     ,      ( . .    컅 . 171).




24


Morris R. Notes on Sculpture. Part 2 // Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, Mass.: MIT Press, 1993. P. 15.




25


Fried M. Art and Objecthood. P. 153155.




26


Ibid. P. 163.




27


Ibid. . 164.




28


Higgins D., Higgins H. Intermedia. P. 4954.




29


Fried M. Art and Objecthood. P. 163.




30


Ibid. . 164.




31


           .      :    ,     ,     ut pictura poesis.   ,     ,        . , ,    ,   ,           .  ,        ,   ,   ,    ,     .   ,  ,       ,     ?.  ,  ,   , ,   ,       . ,   ,             ,     .       :    ,         ,       .    ,     ,        ? ,   ,   .  ,    ,        . .:  . . ,       //   / . . . , . . . . .: . ., 1953. . 386387.




32


Fried M. Art and Objecthood. P. 167.




33


Fried M. How Modernism Works: A Response to T. J. Clark // Critical Inquiry. 1982. Vol. 9. 1. P. 229230.




34


., .: Auslander P. Presence and theatricality in the discourse of performance and the visual arts // From Acting to Performance: Essays in Modernism and Postmodernism. London and New York: Routledge, 2002. P. 52.




35


Fried M. An Introduction to My Art Criticism // Art and Objecthood. Essays and Reviews. Chicago, London: University of Chicago Press, 1998. P. 43.




36


Licht J. Spaces: exh. cat. New York: The Museum of Modern Art, 1969. N. p.




37


Licht J. Spaces: exh. cat.




38


Β .   .   . .:   , 2015. 144 .




39


 . . 80. (.      .)




40


 . . 100.




41


Β .   . . 75.




42


 . . 88.




43


 . . 126.




44


 . . 122.




45


Celant G. Ambiente/arte: dal futurismo alla body art: cat. del. mostra. Venezia: La biennale di Venezia, 1977. 236 p.




46


Celant G. Ambiente/arte. . 5.




47


Installation Art / N. de Oliveira, N. Oxley, M. Petry, M. Archer (texts). London: Thames and Hudson Ltd, 1994. 208 p.




48


Installation Art. P. 30.




49


Reiss J. H. From Margin to Center 181 p.




50


Ibid. P. xi.




51


Goldberg R. Space as Praxis // Manifesta Journal. 2009/2010. 7. P. 5063.




52


Space, Site, Intervention: Situating Installation Art / Ed. E. Suderburg. Minneapolis: University of Minnesota Press, 2000. 384 p.




53


Suderburg E. Introduction: On Installation and Site-Specificity // Space, Site, Intervention P. 13.




54


  , ,  ,     - . , :   .   - . ,   :    .    .




55


         -:    .   . ,  :      Asco .  ,   ,    ,         : . , . , . , . .




56


Rebentisch J. Aesthetics of Installation Art. 296 p.




57


   , ,      ,       - ,     ,    .      ( ,   )      . .:  .,  .   . : Kerber Art, 2008. . 127.




58


Rebentisch J. Aesthetics of Installation Art. P. 164165.




59


Bahtsetzis S. Geschichte der Installation. Situative Erfahrungsgestaltung in der Kunst der Moderne: Diss. zur Erlang. des akad. Grades Dr. phil. Berlin: Technische Universit?t Berlin, 2006. URL: https://depositonce.tu-berlin.de/bitstream/11303/1697/1/Dokument_7.pdf (Accessed 5.03.2019).




60


Performative Installation: exh. cat. /Ed. A. Nollert. Cologne: Snoeck, 2003. 256 p.




61


Bishop C. Installation Art 144 p.




62


       . . .




63


Bishop C. Installation Art P. 76.




64


Ibid. P. 133.




65


Ran F. A History of Installation Art 256 p.




66


Petersen A. R. Installationskunsten: Mellem billede og scene. K?benhavn: Museum Tusculanums Forlag, 2009. 520 s.




67


Petersen A. R. Installation Art Between Image and Stage. 507 p.




68


Ferriani B., Pugliese M. Ephemeral Monuments: History and Conservation of Installation Art. Los Angeles: Getty Conservation Institute, 2013. 280 p.




69


 .,  .   . 288 .




70


    :      ,  ,    ,    ,  .         .  ,         ,            ,        ,      ,    .         ,    , ,       ,     . .:  . . 92.




71


 . . 129.




72


 . . 2631.




73


 . . 27.




74


   , , ,  ,       ,    , ,    . .. .:  .,  .   . . 24.




75


 . . 40.




76


., .:  .   //  . .:   , 2012. . 6177; Groys B. Installing Communism // Utopia and Reality. El Lissitzky, Ilya and Emilia Kabakov / Ch. Esche [et al.]. Van Abbemuseum, 2012. P. 518.




77


Tupitsyn M. The Raison DEtre of Installation Art. P. 130165.             The Raison dEtre of Installation Art    ,   ,                 . . .




78


 .    21  2020;  .    8  2020,  .    15  2020, 21  2020, 23  2020;  .    29  2020;  .    18  2020;  .    16  2021;  .    18  19  2020;  .    6  2020;  .    21  22  2020.




79


.: Petersen A. R. Installation Art Between Image and Stage. P. 5589.




80


 .   / . . . . , . . , . . . . . .:   , 2004. . 110.




81


Greenberg C. Modernist Painting // Art in Theory 19002000: An Anthology of Changing Ideas / Eds. C. Harrison, P. Wood. Oxford: Blackwell Publ., 1999. P. 755.




82


 . .    컅 . 156.




83


Greenberg C. Modernist Painting // Art in Theory 19002000 P. 756.




84


Mitchell W. J. T. There Are No Visual Media // Journal of Visual Culture. 2005. Vol. 4. Issue 2. P. 258. . .         ,      . .:  . .  . .:   , 2019. . 186.




85


Kahnweiler D.?H. The Essence of Sculpture // Modern Sculpture Reader / Eds. J. Wood, D. Hulks, A. Potts. Leeds: Henry Moore Institute, 2012. P. 7677.




86


          - ,     , :   ,            ,   ,     , ,  -,               ,      ,  ,  ,   ,  ,   -    (     )         ,  . .:  .      //   . .: V-A-C press, 2015. . 44.




87


.: Petersen A. R. Installation Art Between Image and Stage. P. 5961;  . .     //  . 2019. 15.2. . 172.




88


 .     //       / . . . , . . . . .:  , 2003. . 272288.




89


., .: Anti-Illusion: Procedures/Materials: exh. cat. New York: Whitney Museum of American Art, 1969. 61 p.




90


      (The Present Tense of Space),       1970? . (  -)          . .: Morris R. The Present Tense of Space // Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, Mass.: MIT Press, 1993. P. 175209.




91


Potts A. Installation and Sculpture // Oxford Art Journal. 2001. 24.2. P. 20.




92


Petersen A. R. Installation Art Between Image and Stage. P. 59.




93


.: Bishop C. Installation Art : P. 1113.  .,  .   . . 254255.




94


,   ,   ,          ,   : ,      ,    ,   , ,      ( .,  .   . . 24, 40).




95


 .,  .  .       //   ,  (   ). .  . . . APF-Obukhova-D11528. 50 .         2020 ;  .     //    [1987] //  . : -  , 2011. . 297308;   .  //    [1987] //  . : ?  , 2011. . 278293;  .,  .   ( ) [11.09.1988] //  :       / . . .:   , 2015. . 284321.




96


 .    . . 273274.




97


Petersen A. R. Installation Art Between Image and Stage. P. 7589.




98


Potts A. The Sculptural Imagination: Figurative, Modernist, Minimalist. London and New Haven: Yale University Press, 2000. P. 207234.




99


- .    / . ., . . . . . .: , 1992. . 13.




100


- :        ,     ,    ,      ,    ,    .        ,        ,        .        ,     ,        ,    (- .   . . 15).




101


Potts A. The Sculptural Imagination P. 207210.




102


 ,   :    - ,        ,    -   ,          .   ,    ,         .   ,  -       ,               ,   (Butler J. Sexual Ideology and Phenomenological Description: A Feminist Critique of Merleau-Pontys Phenomenology of Perception // The Thinking Muse: Feminism and Modern French Philosophy / Eds. J. Allen, I. M. Young. Bloomington and Indianapolis: Indiana University Press, 1989. P. 98.




103


Potts A. The Sculptural Imagination P. 210211.




104


 .    //     XX :  / . . . . , . . . .: -, 2007. . 315316.




105


Buchloh B. H.-D. Detritus and Decrepitude: The Sculpture of Thomas Hirschhorn // Oxford Art Journal. 2001. Vol. 24. 2. P. 46.




106


 .  . . 65.




107


Fischer-Lichte E. From Text to Performance: The Rise of Theatre Studies as an Academic Discipline in Germany // Theatre Research International. 1999. Vol. 24. 2. P. 168.




108


.: Petersen A. R. Installation Art Between Image and Stage. P. 64; Suderburg E. Introduction: On Installation and Site-Specificity. P. 2; Bishop C. Installation Art P. 6; Rebentisch J. Aesthetics of Installation Art. P. 14; Pugliese M. A Medium in Evolution: A Critical History of Installations // Ephemeral Monuments P. 23; Installation Art. P. 7.




109


 .,  .   . . 18.




110


Installation Art. P. 8.




111


Reiss J. H. From Margin to Center P. xiixiii.




112


Ibid.




113


Bishop C. Installation Art P. 6.




114


Ferriani B., Pugliese M. Preface: Ephemeral Monuments: The History and Conservation of Installations // Ephemeral Monuments P. 9; Suderburg E. Introduction: On Installation and Site-Specificity. P. 2; Petersen A. R. Installation Art Between Image and Stage. P. 384; Installation Art. P. 7.




115


Rebentisch J. Aesthetics of Installation Art. P. 14.




116


. : Petersen A. R. Installation Art Between Image and Stage. P. 64.




117


Cl?ver C. Intermediality and Interart Studies // Changing Borders. Contemporary Positions in Intermediality / Eds. J. Arvidson, M. Askander, J. Bruhn & H. F?hrer. Lund: Intermedia Press, 2007. P. 31.




118


Reiss J. H. From Margin to Center




119


Suderburg E. Introduction: On Installation and Site-Specificity. P. 122; Pugliese M. A Medium in Evolution P. 2291.




120


Ryan M.?L. Introduction // Narrative Across Media: The Languages of Storytelling / Ed. M.?L. Ryan. Lincoln and London: University of Nebraska Press, 2004. P. 15; Bruhn J. On the Borders of Poetry and Art // The Borders of Europe. Hegemony, Aesthetics and Border Poetics / Eds. H. V. Holm, S. L?greid, T. Skorgen. Aarhus: Aarhus University Press, 2012. P. 217.




121


De Oliveira N., Oxley N., Petry M. Installation Art in the New Millennium: The Empire of the Senses. London: Thames & Hudson, 2003. P. 14.




122


Higgins D., Higgins H. Intermedia. P. 4954; Fried M. Art and Objecthood. P. 170.




123


Mitchell W. J. T. There Are No Visual Media. P. 260.




124


Higgins D., Higgins H. Intermedia. P. 4954.




125


           media studies,           ut pictura poesis,        XVIII     ,      ,     ,  ,    1960? .,       ,         .   ut pictura poesis    .: Bruhn J. On the Borders of Poetry and Art. P. 217230.




126


Higgins D., Higgins H. Intermedia. P. 49.




127


Ibid. . 50.




128


Higgins D., Higgins H. Intermedia. P. 50.




129


Mitchell W. J. T. There Are No Visual Media. P. 257266; Bruhn J. On the Borders of Poetry and Art. P. 227.




130


Rosler M. Installed In The Place Of The Public // Oxford Art Journal. 2001. 24.2. P. 59.




131


Ryan M.?L. Introduction. P. 1519.




132


 .  . . 65.




133


Licht J. Spaces: exh. cat. N. p.; Petersen A. R. Installation Art Between Image and Stage. P. 7273.




134


Petersen A. R. Installation Art Between Image and Stage. P. 33.




135


Ibid.




136


Petersen A. R. Installation Art Between Image and Stage. P. 4145.




137


Osborne P. Anywhere or Not at All: Philosophy of Contemporary Art. London, New York: Verso, 2013. P. 102.




138


Installation Art. P. 7.




139


Goldberg R. Space as Praxis. P. 5063.




140


Β  .    . 12829; Installation Art. P. 3637.




141


Wainwright O. How We Made the Wrapped Reichstag // The Guardian. 2017. URL: https://www.theguardian.com/artanddesign/2017/feb/07/how-we-made-the-wrapped-reichstag-berlin-christo-and-jeanne-claude-interview (Accessed 24.12.2019).




142


Β .    . 132.




143


Rebentisch J. Aesthetics of Installation Art. P. 14.




144


 .  . . 237.




145


Osborne P. Anywhere or Not at All P. 8485.




146


         . ,    1990? .     ( Ovcharenko),   1992 .     .    ,      ,      : ,      ,         .   1990?        .       ( ( ),  (, ,  ))     ,     .   ,      ,   ,       ,    ( .    16  2021).




147


 .,  .   . . 22.




148


Reiss J. H. From Margin to Center P. 21.




149


.: Petersen A. R. Installation Art Between Image and Stage. P. 115121.




150


Morris R. The Present Tense of Space. P. 201202.




151


Rebentisch J. Aesthetics of Installation Art. P. 17, 134135.




152


Reiss J. H. From Margin to Center P. xvxix.




153


 .,  .   . . 253.




154


        :   ,   ,     [] ,      ( ).




155


Celant G. A Spherical Art // Ephemeral Monuments P. 1421.




156


Ibid. P. 1718.




157


Petersen A. R. Installation Art Between Image and Stage. P. 4547.




158


   .        . . .:  .    . . 297308.




159


Morris R. The Present Tense of Space. P. 175.




160


Celant G. Ambiente/arte 236 p.; Β .    144 .; Pugliese M. A Medium in Evolution P. 23.




161


 .    :    . .:   , 2017. . 19.




162


  Β          :  ,   ,   ,   , .                        . <>  -           ,   .       -      ,      -,          . .: Β .    . 3944. . :   1900 : , ,  / .  [ .]; . . , . . .:   , 2015. . 384.




163


  - ,         ,  ,  ,  ,           ,   -  . .:   1900  . 380384.




164


Β .    . 73. Β             ,   ,   . .:  . . 108.




165


Reiss J. H. From Margin to Center P. 4.




166


Ibid. P. 7.




167


Kaprow A. The Legacy of Jackson Pollock // Essays on the Blurring of Art and Life / Ed. J. Kelley. Berkeley: University of California Press, 1993. P. 19.




168


Kaprow A. Assemblage, Environments and Happenings.




169


  1900  . 382.




170


 . . 477.




171


Kaprow A. The Legacy of Jackson Pollock. P. 2.




172


Kaprow A. The Legacy of Jackson Pollock. P. 2.




173


Ibid. . 3.




174


Fried M. Art and Objecthood. P. 166.




175


Kaprow A. The Legacy of Jackson Pollock. P. 5.




176


Kaprow A. The Legacy of Jackson Pollock. P. 79.




177


Ibid. . 9.




178


Kaprow A. Notes on the Creation of a Total Art // Essays on the Blurring of Art and Life. P. 11.




179


Kaizen W. Framed Space: Allan Kaprow and the Spread of Painting // Grey Room. 2003. 13. P. 100.




180


 :     ,       ,   . .: Jackson Pollock: Interviews, Articles, Reviews / Ed. P. Karmel. New York: Museum of Modern Art, 1999. P. 18.




181


Kaprow A. Assemblage, Environments and Happenings.




182


Kaizen W. Framed Space P. 81.




183


.        : Pollock J. Application for Guggenheim Fellowship // Jackson Pollock: Interviews, Articles, Reviews. P. 17.




184


., : Greenberg C. Art [1948] // Jackson Pollock: Interviews, Articles, Reviews. P. 5960.  .   The Situation at the Moment,   1948 . Partisan Review. . : Kaizen W. Framed Space P. 85.




185


Greenberg C. The Crisis of the Easel Picture [1948] // Art and Culture. Critical Essays. Boston: Beacon Press, 1989. P. 154157.




186


. : Kaizen W. Framed Space P. 85.




187


             :       ,    ,          -,  . . .: Lum E. Pollocks Promise: Toward an Abstract Expressionist Architecture // Assemblage. 1999. 39. P. 6293.




188


Kaizen W. Framed Space P. 83.




189


Ibid. . 103.




190


Ibid. . 86.




191


Kaizen W. Framed Space . 88.




192


,         ,  1959 .,   Reuben Gallery. .: Reiss J. H. From Margin to Center P. 28; Kaizen W. Framed Space P. 97.




193


Kaizen W. Framed Space P. 8990.




194


. .     -      :     .                 . .:  . .   . .: - , 1993. . 218.




195


Kaizen W. Framed Space P. 92.




196


Reiss J. H. From Margin to Center P. 11.




197


       . .  American Connections: The Early Works of Thomas Bang. .: Anne Ring Petersen. American Connections: The Early Works of Thomas Bang // RIHA Journal. 2015. 0128. URL: https://www.riha-journal.org/articles/2015/2015-jul-sep/ring-american-connections/ (Accessed 2.07.2019).




198


,         . .: Reiss J. H. From Margin to Center P. 1820.




199


Kaprow A. Assemblages, Environments and Happenings // Art in Theory 19002000 P. 705.




200


Kaprow A. A Statement // Happenings. An Illustrated Anthology / Ed. M. Kirby. New York: E. P. Dutton & Co., Inc., 1965. P. 49.




201


        ,        .




202


.: Kaizen W. Framed Space P. 95.




203


Kaprow A. Notes on the Creation of a Total Art. P. 11.




204


Oldenburg C. I Am for an Art // Art in Theory 19002000 P. 729.




205


Hapgood S., Kaprow A. Interview with Allan Kaprow // Neo-Dada: Redefining Art, 19581960 / S. Hapgood. New York: American Federation of the Arts, 1994. P. 116.




206


  .         Architectural Design  1961 . .: Kaizen W. Framed Space P. 94.




207


    1957 .  - . . . :  . .   . . 211.




208


Kaprow A. From Assemblages, Environments and Happenings // Modern Sculpture Reader. P. 232.




209


Ibid. P. 232233.




210


 - :  11   22 ,      ,  Smolin Gallery,    19 East 71 St., 19,  ,  ,   ,        ,   . . : Reiss J. H. From Margin to Center P. 4.




211


Reiss J. H. From Margin to Center P. 29.




212


Judson Gallery      ,    1960? .,    (Judson Memorial Church).  1960 .   .   . , , . .: Reiss J. H. From Margin to Center P. 2426.




213


Hansa Gallery         , .   . .    1952  1959 .




214


City Gallery  Delancey Street Museum          .




215


Reiss J. H. From Margin to Center P. 29.




216


Push and Pull  A Furniture Comedy for Hans Hofmann: exh. press release. New York: The Museum of Modern Art, 1963. URL: https://assets.moma.org/momaorg/shared/pdfs/docs/press_archives/3139/releases/MOMA_1963_0051_48.pdf (Accessed 1.05.2020).




217


Seitz W. C. Hans Hofmann. New York: The Museum of Modern Art, 1963. P. 2732.




218


Push and Pull  A Furniture Comedy for Hans Hofmann. URL: https://assets.moma.org/momaorg/shared/pdfs/docs/press_archives/3139/releases/MOMA_1963_0051_48.pdf (Accessed 1.05.2020).




219


Reiss J. H. From Margin to Center P. 3031.




220


Ibid. . 31.




221


       ,       ,     1960? .        ,    Judson Gallery  Reuben Gallery,     .




222


Reiss J. H. From Margin to Center P. 37.




223


ODoherty B. Art: 3Displays Run Gamut of Styles // The New York Times. 1961. June 6. P. 43. URL: https://www.nytimes.com/1961/06/06/archives/art-3-displays-run-gamut-of-styles-shows-called-wise-witty-and.html.




224


Reiss J. H. From Margin to Center P. 41.




225


Judd D. Jackson Pollock // Jackson Pollock: Interviews, Articles, Reviews. P. 115.




226


Judd D. Specific Obiects. URL: http://atc.berkeley.edu/201/readings/judd-so.pdf (Accessed 25.09.2018).




227


  . . ,       , ,          ,        ,     ,   ,           ( ).    , , ,   ,        ,     ( . .    컅 . 169).




228


     , inherited format.




229


Judd D. Specific Obiects. URL: http://atc.berkeley.edu/201/readings/judd-so.pdf (Accessed 25.09.2018).




230


- . ,   , ,    . .: , 2001. . 29.




231


Fried M. Art and Objecthood. P. 157158.




232


Morse M. Video lnstallation Art: The Body, the lmage, and the Space-in-Between // Illuminating Video: An Essential Guide to Video Art / D. Hall, S. J. Fifer. Aperture/Bay Area Video Coalition: 1990. P. 156.




233


Judd D. Specific Obiects. URL: http://atc.berkeley.edu/201/readings/judd-so.pdf (Accessed 25.09.2018).




234


Restany P. The New Realists. P. 711.




235


Ibid. . 711712.




236


      , ,   ,    ,       .   ,            ,     .




237


Β .    . 39.




238


. : Reiss J. H. From Margin to Center P. 53.


